References
- Butler, J. (1990). The force of fantasy: Feminism, Mapplethorpe, and discursive excess. Differences, 2(2), 105–125.
- Butler, J. (1990/2007). Gender trouble: Feminism and the subversion of identity. New York: Routledge.
- Castle, W. (Director). (1961). Homicidal [Motion picture]. Los Angeles, CA: William Castle Productions.
- Cholodenko, L. (Director). (2010). The kids are all right [Motion picture]. New York: Focus Features.
- Cowie, E. (1984). Fantasia. m/f: A Feminist Journal, 9, 71–104.
- Dean, T. (2011). The erotics of transgression. In H. Stevens (Ed.), The Cambridge companion to gay and lesbian writing (pp. 65–80). Cambridge: Cambridge University Press.
- Ducastel, O., & Martineau, J. (Directors). (2016). Theo & Hugo/Paris 05:59: Théo & Hugo/Théo et Hugo dans le même bateau [Motion picture]. Paris, France: Epicentre Films.
- Du Plessis, M. (1996). Blatantly bisexual; or, unthinking queer theory. In D. E. Hall & M. Pramaggiore (Eds.), RePresenting bisexualities: Subjects and cultures of fluid desire (pp. 19-54). New York: New York University Press.
- Eisner, S. (2013). Bi: Notes for a bisexual revolution. Berkeley: Seal Press.
- Gonzalez, Y. (Director). (2007). Intermission/Entracte [Motion Picture]. France: Sedna Films.
- Gonzalez, Y. (Director). (2009). Three celestial bodies/Les astres noirs [Motion picture]. Paris, France: Sedna Films.
- Gonzalez, Y. (Director). (2012). We will never be alone again/Nous ne serons plus jamais seuls [Motion picture]. France: Sedna Films.
- Gonzalez, Y. (2013a, October 31). Entretien avec Yann Gonzalez [Interview with Yann Gonzalez] (Nicolas Bardot, Interviewer). Retrieved from http://www.filmdeculte.com/people/entretien/Entretien-avec-Yann-Gonzalez-18572.html
- Gonzalez, Y. (Director). (2013b). You and the night/Les rencontres d’après minuit [Motion picture]. France: Sedna Films.
- Gonzalez, Y. (Director). (2018a). Knife + Heart/Un couteau dans le coeur [Motion picture]. France: CG Cinéma.
- Gonzalez, Y. (2018b, June 27). Yann Gonzalez, retrouver la nuit [Yann Gonzalez, encountering the night] (P.-J Delvolvé, Interviewer). Retrieved from https://faispasgenre.com/2018/06/yann-gonzalez-un-couteau-dans-coeur-interview/
- Gonzalez, Y., & UniFrance. (2018). KNIFE + HEART (UN COUTEAU DANS LE COEUR) [Press kit]. Retrieved from https://medias.unifrance.org/medias/98/5/197986/presse/knife-heart-presskit-english.pdf
- Gorfinkel, E. (2018). Lewd looks: American sexploitation cinema in the 1960s. Minneapolis, MN: University of Minnesota Press.
- Guiraudie, A. (Director). (2013). Stranger by the lake/L’innconu du lac [Motion picture]. Paris, France: Les Films du Worso.
- Hall, D. E. (2009). Reading sexualities: Hermeneutic theory and the future of queer studies. London: Routledge.
- Laplanche, J., & Pontalis, J.-B. (1968). Fantasy and the origins of sexuality. The International Journal of Psycho-Analysis, 49(1), 1–18.
- Lebrun, H. J. (2018, July 2). Hervé Joseph Lebrun: le porno gay seventies dans le coeur [Hervé Joseph Lebrun: In the heart of gay seventies porn] (Hugues Demusy, Interviewer). Retrieved from http://genres.centrelgbtparis.org/2018/07/02/herve-joseph-lebrun-le-porno-gay-seventies-dans-le-coeur/
- Lehman, P. (1993). Running scared: Masculinity and the representation of the male body. Philadelphia, PA: Temple University Press. doi:10.1086/ahr/86.2.457
- McLaughlin, S. (Director). (1987). She Must Be Seeing Things [Motion picture]. USA.
- Mulvey, L. (1981). Afterthoughts on ‘Visual pleasure and narrative cinema’ inspired by King Vidor’s Duel in the Sun (1946). Framework, 15, 12–15.
- Needham, G. (2018). Hollywood trade: Midnight Cowboy (1969) and underground cinema. In Y. Tzioumakis & P. Krämer (Eds.), The Hollywood renaissance: Revisiting American cinema’s most celebrated era (pp. 129–148). London: Bloomsbury.
- Neville, L. (2019). Girls who like boys who like boys: Women and gay male pornography and erotica. London: Palgrave Macmillan.
- Pramaggiore, M. (1996). Straddling the screen: Bisexual spectatorship and contemporary narrative film. In D. E. Hall & M. Pramaggiore (Eds.), RePresenting bisexualities: Subjects and cultures of fluid desire (pp. 272–300). New York: New York University Press.
- Redmond Smith, M. (2019, January 15). Knife + Heart. Retrieved from https://www.electricghost.co.uk/single-post/review-knife-and-heart
- Scalveau, F. (Director). (1979). The homo killer/Le tueur homo [Motion picture]. Paris, France: AMT Productions.
- Strub, W. (2019). Sanitizing the seventies: Pornography, home video, and the editing of sexual memory. Feminist Media Histories, 5(2), 19–48. doi:10.1525/fmh.2019.5.2.19
- Tensi, A.-M. (Director). (1979). Asses on fire/Fesses en feu [Motion picture]. Paris, France: AMT Productions.
- von Sternberg, J. (Director). (1932). Blonde Venus [Motion picture]. Los Angeles, CA: Paramount Publix Corporation.
- Williams, L. (1990). Hard core: Power, pleasure, and the “frenzy of the visible.” London: Pandora Press.
- Williams, L. (1991). Film bodies: Gender, genre, and excess. Film Quarterly, 44(4), 2–13. doi:10.2307/1212758