1,075
Views
7
CrossRef citations to date
0
Altmetric
Articles

Academic discourses and American independent cinema: in search of a field of studies. Part 2: from the 1990s to date

Pages 311-340 | Published online: 16 Aug 2011

References

  • Aberdeen , J.A. 2000 . Hollywood renegades: The society of independent motion pictures producers , New York : Cobblestone Enterprises .
  • Allen , Michael . 2003 . “ Going it alone: Independent American Cinema ” . In In Contemporary US cinema , 139 – 76 . London : Longman .
  • Andrew , Geoff . 1998 . Stranger than paradise: Maverick film-makers in recent American cinema , London : Prion .
  • Balio , Tino . 1985 . “ Retrenchment, reappraisal, and reorganization: 1948– ” . In The American film industry , Rev. ed. , Edited by: Balio , Tino . 401 – 47 . Madison : The University of Wisconsin Press .
  • Balio , Tino . 1990 . “ New producers for old: United Artists and the shift to independent production ” . In Hollywood in the Age of Television , Edited by: Balio , Tino . 165 – 83 . New York : Unwin Hyman .
  • Balio , Tino . 1995 . Grand design: Hollywood as a modern business enterprise, 1930–1939 , Berkeley : University of California Press . (originally published in 1993)
  • Bernstein , Matthew . 1993 . Hollywood's semi-independent production . Cinema Journal , 32 ( 3 ) : 41 – 54 . (Spring)
  • Bernstein , Matthew . 1994 . Walter Wanger: Hollywood independent , Berkeley : University of California Press .
  • Berra , John . 2008 . Declarations of independence: American cinema and the partiality of independent production , London : Intellect .
  • Biskind , Peter . 2005 . ‘Down and dirty’ pictures: Miramax, Sundance and the rise of independent film , London : Simon & Schuster Paperbacks .
  • Capino , José A. 2005 . “ Seminal fantasies: Wakefield Poole, pornography, independent cinema and the avant-garde ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 155 – 73 . London : Routledge .
  • Carson , Diane . 2005 . “ John Sayles, independent filmmaker: ‘Bet on yourself’ ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 125 – 39 . London : Routledge .
  • Conrich , Ian . 2005 . “ Communitarianism, film entrepreneurism, and the crusade of Troma entertainment ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 107 – 22 . London : Routledge .
  • Davis , Glyn . 2011 . Far from Heaven , Edinburgh : Edinburgh University Press .
  • Eberwein , Robert . 2005 . “ The IFC and Sundance: Channelling independence ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 265 – 81 . London : Routledge .
  • Ferncase , Richard K. 1996 . Outsider features: American independent films of the 1980s , New Haven, CT : Greenwood Press .
  • Fine , Marshall . 2007 . Accidental genius: How John Cassavetes invented the American independent film , New York : Miramax Books .
  • Guerrero , Ed. 1993 . Framing blackness: The African American image in film , Philadelphia : Temple University Press .
  • Guerrero , Ed. 1998 . “ A circus of dreams and lies: The black film wave at middle age ” . In The new American cinema , Edited by: Lewis , Jon . 328 – 52 . Durham, NC : Duke University Press .
  • Hall , Phil . 2009 . The history of independent cinema , Duncan, OK : Bearmanor Media .
  • Hawkins , Joan . 2005 . “ Dark, disturbing, intelligent, provocative and quirky: Avant-garde cinema of the 1980s and 1990s ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 89 – 105 . London : Routledge .
  • Hillier , Jim , ed. 2001a . American independent cinema: A Sight and Sound Reader , London : BFI .
  • Hillier , Jim . 2001b . “ Introduction ” . In American independent cinema: A Sight and Sound Reader , Edited by: Hillier , Jim . ix – xviii . London : BFI .
  • Hillier , Jim . 2006 . “ US independent cinema since the 1980s ” . In Contemporary American cinema , Edited by: Williams , Linda Ruth and Hammond , Michael . 247 – 64 . Maidenhead : McGraw-Hill .
  • Holm , D.K. 2008 . Independent cinema , Harpenden, Herts : Kamera Books .
  • Holmlund , Chris . 2005a . “ Generation Q's ABCs: Queer kids and 1990s independent films ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 177 – 91 . London : Routledge .
  • Holmlund , Chris . 2005b . “ Introduction ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 1 – 19 . London : Routledge .
  • Davis , Glyn . 2011 . Being John Malkovich , Edinburgh : Edinburgh University Press . (forthcoming)
  • Holmlund , Chris and Wyatt , Justin , eds. 2005 . Contemporary American independent film: From the margins to the mainstream , London : Routledge .
  • Horsley , Jake . 2005 . Dogville vs Hollywood: The war between independent film and mainstream movies , London : Marion Boyars .
  • Insdorf , Annette . 1981 . Ordinary people, European style: How to spot an independent feature . American Film , 6 ( 10 (September) : 57 – 60 . (reprinted in Contemporary American independent film: From the margins to the mainstream, ed. Chris Holmlund and Justin Wyatt, 28–33. London: Routledge, 2005)
  • James , David E. 1989 . Allegories of cinema , Princeton, NJ : Princeton University Press .
