REFERENCES
- Aufderheide , P. ( 2007 ). Documentary: A very short introduction . New York : Oxford University Press .
- Austin , T. , & de Jong , W. (Eds.). (2008). Rethinking documentary. New perspectives, new practices . Maidenhead , UK : OPU.
- Banks ( 2007 ). The politics of cultural work . Basingstoke , UK : Palgrave Macmillan .
- Barnett , S. , & Seymour , E. ( 1999 ). A shrinking iceberg travelling south…changing trends in british television: A case study of drama and current affairs . London : Campaign for Quality Television .
- Bourdieu , P. ( 1986 ). “The forms of capital.” In J. Richardson (Ed.), Handbook of theory and research for the sociology of education (pp. 241 – 258 ). New York : Greenwood Press .
- Brennan , E. ( 2003 ). The Fair City production line: An examination of soap opera's potential contribution to the public sphere . Dublin , Ireland : University College Dublin .
- Broadcast Indie Survey 2008 . ( 2008, March ). The annual survey of the UK's independent TV producers in Broadcast . 14 March 2008 .
- Bruzzi , S. ( 2000 ). New documentary: A critical introduction . London : Routledge .
- Chaney , D. , & Pickering , M. ( 1986 ). Authorship in documentary: Sociology as an art form in mass Observation . In J. Corner (Ed.), Documentary and the mass media . London : Edward Arnold .
- Corner , J. ( 1996 ). The art of record: A critical introduction to documentary . Manchester , UK : MUP .
- Corner , J. ( 2006 ). “A fiction (un)like any other?” Critical Studies in Television , 1 ( 1 ), 89 – 96 . Retrieved December 14, 2008, from http://criticalstudiesintelevision.com
- De Jong , W. ( 2008 ). Developing and producing a feature documentary: The case of deep water . In T. Austin & W. de Jong (Eds.), Rethinking documentary. New perspectives, new practices (pp. 135 – 151 ). Maidenhead , UK : OPU .
- Dornfeld , B. ( 1998 ). Producing public television, producing public culture . Princeton , NJ : Princeton University Press .
- Dovey , J. ( 2000 ). Freakshow: first person media and factual television . London : Pluto .
- Elliott , P. ( 1972a ). The making of a television series: A case study in the sociology of culture . London : Constable .
- Elliott , P. ( 1972b ). The sociology of the professions . London : Macmillan .
- Elliott , P. ( 1979 ). Media organizations and occupations: An overview . In J. Curran , M. Gurevitch , & J. Woollacott (Eds.), Mass communication and society (pp. 142 – 173 ). Beverly Hills , CA : Sage .
- Galtung , J. , & Holmboe Ruge , M. ( 1965 ). The structure of foreign news. the presentation of the congo, cuba and cyprus crisis in four norwegian newspapers . Journal of Peace Research , 2 ( 1 ), 64 – 91 .
- Hall , S. ( 1979 ). Culture, the media and the “ideological effect.” In J. Curran , M. Gurevitch , & J. Woollacott (Eds.), Mass communication and society . (pp. 315 – 348 ). Beverly Hills , CA : Sage .
- Havens , T. ( 2006 ). Global television marketplace . London : BFI Publishing .
- Hesmondhalgh , D. (Ed.). ( 2006 ). Media production . Maidenhead , UK : Open University Press .
- Hesmondhalgh , D. ( 2007 ). The cultural industries . ( , 2nd ed. ). London : Sage .
- Hill , A. ( 2007 ). Restyling factual TV. The reception of news, documentary and reality genres . Abingdon , UK : Routledge .
- Kilborn , R. ( 2003 ). Staging the real. Factual TV programming in the age of big brother . Manchester , UK : Manchester University Press .
- Kilborn , R. , & Izod , J. ( 1997 ). An introduction to television documentary: confronting reality . Manchester , UK : Manchester University Press .
- McPhail , T. L. ( 2002 ). Global communication: Theories, stakeholders, and trends . Boston : Allyn and Bacon .
- Moran , A. ( 1998 ). Copycat TV: Globalisation, program formats and cultural identity . Luton , UK : Luton University Press .
- Nelson , R. (2006). “Quality television!”: “The Sopranos is the best television drama ever…in my humble opinion…” Critical Studies in Television , 1(1), 59–71. Retrieved December 14, 2008, from http://criticalstudiesintelevision.com
- Nelson , R. ( 2007 ). TV fiction exchange: Local/regional/national/global . Critical Studies in Television , 2 ( 2 ), 4 – 17 . Retrieved December 14, 2008, from http://criticalstudiesintelevision.com
- Nichols , W. ( 2001 ). Introduction to documentary . Bloomington : Indiana University Press .
- Ofcom. ( 2008 ). Communications market report 2008 . London : Office of Communications .
- Robins , K. ( 1997 ). What in the world is going on? In P. du Gay (Ed.), Production of culture/Culture of production (pp. 11 – 47 ). Milton Keynes : The Open University .
- Rosenthal , A. (Ed.) ( 1988 ). New challenges for documentary . Berkeley, CA : University of California Press .
- Sarikakis , K. ( 2004 ). British media in a global era . London : Arnold .
- Sills-Jones , D. ( 2007 ). A Return to the ‘big’ discourse: Interviewing history documentary makers. Conference paper . Retrieved October 2, 2007, from http://journalhosting.org/meccsa-pgn
- Silverstone , R. ( 1985 ). Framing science: The making of a BBC documentary . London : BFI .
- Thomas , L. ( 2008 ). ITV Productions to make fewer docs . Broadcast Online , 03/11/07. Retrieved November 5, 2007, from http://www.broadcastnow.co.uk
- Thompson , S. ( 2008 ). Thompson urged not to “emasculate” Storyville . Broadcast Online , 20/08/07. Retrieved September 13, 2007, from http://www.broadcastnow.co.uk
- Toynbee , J. ( 2000 ). Making popular music: Musicians, creativity and institutions . London : Arnold .
- Tunstall , J. ( 1971 ). Journalists at work. Specialist correspondents: Their news organizations, news sources, and competitor challenges . London : Constable .
- Zoellner , A. ( 2002 ). Der dokumentarische Film im deutschen und britischen Fernsehen 2000: Eine vergleichende Programmanalyse [Documentary Film in German and British Television 2000: A comparative programme analysis]. Unpublished master's thesis, Universität Leipzig, Leipzig, Germany .