References
- ACTA (2005): Allensbacher Computer- und Technik Analyse (ACTA) [Allensbach Computer and Technology Analysis]. Online Database: www.media.spiegel.de
- Altinkemer, K., & Bandyopadhyay, S. (2000). Bundling and Distribution of Digitized Music Over the Internet. Journal of Organizational Computing and Electronic Commerce, 10(3), 209—224
- Backhaus, K. E., Bernd ; Plinke, Wulff ; Weiber, Rolf. (2003). Multivariate Anaylsemethoden. Eine anwendungsorientierte Einführung [Multivariate Analysis Methods. An Introduction] (10th. edition). Berlin u.a.: Springer
- Becker, J. U., & Clement, M. (2006). Dynamics of Illegal Participation in Peer-to-Peer Networks-Why Do People Illegally Share Media Files? Journal of Media Economics, 19(1), 7—32
- Bizer, J.; Grimm, R. & Will, A. (2006): Privacy4DRM: Nutzer- und datenschutzfreundliches Digital Rights Management [Privacy4DRM: User- and Privacy-friendly Digital Rights Management], Datenschutz und Datensicherheit, 30 (2), 69—73
- Buxmann, P., Pohl, G., Johnscher, P. & Strube, J. (2005). Strategien für den digitalen Musikmarkt. Preissetzung und Effektivität von Maßnahmen gegen Raubkopien [Strategies for Digital Music Markets: Pricing and Effectiveness of Measures against Pirate Copies]. Wirtschaftsinformatik, 47 (2), 118 - 125
- Chiang, E., & Assane, D. (2002). Copyright Piracy on the University Campus. Trends and Lessons form the Software and Music Industries. The International Journal on Media Management, 4(3), 145 - 149
- Coridaß, C., & Lantzsch, K. (2007). DRM-Formate und Standardisierungsstrategien in der digitalen Musikdistribution [DRM formats and strategies of standardization in Digital Music Distribution]. Medien- und Kommunikationswissenschaft, 55 (2)
- Frenzel, T. 2003: Akzeptanz von Systemen der digitalen Distribution im E-Commerce der Musikwirtschaft [Acceptance of Systems for Digital Distribution in the E-Commerce of the Music Industry]. Hannover: Buchholz
- Friedrichsen, M., Gerloff, D., Grusche, T., & von Damm, T. (2004). Die Zukunft der Musikindustrie - Alternatives Medienmanagement für das mp3-Zeitalter [The Future of the Music Industry –Alternative Media Management for the Age of MP3], München: Fischer (Reinhard)
- Gillespie, T. (2006). Designed to 'effectively frustrate': Copyright, Technology and the Agency of Users. New Media Society, 8(4), 651—669
- Green, P. E. & Srinivasan, V. (1990): Conjoint Analysis in Marketing. New Developments with Implications for Research and Practice. Journal of Marketing, 54(4), 3—19
- Grimm, R. (2005): Privacy for Digital Rights Management Products and their Business Cases. In: Proceedings of Axmedis 2005, Firenze: Firenze Univ. Press, 101–112
- Hammann, P., & Erichson, B. (2000). Marktforschung [Market Research] (4th. edition). Stuttgart: Lucius & Lucius
- Herrmann, A., Schmidt-Gallas, D., & Huber, F. (2003). Adaptive Conjoint Analysis. Understanding the Methodology and Assessing Reliability and Validity. In: Gustafsson, A., Herrmann, A., & Huber, F. (eds.): Conjoint Measurement. Methods and Applications. (3rd edition). Berlin, Heidelberg, New York. 305—330
- IFPI (2005) Brennerstudie 2005 [Piracy-Study 2005], Online report retrieved from: http://www.ifpi.de/wirtschaft/brennerstudie2005.pdf [12.09.2006]
- Jenkins, H. (2004). The Cultural Logic of Media Convergence. International Journal of Cultural Studies, 7(1), 33—43
- Kroeber-Riel, W., & Weinberg, P. (2003). Konsumentenverhalten (Consumer Behavior) (8th. edition). München: Vahlen
- Leyshon, A., Webb, P., French, S., Thrift, N., & Crewe, L. (2005). On the reproduction of the Musical Economy after the Internet. Media Culture Society, 27(2), 177–209
- McCourt, T., & Burkart, P. (2003). When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution. Media Culture Society, 25(3), 333—350
- Müllensiefen, D., & Schlumbohm,D. (2004). Wo spielt die Musik im deutschen Internet? Von der Internetpiraterie über Produkt- und Promotioninformationen zum kommerziellen Download [Where is the Music Playing in the Internet? From Internet Piracy to Product and Promotion Information and Commercial Download]. In: Wiedmann, K.-P., Büxel, H., Walsh, G. & Frenzel, T.(eds.): Konsumentenverhalten im Internet. Konzepte- Erfahrungen- Methoden [Consumer Behavior in the Internet. Concepts—Experiences—Methods]. Wiesbaden: Gabler, 488—503
- Nieschlag, R., Dichtl, E., & Hörschgen, H. (2002). Marketing (19th. edition). Berlin: Springer
- Orme, B. K. (2003): Which Conjoint Method should I use? Retrieved from: http://www.sawtoothsoftware.com/download/techpap/acatrubl. pdf [23.08.2005]
- Premkumar, P. G. (2003). Alternate Distribution Strategies for Digital Music. Communications of the ACM, 46(9), 89—95
- Tschmuck, P. (2003) Kreativität und Innovation in der Musikindustrie [Creativity and Innovation in the Music Industry], Innsbruck: Studienverlag
- Vaccaro, V. L., & Cohn, D. Y. (2004). The Evolution of Business Models and Marketing Strategies in the Music Industry. The International Journal on Media Management, 6(1&2), 46—58
- Walsh, G. & Frenzel, T. (2004). Hier spielt die Musik. Konsumentenverhalten im Internet am Beispiel digitaler Musik [That’s where the Music Plays. Consumer Behavior in the Internet Based on the Example of Digital Music]. In: Wiedmann, K.-P., Büxel, H., Walsh, G. & Frenzel, T.(eds.): Konsumentenverhalten im Internet. Konzepte-Erfahrungen- Methoden [Consumer Behavior in the Internet. Concepts— Experiences—Methods]. Wiesbaden: Gabler, 505—524
- Walsh, G., Mitchell, V.-W., Frenzel, T., & Wiedmann, K.-P. (2003). Internet-induced Changes in Consumer Music Procurement Behavior: a German Perspective. Marketing Intelligence and Planning, 21(5), 305—317
- Walsh, G.,& Frenzel, T.& Wiedmann, K.-P. (2002). E-Commerce-relevante Verhaltensmuster als Herausforderung für das Marketing - dargestellt am Beispiel der Musikwirtschaft [E-Commerce Relevant Behavior Patterns as Challenge for Marketing- Presented by the Example of the Music Industry]. Marketing ZFP, 24(3), 207—223
- Will, A. (2005): An Economic Analysis of Music Download Platforms. In: Proceedings of Axmedis 2005, Firenze: Firenze Univ. Press, 97—10.