1,292
Views
9
CrossRef citations to date
0
Altmetric
Original Articles

Global Trauma and the Cinematic Network Society

Pages 209-234 | Published online: 23 Jul 2010

References

  • Appadurai , A. 1990 . “ Disjuncture and difference in the global cultural economy ” . In Global culture: Nationalism, globalization, and modernity , Edited by: Featherstone , M. 295 – 310 . London : Sage .
  • Appiah , A. K. 2006 . Cosmopolitanism: Ethics in a world of strangers , London : W. W. Norton .
  • Bennett , T. 2003 . “ Culture and covernmentality ” . In Foucault, cultural studies, and governmentality , Edited by: Bratich , J. Z. , Packer , J. and McCarthy , C. New York : State University of New York Press .
  • Bennett , T. 2004 . Pasts beyond memory: evolution, museums, colonialism , London : Routledge .
  • Berlant , L. 2000 . “ The subject of true feeling: Pain, privacy, and politics ” . In Cultural studies and political theory , Edited by: Dean , J. 42 – 62 . Ithaca, NY : Cornell University Press .
  • Bhabha , H. K. 1994 . The location of culture , London : Routledge .
  • Biskind , P. 1999 . Easy riders, raging bulls: How the sex-drugs-and-rock ‘n’ roll generation saved hollywood , New York : Simon & Schuster .
  • Bratich , J. Z. , Packer , J. , & McCarthy , C. 2003 . Foucault, cultural studies, and governmentality . New York : State University of New York Press .
  • Brockington , D. 2008 . Powerful environmentalisms: Conservation, celebrity and capitalism . Media, Culture & Society , 30 ( 4 ) : 551 – 568 .
  • Bruns , J. 2008 . The polyphonic film . New Review of Film and Television Studies , 6 ( 2 ) : 189 – 212 .
  • Buckland , W. 2009 . Puzzle films: complex storytelling in contemporary cinema . London : Wiley-Blackwell .
  • Caine , J. 2005 . The constant gardener: The shooting script , Los Angeles : Newmarket Press .
  • Calabrese , A. 2007 . Historical memory, media studies and journalism ethics . Global Media and Communication , 3 ( 3 ) : 363 – 370 .
  • Caruth , C. 1995 . Trauma: Explorations in memory , Baltimore : Johns Hopkins University Press .
  • Castells , Manuel . 1996 . The rise of the network society , Malden : Blackwell Publishers .
  • Castells , M. 2001 . The internet galaxy: Reflections on the internet, business and society , New York : Oxford University Press .
  • Castells , M. 2006 . The network society: From knowledge to policy , Washington, DC : The Center for Transatlantic Relations .
  • Chouliaraki , Lilie . 2006 . The spectatorship of suffering , London : SAGE .
  • Chow-White , P. 2006 . Race, gender and sex on the net: Semantic networks of selling and storytelling sex tourism . Media, Culture & Society , 28 ( 6 ) : 883 – 905 .
  • Clarke , D. B. 1997 . The cinematic city . London : Routledge .
  • Clover , C. 1993 . Men, women, and chainsaws: Gender in the modern horror film , Princeton, NJ : Princeton University Press .
  • Collins , S. 2008 . “Calling all stars”: The Emergence of star political authority and mechanism of governance in the bond drives of World War I (Unpublished Ph.D. dissertation) . Department of Media, Culture, and Communication, New York University .
  • Collins , S. 2009 . Celebrity activism and 9/11: “A simple show of unity.” In R. Schubart , F. Virchow , T. Thomas & D. White-Stanley War isn't hell, it's entertainment: War in modern culture and visual media 77 96 . Jefferson, NC : McFarland .
  • Conrad , J. 1899 . Heart of darkness , London : Penguin Classics .
  • Cote , M. 2007 . The Italian Foucault: Communication, networks, and the dispositif (Unpublished Ph.D. dissertation) . School of Communication. Simon Fraser University, Burnaby, Canada .
  • Cubitt , S. 2004 . The cinema effect , Cambridge, MA : The MIT Press .
  • Cubitt , S. 2006 . “ The fading of the elves: eco-catastrophe, technopoly, and bio-security ” . In From hobbits to hollywood: Essays on peter jackson's lord of the rings , Edited by: Pommerance , M. and Mathijs , E. 65 – 80 . Amsterdam : Rodopi .
  • Datta , R. P. 2008 . Politics and existence: Dispositifs and some striking parallels between Durkheim and Foucault . Journal of Classical Sociology , 8 : 283 – 305 .
  • Deleuze , G. 1995 . Negotiations , New York : Columbia University Press .
  • Dixon , D. and Zonn , L. 2005 . Confronting the geopolitical aesthetic: Fredric Jameson, The Perfumed Nightmare and the perilous place of third cinema . Geopolitics , 10 ( 2 ) : 290 – 315 .
  • Dixon , Wheeler W. 2003 . Visions of the apocalypse: spectacles of destruction in American cinema , London : Wallflower Press .
  • Downing , J. 2007 . Terrorism, torture, and television: 24 in its context . Democratic Communique , 21 ( 2 ) : 62 – 68 .