  • James , David E. 2005 . “ Alternative cinemas ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Holmlund , Justin . 59 – 67 . London : Routledge . (originally published in 1989)
  • Jost , Jon . 2005 . “ End of the indies: Death of the Sayles men ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 53 – 7 . London : Routledge . (originally published in 1989)
  • King , Geoff . 2005 . American independent cinema , London : I.B. Tauris .
  • King , Geoff . 2006 . Following the footsteps: Gus Van Sant's Gerry and Elephant in the American independent field of cultural production . New Review of Film and Television Studies , 4 ( 2 ) : 75 – 92 .
  • King , Geoff . 2009 . Indiewood USA … where Hollywood meets independent cinema , London : I.B. Tauris .
  • King , Geoff . 2010 . Lost in translation , Edinburgh : Edinburgh University Press .
  • Kleinhans , Chuck . 1998 . “ Independent features: Hopes and dreams ” . In The new American cinema , Edited by: Lewis , Jon . 308 – 27 . Durham, NC : Duke University Press .
  • Lane , Christina . 2005 . “ Just another girl outside the neo-indie ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 193 – 209 . London : Routledge .
  • Levy , Emanuel . 1999 . Cinema of outsiders: The rise of American independent film , New York and London : New York University Press .
  • Lewis , Jon , ed. 1998 . The new American cinema , Durham, NC : Duke University Press .
  • Lott , Tommy L. 1998 . “ Hollywood and independent black cinema ” . In Contemporary Hollywood cinema , Edited by: Neale , Steve and Smith , Murray . 211 – 28 . London : Routledge .
  • Lowry , Ed. 1986 . Dimension Pictures: Portrait of a 1970's independent . Velvet Light Trap , 22 : 65 – 74 . (also available in Contemporary American independent film: From the margins to the mainstream, ed. Chris Holmlund and Justin Wyatt, 41–51. London: Routledge, 2005)
  • Lyons , Donald . 1994 . Independent visions: A critical introduction to recent independent American film , New York : Ballantine Books .
  • Mann , Denise . 2008 . Hollywood independents: The postwar talent takes over , Minneapolis : University of Minnesota Press .
  • Marchetti , Gina . 2005 . “ Guests at the wedding banquet: The cinema of the Chinese diaspora and the rise of the American independents ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 211 – 25 . London : Routledge .
  • Margulies , Ivone . 1998 . “ John Cassavetes: Amateur director ” . In The new American cinema , Edited by: Lewis , Jon . 275 – 306 . Durham, NC : Duke University Press .
  • McHugh , Kathleen . 2002 . “ Where Hollywood fears to tread: Autobiography and the limits of commercial cinema ” . In The end of cinema as we know it: American film in the nineties , Edited by: Lewis , Jon . 269 – 76 . London : Pluto Press .
  • Mekas , Jonas . 2005 . “ Independence for independents ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 35 – 40 . London : Routledge . (originally published in 1978)
  • Merritt , Greg . 2000 . Celluloid mavericks: A history of American independent film , New York : Thunder's Mouth Press .
  • Molloy , Claire . 2010 . Memento , Edinburgh : Edinburgh University Press .
  • Morris , Gary . 1993 . Beyond the beach: Social & formal aspects of AIP's beach party movies . Journal of Popular Film and Television , 21 ( 1 ) : 2 – 11 .
  • Mottram , James . 2006 . The Sundance kids: How the mavericks took over Hollywood , London : Faber and Faber .
  • Murphy , J.J. 2007 . Me and you and Memento and Fargo: How independent screenplays work , New York : Continuum .
  • Neale , Steve and Smith , Murray , eds. 1998 . Contemporary Hollywood cinema , London : Routledge .
  • Needham , Gary . 2010 . Brokeback mountain , Edinburgh : Edinburgh University Press .
  • Negra , Diane . 2005 . “ ‘Queen of the indies’: Parker Posey's niche stardom and the taste cultures of independent film ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 71 – 88 . London : Routledge .
  • Newman , Michael Z. 2006 . Character and complexity in American independent cinema: 21 Grams and Passion Fish . Film Criticism , 31 ( 1–2 (Fall–Winter) : 89 – 106 .
  • Newman , Michael Z. 2009 . Indie culture: In pursuit of the authentic autonomous alternative . Cinema Journal , 48 ( 2 ) : 16 – 34 .
  • Osgerby , Bill . 2003 . Sleazy riders: Exploitation, ‘otherness’ and transgression in the 1960s biker movie . Journal of Popular Film and Television , 31 ( 3 ) : 98 – 108 .
  • Perren , Alisa . 2004 . A big fat indie success story? Press discourses surrounding the making and marketing of a ‘Hollywood’ movie . Journal of Film and Video , 54 ( 2 ) : 18 – 31 .
