1,026
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Handmaidens of consolidation in the UK television production sector

ORCID Icon
Pages 168-184 | Received 20 Apr 2021, Accepted 02 Jul 2021, Published online: 19 Jul 2021

References

  • Arjulies, D., Grant, P., Hardie, I., MacKenzie, D., & Svetlova, E. (2017). Chains of finance: How investment management is shaped. Oxford Scholarship Online.
  • Birt, J. (2002). The harder path: The autobiography. Time Warner Books.
  • Boyle, R. (2018). The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways. London: Palgrave Macmillan
  • Burns, T. (1977). The BBC: Public institution and private world. Macmillan.
  • Burt, R. S. (2005). Brokerage and closure: An introduction to social capital. Oxford University Press.
  • Callon, M. (1998). Introduction: The embeddedness of economic markets in economics. In M. Callon (Ed.), The laws of the markets (pp.1–57). Oxford.
  • Callon, M., & Muniesa, F. (2005). Economic markets as calculative collective devices. Organization Studies, 26 (8), 1229–1250. https://doi.org/10.1177/0170840605056393
  • Catterall, P. (ed). (1998). The making of channel 4. Frank Cass.
  • Chalaby, J. (2010). The rise of Britain’s super- indies: Policy-making in the age of the global media market. International Communication Gazette, 72(8), 675–693. https://doi.org/10.1177/1748048510380800
  • Doyle, G., & Barr, K. (2019). After the goldrush: Industrial re-configuration in the UK television production sector and content. Media, Culture & Society, 41 (7), 939–957 https://doi.org/10.1177/0163443719857640
  • Doyle, G., & Paterson, R. (2008). Public policy and independent television production in the UK. Journal of Media Business Studies, 5(3), 17–33. https://doi.org/10.1080/16522354.2008.11073473
  • Du Gay, P., & Pryke, M. (eds.). (2002). Cultural economy: Cultural analysis and commercial life. Sage.
  • Dugdale, A. (1999). Materiality: Juggling samness and difference. In J. Law & J. Hassard (Eds.), Actor network theory and after, (pp. 113–135). Oxford.
  • Esser, A. (2016). Challenging US leadership in entertainment television? The rise and sale of Europe’s international TV production groups. International Journal of Communication, 10, 3585–3614. http/ijoc.org/index.php/ijoc/article/viewFile/4809/1731
  • Esser, A. (2017). TV format sector consolidation and its impact on the configuration and “stickiness” of the UK entertainment production market. International Journal of Digital Television, 8(1), 143–165. https://doi.org/10.1386/jdtv.8.1.143_1
  • Freeman, J. (2005). Venture capital and capitalism. In V. Nee & R. Swedberg (Eds.), The economic sociology of capitalism, (pp. 144–167). Princeton University Press.
  • Froud, J., Johal, S., Leaver, A., & Williams, K. (2006). Financialization and strategy: Narrative and numbers. Routledge.
  • Granovetter, M., & McGuire, P. (1998). The making of an industry: Electricity in the United States. In M. Callon (Ed.), The laws of the markets, (pp. 147–173). Oxford.
  • Kanter, R. M., & Raymond, D. (2003). British broadcasting corporation (A): One BBC. Harvard Business School Case Study. 9-3-3-075.
  • Knorr Cetina, K., & Preda, A. (2001). The epistemization of economic transactions. Current Sociology, 49(4), 27–44.
  • Kogut, B. (2012). Business groups and financial markets as emergent phenomena. In K. Knorr Cetina & A. Preda (Eds.), Oxford handbook of the sociology of finance, 75–93 Oxford University Press.
  • Latour, B. (2005). Reassembling the social: An introduction to actor network theory. Oxford University Press.
  • Law, J. (2002). Economics as interference. In P. Du Gay & M. Pryke (Eds.), op.cit, (pp. 21–38). London: Sage.
  • Lee, D. (2018). Independent television in the UK: From cottage industry to big business. Palgrave Macmillan.
  • MacKenzie, D. (2005). An engine, not a camera: How financial models shape markets. MIT Press.
  • McKelvey, B. (2003). Emergent order in firms: Complexity science vs the entanglement trap. In E. Mitleton-Kelly (Ed.), Complex systems and evolutionary perspectives of organisations: Application of complexity theory to organisations, (pp. 99–126). Pergamon.
  • Modigliani, F., & Miller, M. (1958). The cost of capital, corporation finance and the theory of investment. American Economic Review, 48(3), 261–297. http://www.jstor.org/stable/1809766
  • Morrison, A. D., & Wilhelmina, W. J., Jr. (2007). Investment banking: Institutions, politics, and law. Oxford University Press.
  • Paterson, R. (2017a) The competition discourse in British broadcasting policy. (Working Paper 2017/2).). CREATe.
  • Paterson, R. (2017b). Early independent production entrepreneurs in UK television: Pioneering agents of neoliberal intervention. International Journal of Entrepreneurial Venturing, 9(3), 280–298.  https://idea.repec.org/s/ids/ijeven/v9y2017i3p280-298.html
  • Paterson, R. (2018) Modelling the evolution of the TV drama production sector in the UK. (Working Paper 2018/1). CREATe.
  • Price Waterhouse. (1995). Production 1995: The results of the Price Waterhouse/PACT survey of UK independent production compnies, (pp. 13–32). Oxford: Oxford University Press. PACT.
  • Rosenbaum, J., & Pearl, J. (2013). Investment banking: Valuation, leveraged buyouts, and mergers & acquisitions (2nd ed.). John Wiley & Sons.
  • Sassen, S. (2012). Global finance and its institutional spaces. In K. Knorr Cetina & A. Preda (Eds.), op.cit.
  • Schlesinger, P., Selfe, M. and Monro,E. (2015) Curators of Cultural Enterprise: A Critical Analysis of a Creative Business Intermediary. London: Palgrave Macmillan.
  • Schumpeter, J. (1946). Capitalism, socialism, and democracy (2nd ed.). Wilder Publications.
  • Spulber, D. (1999). Market microstructure: Intermediaries and the theory of the firm. Cambridge University Press.
  • Thompson, J. B. (2010). Merchants of culture oxford: Polity. Cambridge: Polity Press.
  • Uzzi, B., & Spiro, J. (2005). Collaboration and creativity: The small world problem. American Journal of Sociology, 111, 2,  447–504. https://doi.org/10.1086/432782
  • Van Keúlen, J., Bauwens, J., & Krijnen, T. (2019). ”Everyone working a little more closely together”: Transnationalization of creative production in TV production conglomerates. Television & New Media, 21, (7), 749–767. http://doi.org/10.1177/152747641984479