  • Fanon , F. 1961 . The wretched of the earth , Harmondsworth, , UK : Penguin .
  • Fanon , F. 1967 . Black skin, white masks (Trans. C. L. Markammann) . New York : Grove Press .
  • Field , S. 2006 . A screenwriter's workbook , New York : Bantam .
  • Foucault , M. 1972 . The archaeology of knowledge (Ed. and Trans. A.M. Sheridan Smith) . New York : Harper and Row .
  • Foucault , M. 1977 . Discipline and punish: The birth of the prison (Trans. Alan Sheridan) . New York : Vintage .
  • Foucault , M. 1980a . Power/knowledge: Selected interviews and other writings, 1972–1977 , New York : Pantheon Books .
  • Foucault , M. 1980b . “ Governmentality ” . In The Foucault effect , Edited by: Burchell , G. , Gordon , C. and Miller , P. 87 – 104 . London : Harvester Wheatsheaf .
  • Foucault , M. 1980c . The confession of the flesh . Interview in : C. Gordon Power/knowledge selected interviews and other writings 194 228 . New York : Pantheon .
  • Foucault , M. 1988 . “ Technologies of the self ” . In Technologies of the self , Edited by: Gutman , H. , Hutton , P. H. and Martin , L. H. 16 – 49 . London : Tavistock .
  • Foucault , M. 1994 . “ La Societie Discipinaire en Crise ” . In Dits et Ecrits , Edited by: Foucault , M. Vol. 2 , 532 – 534 . Paris : Galimard .
  • Galloway , A. 2003 . Protocol: How control exists after decentralization , Cambridge, MA : The MIT Press .
  • Goldman , W. 2001 . Which lie did I tell? More adventures in the screen trade , New York : Vintage .
  • Greenberg , J. 2003 . Trauma at home: After 9/11 , Lincoln : University of Nebraska Press .
  • Hardt , M. 1995 . The withering of civil society , Social Text , 45 (Winter) , 27 44 .
  • Hasian , M. 2001 . Nostalgic longings, memories of the ‘‘Good War,’’ and cinematic representations in Saving Private Ryan . Critical Studies in Media Communication , 18 ( 3 ) : 338 – 358 .
  • Hayward , S. 2008 . Beyond desire? Star bodies and sensation . Communication, Culture & Critique , 1 ( 3 ) : 253 – 267 .
  • Herman , J. 1992 . Trauma and recovery: The aftermath of violence – from domestic abuse to political terror , New York : Basic Books .
  • Hook , D. 2007 . Foucault, psychology and the analytics of power , London : Palgrave .
  • Hutton , P. H. 1988 . “ Foucault, Freud, and the technologies of the self ” . In Technologies of the self , Edited by: Gutman , H. , Hutton , P. H. and Martin , L. H. London : Tavistock .
  • Jameson , F. 1988 . “ Cognitive mapping ” . In Marxism and the interpretation of culture , Edited by: Nelson , C. and Grossberg , L. 347 – 358 . Urbana : University of Illinois Press .
  • Jameson , F. 1992 . The geopolitical aesthetic , Bloomington : Indiana University Press .
  • Kaplan , E. A. 1997 . Looking for the other , London : Routledge .
  • Kaplan , E. A. 2005 . Trauma culture: The politics of terror and loss in media culture , New Brunswick, NJ : Rutgers University Press .
  • Kaplan , E. A. 2008 . Global trauma and public feelings: Viewing images of catastrophe . Consumption Markets & Culture , 11 ( 1 ) : 3 – 24 .
  • Kaplan , E. A. , & Wang , B. 2004 . Trauma and cinema: Cross-cultural explorations . Hong Kong : Hong Kong University Press .
  • Kellner , D. 1982 . Poltergeist: Suburban ideology . Jump Cut , 28 (April) , 5 6 .
  • Kellner , D. 2003 . Media spectacle , New York : Routledge .
  • Kellner , D. 2005 . Media spectacle and the crisis of democracy , Boulder, CO : Paradigm Publishers .
  • Kessler , F. 2004 . “ The cinema of attractions as dispositif ” . In The cinema of attractions reloaded , Edited by: Strauven , W. 57 – 70 . Amsterdam : Amsterdam University Press .
  • King , S. 2006 . Pink ribbons, Inc , Minneapolis : University of Minnesota Press .
  • Klien , S. 2005 . Public character and the simulacrum: The construction of the soldier patriot and citizen agency in Black Hawk Down . Critical Studies in Media Communication , 22 ( 5 ) : 427 – 449 .
  • La Capra , D. 2001 . Writing history, writing trauma , Baltimore, NJ : The Johns Hopkins University Press .
  • Lowenstein , Adam . 2005 . Shocking representation: Historical trauma, national cinema, and the modern horror film , New York : Columbia University Press .
  • Mahoney , E. 1997 . “ The people in parentheses: Space under pressure in the postmodern city ” . In The cinematic city , Edited by: Clarke , D. B. 168 – 185 . London : Routledge .
  • McCabe , C. 1992 . “ Preface ” . In The Geopolitical Aesthetic , Edited by: Jameson's , F. ix – xvi . Bloomington : Indiana University Press .
