560
Views
2
CrossRef citations to date
0
Altmetric
Original Articles

The sopranos and genre transformation: Ideological negotiation in the gangster film

Pages 131-148 | Published online: 17 Mar 2009

References

  • Altman , R. 1999 . Film/genre , London, , UK : British Film Institute .
  • Brooks , P. 1976 . The melodramatic imagination: Henry James, melodrama, and the mode of excess , New Haven, CT : Yale University Press .
  • Carter , B. 1999 . A cable show networks truly watch . The New York Times , March 25 : E‐1 +
  • Cawelti , J. G. 1995 . “ Chinatown and generic transformation in recent American films ” . In Film genre reader II , Edited by: Grant , B. K. 227 – 245 . Austin, TX : University of Texas Press .
  • Hess , John . 1975 . Godfather II: A deal Coppola couldn't refuse . Jump Cut , 7 May‐July : 11 – 12 .
  • James , C. 1999 . Addicted to a mob family potion . The New York Times , March 25 : E‐1 +
  • Jameson , F. 1979 . Reification and Utopia in mass culture . Social Text , Winter : 135 – 150 .
  • Karimi , A. M. 1971 . Toward a definition of the American film noir (1941–1949) , New York, NY : Arno Press Cinema Program . Dissertation on Film Series
  • Metz , C. 1974 . “ Part IV: Metaphor/metonymy, or the imaginary referent ” . In The imaginary signifier: Psychoanalysis and the cinema , Edited by: Britton , C. and Williams , A. 149 – 314 . Bloomington, IN : Indiana University Press . 1977
  • Rapping , E. 1983 . The view from Hollywood: The American family and the American dream . Socialist Review , 13 (1) : 72 – 85 .
  • Schatz , T. 1981 . Hollywood genres: Formulas, filmmaking and the studio system , New York, NY : Random House .
  • Wolcott , J. 2000 . HBO's singular sensation . Vanity Fair , February : 60 – 66 .
  • Wright , J. H. 1999 . “ Genre films and the status quo ” . In Film genre reader II , Edited by: Grant , B. K. 41 – 49 . Austin, TX : University of Texas Press .
  • Patricia Keeton (Ph. D., New York University) is a Professor of Communication Arts at the Ramapo College of New Jersey, 505 Ramapo Valley Road, Mahwah, NJ 07430 ([email protected]). Her areas of research are cinema genres, social class representation, Latin American media, and global media. She is also the Director of the Latin American Video Archives (LAVA) Project, a unique collection of videotapes by Latin American producers and artists, housed at Ramapo College. Portions of this paper were presented at the annual conference of the New York State Communication Association, Monticello, NY, October 1999 and the Summer Institute of the Institute for Culture and Society/Marxist Literary Group, Georgetown University, Washington, DC, June, 2000.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.