- See, e.g., George W. Keeton, Shakespeare's Legal and Political Background (London: Pitman, 1967), pp. 151–76; O. Hood Phillips, Shakespeare and the Lawyers (London: Methuen, 1972), pp. 84–90.
- Keeton, supra note at 165–76.
- Phillips, supra note at 84–85.
- See, e.g. Lawrence Danson, “The Harmonies of “The Merchant of Venice” (New Haven: Yale University Press, 1978), p. 118
- See Norman Rabkin, “Meaning and The Merchant of Venice,” Shakespeare and the Problem of Meaning (Chicago: University of Chicago Press, 1981), p. 9.
- John Barton, Playing Shakespeare (London: Methuen, 1984), p. 169.
- Danson, supra note 4 at 117–18.
- Rabkin, supra note 5 at 4–19, 27–30. Compare Danson, supra note 4 at 134–36.
- Richard Weisberg, Poethics (New York: Columbia University Press, 1993), pp. 100–4.
Law & Literature
Volume 5, 1993 - Issue 1: A Symposium Issue on The Merchant of Venice