  • McKee , R. 2008 . Story. Substance, structure, style, and the principles of screenwriting , New York : HarperCollins .
  • Metz , C. 1990 . Film language: A semiotics of the cinema (Trans. M. Taylor) . Chicago : University of Chicago Press .
  • Miller , T. 1993 . The well-tempered self: Citizenship, culture, and the postmodern subject , Baltimore, NJ : The Johns Hopkins University Press .
  • Miller , T. , Govil , N. , McMurria , J. , Wang , T. and Maxwell , R. 2006 . Global Hollywood 2 , London : British Film Institute Publishing .
  • Mitchell , C. P. 2004 . Filmography of social issues: A reference guide , Westport, CT : Greenwood Press .
  • Morley , D. 2000 . Home territories: Media, mobility and identity , London : Routledge .
  • Mosco , V. 2004 . The digital sublime: Myth, power, and cyberspace , Cambridge, MA : The MIT Press .
  • Mulvey , L. 1975 . Visual pleasure and narrative cinema . Screen , 16 ( 3 ) : 6 – 18 .
  • Mulvey , L. 1989 . Visual and other pleasures , London : Routledge .
  • Mulvey , L. 1995 . Fetishism and curiosity , London : British Film Institute .
  • Narine , A. 2008 . Global trauma at home: Technology, modernity, Deliverance . Journal of American Studies , 43 ( 3 ) : 449 – 470 .
  • Narine , N. 2010 . Global trauma and narrative cinema . Theory, culture & society , 27 4 , pp. tba .
  • Nystrom , D. 2004 . Hard hats and movie brats: Auteurism and the class politics of the new Hollywood . Cinema Journal , 43 ( 3 ) : 18 – 41 .
  • Nystrom , D. 2008 . Social totality and its (incomplete) maps: Multinational capitalism and the contemporary multiplot film . Paper presented at the Society for Cinema and Media Studies Annual Conference . Philadelphia, , Pennsylvania , March 7 .
  • Owens , A. S. 2002 . Memory, war, and American identity: Saving Private Ryan as cinematic jeremiad . Critical Studies in Media Communication , 19 ( 3 ) : 249 – 282 .
  • Patton , C. 2007 . Cinematic identity: Anatomy of a problem film , Minneapolis : University of Minnesota Press .
  • Peters , M. 2001 . Poststructuralism, Marxism, and neoliberalism , New York : Rowman and Littlefield .
  • Radstone , S. 2003 . “ The war of the fathers: Trauma, fantasy, and September 11 ” . In Trauma at home: After 9/11 , Edited by: Greenberg , J. 117 – 123 . Lincoln : University of Nebraska Press .
  • Rentschler , C. 2004 . Witnessing: U.S. citizenship and the vicarious experience of suffering . Media, Culture & Society , 26 ( 2 ) : 296 – 304 .
  • Ringrose , J. and Walkerdine , V. 2008 . Regulating the abject . Feminist Media Studies , 8 ( 3 ) : 227 – 246 .
  • Roffman , P. and Purdy , J. 1981 . The Hollywood social problem film: Madness, despair, and politics from the depression to the fifties , Bloomington : Indiana University Press .
  • Sassen , S. 1998 . Globalization and its discontents , New York : The New Press .
  • Schantz , N. 2008 . Lost dogs: Melodrama and social assemblage in Amores Perros . Paper presented at the Society for Cinema and Media Studies Annual Conference . Philadelphia, , Pennsylvania , March 7 .
  • Shetley , V. 2008 . “ Violence and masculinity in Saving Private Ryan ” . In Reel histories: Studies in American film , Edited by: Croteau , M. 141 – 151 . Los Angeles : Press Americana .
  • Shiel , M. , & Fitzmaurice , T. 2001 . Cinema and the city . London : Blackwell .
  • Shohat , E. , & Stam , R. 2003 . Multiculturalism, postcoloniality, and transnational media . New Brunswick, NJ : Rutgers University Press .
  • Spivak , G. C. 1988 . “ Can the subaltern speak? ” . In Marxism and the interpretation of culture , Edited by: Nelson , C. and Grossberg , L. Chicago : University of Illinois Press .
  • Terranova , T. 2004 . Network culture: Politics for the information age , London : Pluto Press .
  • Tzanellii , R. 2007 . The cinematic tourist , London : Routledge .
  • Wahl-Jorgensen , K. 2008 . Disgust, pleasure and the failure of the liberal democratic model: Tabloid talk, media capital and emotional citizenship . International Journal of Media and Cultural Politics , 4 ( 2 ) : 145 – 162 .
  • Werber , N. 2005 . Geo- and biopolitics of middle-earth: A German reading of Tolkien's The Lord of the Rings . New Literary History , 36 ( 2 ) : 27 – 246 .
  • Willis , S. 2005 . Portents of the real , London : Verso .
  • Wood , R. 1986 . Hollywood from Vietnam to Reagan , New York : Columbia University Press .
  • Zizek , S. 2008 . Violence , London : Pegasus .
  • Zizek , S. 2002 . Welcome to the desert of the real , London : Verso .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.