References
- Abrams, N. (2012). Food. In The new Jew in film: Exploring Jewishness and Judaism in contemporary cinema. New Brunswick, NJ: Rutgers University Press, 160–182.
- Bender, L., (Producer)., & Yakin, B. (Director). (1998). A price above rubies. USA & UK: Channel Four Films, GreeneStreet Films, Lawrence Bender Productions, Miramax, & Pandora Cinema.
- Bhabha, H. (Ed.). (1990). DissemiNation: Time, narrative, and the margins of the modern nation. Nation and narration. London: Routledge, 291–322.
- Caspi, D. (2018). Oscars: Israel selects “The Cakemaker” for Foreign-Language Category. The Hollywood Reporter, Retrieved from https://www.hollywoodreporter.com/news/oscars-israel-selects-cakemaker-foreign-language-category-1140637.
- Cohen, J., Gottsegen, L., Hoffman, D., Koenigsberg, N., Schisgal, M., (Producers)., & Goldwyn, T. (Producer & Director). (1999). A walk on the moon. USA & Australia: Miramax, Punch 21 Productions, Groucho Film Partnership, & Village Roadshow Pictures.
- Curtis, S., Hibbin, S., (Producers)., & Goldbacher, S. (Director). (1998). The governess. UK: Arts Council of England, BBC, British Screen Productions, Pandora Cinema, & Parallax Pictures.
- Darwich, L., & Maikey, H. (2014). The road from antipinkwashing to the decolonization of Palestine. WSQ: Women's Studies Quarterly, 42(3–4), 281–285. doi: 10.1353/wsq.2014.0057
- Eadie, J. (1993/1999). Extracts from “Activating Bisexuality: Towards a Bi/Sexual Politics.” In Storr, M., (Ed.). Bisexuality: A critical reader, 119–137. London & New York, NY: Routledge.
- Ebbrecht-Hartmann, T. (2018). Projected encounters: Rolf Vogel and the beginnings of cinematic relations between Germany and Israel. The Leo Baeck Institute Year Book, 63(1), 11–33. doi: 10.1093/leobaeck/yby018
- Jerusalem Film Fund. (2015). Large-Budget International Productions. Retrieved from http://jerusalemfilmfund.com/applications/large-budget-international-productions-2/.
- Macnab, G. (2016). Israeli funds: For the love of film. Screen Daily. Retrieved from https://www.screendaily.com/features/israeli-funds-for-the-love-of-film/5106519.article.
- Puar, J. K., & Medien, K. (2018). Thinking life, death, and solidarity through colonized Palestine. Journal of Middle East Women's Studies, 14(1), 94–103. doi: 10.1215/15525864-4297141
- Roberts, B. C. (2008). Neither fish nor fowl: Imagining bisexuality in the cinema (Unpublished doctoral dissertation). New York University, New York.
- Romann, M., & Weingrod, A. (2014). Living together separately: Arabs and Jews in contemporary Jerusalem. Princeton, NJ: Princeton University Press.
- Rosenfeld, I. (1949). Adam and Eve on Delancey Street. Commentary, 8(4), 385–387.
- San Filippo, M. (2013). The B word: Bisexuality in contemporary film and television. Bloomington & Indianapolis, IN: Indiana University Press.
- Schwerbrock, M., Tamir, I., (Producers)., & Grazier, O. R. (Director). (2017). The cakemaker/האופה מברלין [Motion Picture]. Israel: Laila Films & Film Base Berlin.
- Wittlinger, R. (2018). A “model of reconciliation”? Fifty years of German-Israeli relations. Cooperation and Conflict, 53(4), 507–527. doi: 10.1177/0010836717750200