153
Views
0
CrossRef citations to date
0
Altmetric
Articles

Microphone Czech, Keepin' It Real: Politics of Creative Strategy in Cross-Cultural Music Production

&
Pages 257-271 | Published online: 01 Aug 2013

REFERENCES

  • Alsup , J. 2004 . “ Protean subjectivities: Qualitative research and the inclusion of the personal ” . In Ethnography unbound: From theory shock to critical praxis , 219 – 237 . Albany , NY : State University of New York Press .
  • Banks , M. 2007 . The politics of cultural work , New York , NY : Palgrave Macmillan .
  • Brown , J. 2000 . “ Bartok, the gypsies, and hybridity in music ” . In Western music and its others: Difference, representation, and appropriation in music , Edited by: Born , G. and Hesmondhalgh , D. 119 – 142 . Berkeley , CA : University of California Press .
  • Collins , P. 2011 . “ What's “critical” about critical race theory? ” . In Routledge international handbook of contemporary social and political theory , Edited by: Delanty , G. and Turner , S. 160 – 176 . New York , NY : Routledge .
  • Elavsky , C. M. 2011 . Musically mapped: Czech popular music as a second ‘world sound . European Journal of Cultural Studies , 14 : 13 – 24 .
  • Feld , S. 1994 . “ From schizophonia to schismogenesis: The discourses and practices of world music and world beat ” . In Music grooves: Essays and dialogues , Edited by: Keil , C. and Feld , S. 257 – 289 . Tucson , AZ : Fenestra .
  • Goffman , E. 1979 . Gender advertisements , New York , NY : Harper & Row .
  • Hall , S. , Morley , D. and Chen , K. H. 1996 . Stuart Hall: Critical dialogues in cultural studies , Florence , KY : Psychology Press .
  • Holt , N. L. 2008 . Representation, legitimation, and autoethnography: An autoethnographic writing story . International Journal of Qualitative Methods , 2 ( 1 ) : 18 – 28 .
  • Holy , L. 1996 . The little Czech and the great Czech nation: National identity and the post-communist social transformation , Cambridge , , United Kingdom : Cambridge University Press .
  • hooks , b. 2001 . Salvation: Black people and love , New York , NY : Perennial .
  • Johnson , E. P. P. 2003 . Appropriating blackness: Performance and the politics of authenticity , Durham , NC : Duke University Press .
  • Kraidy , M. M. 2002 . Hybridity in cultural globalization . Communication Theory , 12 ( 3 ) : 316 – 339 .
  • Langenkamp, H. (2007). From monologue to dialogue: Interculturalism in contemporary ensemble music and music historiography. (Master's thesis). Utrecht University, Netherlands. http://www.researchgate.net/publication/27705728_From_Monologue_to_Dialogue%28%29_The_Poetics_and_Politics_of_InterMusical_Collaboration (http://www.researchgate.net/publication/27705728_From_Monologue_to_Dialogue%28%29_The_Poetics_and_Politics_of_InterMusical_Collaboration)
  • Levy , C. 2001 . “ Rap in Bulgaria: Between fashion and reality ” . In Global noise: Rap and hip-hop outside the USA , 134 – 138 . Middletown , CT : Wesleyan University Press .
  • Mayer , V. 2009 . Production studies: Cultural studies of media industries , New York , NY : Taylor & Francis .
  • Neal , M. A. 2004 . “ No time for fake niggas ” . In That's the joint!: The hip-hop studies reader , Edited by: Foreman , M. and Neal , M. A. 69 – 72 . New York , NY : Routledge .
  • Negus , K. 1999 . The music business and rap: Between the street and the executive suite . Cultural Studies , 13 ( 3 ) : 488 – 508 .
  • Omi , M. and Winant , H. 1994 . Racial formation in the United States: From the 1960s to the 1990s , New York , NY : Routledge .
  • Pieterse , J. N. 1994 . Globalisation as hybridisation . International Sociology , 9 ( 2 ) : 161 – 184 .
  • Rose , T. 1994 . Black noise: Rap music and black culture in contemporary America , Middletown , CT : Wesleyan University Press .
  • Ryan , B. 1991 . Making capital from culture: The corporate form of capitalist cultural production , Berlin , , Germany : de Gruyter .
  • Schloss , J. 2004 . Making beats: The art of sample-based hip-hop , Middletown , CT : Wesleyan University Press .
  • Toynbee , J. 2000 . Making popular music: Musicians, creativity and institutions , London , , United Kingdom : Arnold .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.