  • Perren , Alisa . 2001 . Sex, lies and marketing: Miramax and the development of the quality indie blockbuster . Film Quarterly , 55 ( 2 ) : 30 – 9 .
  • Pierson , John . 1995 . Spike Mike slackers and dykes: A guided tour across a decade of American independent cinema , New York : Hyperion/Miramax Books .
  • Pierson , John . 2003 . Spike Mike reloaded: A guided tour across a decade of American independent cinema , New York : Hyperion/Miramax Books .
  • Pribram , E. Deidre . 2002 . Independent film in the United States, 1980–2001 , New York : Peter Lang .
  • Prince , Stephen . 2002 . A new pot of gold: Hollywood under the electronic rainbow 1980–1989 , Berkeley : University of California Press .
  • Reid , Mark A. 2005 . “ Haile Gerima: ‘Sacred shield of culture’ ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 141 – 53 . London : Routledge .
  • Roman , Shari . 2001 . Digital Babylon: Hollywood, indiewood and dogme 95 , Hollywood : Lone Eagle .
  • Rosen , David (with Peter Hamilton) . 1990 . Off-Hollywood: The making and marketing of independent films , New York : Grove Weidenfeld .
  • Russell , Catherine . 1998 . “ Culture as fiction: The ethnographic impulse in the films of Peggy Ahwesh, Su Friedrich, and Leslie Thornton ” . In The new American cinema , Edited by: Lewis , Jon . 353 – 78 . Durham, NC : Duke University Press .
  • Schamus , James . 2002 . “ A rant ” . In The end of cinema as we know it: American film in the nineties , Edited by: Lewis , Jon . 253 – 60 . London : Pluto Press .
  • Schatz , Thomas . 2009 . “ New Hollywood, new millennium ” . In Film theory and contemporary Hollywood movies , Edited by: Buckland , Warren . 19 – 45 . London : Routledge .
  • Sconce , Jeffrey . 2006 . “ Smart cinema ” . In Contemporary American cinema , Edited by: Williams , Linda Ruth and Hammond , Michael . 429 – 39 . Maidenhead : McGraw-Hill .
  • Sklar , Robert . 2002 . “ The case of Harmony Korine ” . In The end of cinema as we know it: American film in the nineties , Edited by: Lewis , Jon . 261 – 8 . London : Pluto Press .
  • Smith , Murray . 2002 . “ Smoke 'til you're blue in the face ” . In The end of cinema as we know it: American film in the nineties , Edited by: Lewis , Jon . 277 – 84 . London : Pluto Press .
  • Taves , Brian . 1995 . “ The B film: Hollywood's other half ” . In Grand design: Hollywood as a modern business enterprise, 1930–1939 , Edited by: Balio , wr. Tino . 313 – 50 . Berkeley : University of California Press .
  • Turner, Paul. 2008. Prancing lavender bunnies and other stuff from the darkside of independent cinema, Lulu.com
  • Tzioumakis , Yannis . 2004 . Major status – Independent spirit: The history of Orion Pictures (1978–1992) . New Review of Film and Television Studies , 2 ( 1 ) : 87 – 135 .
  • Tzioumakis , Yannis . 2006 . American independent cinema: An introduction , Edinburgh : Edinburgh University Press .
  • Tzioumakis , Yannis . 2009 . The Spanish Prisoner , Edinburgh : Edinburgh University Press .
  • Wasser , Frederick . 2001 . “ The years of independence 1981–1986 ” . In Vini, vidi, video: The Hollywood empire and the VCR , 104 – 30 . Austin : University of Texas Press .
  • Waxman , Sharon . 2005 . Rebels on the backlot: 6 maverick directors and how they conquered the studio system , London : HarperCollins .
  • Winter , Jessica . 2006 . The Rough Guide to American independent film , London : Rough Guides .
  • Wood , Jason . 2004 . 100 American independent films , London : BFI Screen Guides .
  • Wood , Jason . 2009 . 100 American independent films , London : BFI Screen Guides .
  • Wyatt , Justin . 1996 . Economic constraints/economic opportunities: Robert Altman as auteur . Velvet Light Trap , 38 : 51 – 67 . (Fall)
  • Wyatt , Justin . 1998 . “ The formation of the ‘major independent’: Miramax, New Line and the New Hollywood ” . In Contemporary Hollywood cinema , Edited by: Neale , Steve and Smith , Murray . 74 – 90 . London : Routledge .
  • Wyatt , Justin . 2002 . “ Independents, packaging and inflationary pressure in 1980s Hollywood ” . In A new pot of gold: Hollywood under the electronic rainbow 1980–1989 , Edited by: Prince , wr. Stephen . 142 – 59 . Berkeley : University of California Press .
  • Wyatt , Justin . 2005 . “ Revisiting 1970's independent distribution and marketing strategies ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 229 – 44 . London : Routledge .
  • Zimmerman , Patricia R. 2005 . “ Digital deployment(s) ” . In Contemporary American independent film: From the margins to the mainstream , Edited by: Holmlund , Chris and Wyatt , Justin . 245 – 64 . London : Routledge .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.