REFERENCES
- Bambara, Toni Cade. 1992. ‘Preface.’ In Daughters of the Dust: The Making of an African American Woman's Film, edited by JulieDash, xi–xvi. New York: The New Press.
- Batchelor, David. 2011. Chromophobia, (Kindle Locations 239–242). Kindle ed.London: Reaktion Books.
- Branigan, Edward. 2011. ‘Making It Color-Full – Relations and Practices.’ [unpublished manuscript].
- Coates, Paul. 2010. Cinema and Colour: The Saturated Image. London: British Film Institute.
- Dash, Julie. 1992. Daughters of the Dust: The Making of an African American Woman's Film. New York: The New Press.
- Dyer, Richard. 1997. White. New York: Routledge.
- Everett, Anna. 2005. ‘Towards a Womanist/Diasporic Film Aesthetic.’ In Film Analysis: A Norton Reader, edited by JeffreyGeiger, and R. L.Rutsky, 850–871. New York: W.W. Norton & Company.
- Galt, Rosalind. 2011. Pretty: Film and the Decorative Image. New York: Columbia University Press.
- Gourdine, Angeletta K. M.2004. ‘Fashioning the Body [As] Politic in Julie Dash's “Daughters of the Dust”.’ African American Review38 (3): (Autumn)499–511.
- Higgins, Scott. 2006. ‘Demonstrating Three-Strip Technicolor: Becky Sharp.’ In Color: The Film Reader, edited by Angela DalleVacche, and BrianPrice, 154–160. New York: Routledge.
- Hobson, Janell. 2002. ‘Viewing in the Dark: Toward a Black Feminist Approach to Film.’ Women's Quarterly1&2: 45–59.
- Kalmus, Natalie. 2006. ‘Color Consciousness.’ In Color: The Film Reader, edited by Angela DalleVacche, and BrianPrice, 24–29. New York: Routledge.
- McKinley, Catherine. 2011. Indigo: In Search of the Color that Seduced the World. New York: Bloomsbury.
- Mellencamp, Patricia. 1994. ‘Making History: Julie Dash.’ Frontiers: A Journal of Women's Studies15 (1): 76–101.
- Pastoureau, Michel. 2001. Blue: The History of a Color. Translated by Markus I. Cruse. Princeton: Princeton University Press.
- Taussig, Michael. 2009. What Color is the Sacred?Chicago: The University of Chicago Press.