170
Views
0
CrossRef citations to date
0
Altmetric
Articles

Return to the lost continent

References

  • Anstey, Edgar. 1946. ‘The Cinema.’ Spectator, April 5 pp. 12.
  • British Film Institute. 1933. The British Film Institute: Its Aims and Objects. London: British Film Institute.
  • Brock, Eileen, AlanLovell, JenniferNorman, GailNaughton, JimPines, and PaddyWhannel. 1971. ‘An Open Letter to the Staff of the British Film Institute.’ Screen12 (3): 2–8.
  • Chan, Hiu M.2013. 100 Years at the Phoenix: Archive of an Oxford Cinema 1913–2013. Oxford: Oxfordfolio.
  • Chapman, James. 2008. ‘From Amicus to Atlantis: The Lost Worlds of 1970s British Cinema.’ In Seventies British Cinema, edited by RobertShail, 56–64. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute.
  • Chapman, James, MarkGlancy, and SueHarper. 2007. ‘Introduction.’ In The New Film History: Sources, Methods, Approaches, edited by JamesChapman, MarkGlancy and SueHarper, 1–10. Basingstoke: Palgrave Macmillan.
  • Durgnat, Raymond. 1978. ‘On The Small Back Room.’ In Powell Pressburger And Others, edited by IanChristie, 74–78. London: British Film Institute.
  • Ellis, John. 1978. ‘Art, Culture and Quality: Terms for a Cinema in the Forties and Seventies.’ Screen19 (3): 9–50.
  • Ellis, John.1996. ‘The Quality Film Adventure: British Critics and the Cinema, 1942–1948.’ In Dissolving Views: Key Writings on British Cinema, edited by AndrewHigson, 66–93. London: Cassell.
  • Era. 1936. ‘Tribute to ‘Turn of the Tide’.’ Era, 20 (May) pp. 20.
  • Frey, Mattias. 2013. ‘The Critical Question: Sight and Sound's Postwar Consolidation of Liberal Taste.’ Screen54 (2): 194–217.
  • Glynn, Stephen. 2013. The British Pop Music Film: The Beatles and Beyond. Basingstoke: Palgrave Macmillan.
  • Greene, Graham. 1940. ‘The Cinema.’ Spectator, January 26, pp. 16.
  • Hartnoll, Gillian. 1999. A Brief History of the BFI Library and Information Service (1933–1996). London: BFI National Library.
  • Higson, Andrew. 1986. ‘‘Britain's Outstanding Contribution to the Film’: The Documentary-Realist Tradition.’ In All Our Yesterdays: 90 Years of British Cinema, edited by CharlesBarr, 72–97. London: British Film Institute.
  • Higson, Andrew. 1995. Waving the Flag: Constructing a National Cinema in Britain. Oxford: Clarendon Press.
  • Higson, Andrew. 1998. ‘British Cinema.’ In The Oxford Guide to Film Studies, edited by JohnHill and Pamela ChurchGibson, 501–509. Oxford: Oxford University Press.
  • Hill, John. 2010. ‘Revisiting British Film Studies.’ Journal of British Cinema and Television7 (2): 299–310.
  • Hunter, I. Q.1999. ‘Introduction: The Strange World of the British Science Fiction Film.’ In British Science Fiction Cinema, edited by I. Q.Hunter, 1–15. London: Routledge.
  • Layton, T. A.1948. Five to a Feast. London: Gerald Duckworth.
  • Lejeune, C. A.1937. ‘Films of the Week.’ Observer, September 5, pp. 12.
  • Lejeune, C. A.1938. ‘Films of the Week.’ Observer, March 13, pp. 14.
  • Lejeune, C. A.1944. ‘The Films.’ Observer, May 14, pp. 2.
  • Lovell, Alan. 1970. ‘Critical Approaches.’ National Film Theatre Programme, December 1970–January 1971: 30–31.
  • Lovell, Alan. 1971. ‘The BFI and Film Education.’ Screen12 (3): 13–26.
  • Lovell, Alan. 1972a. ‘Notes on British Film Culture.’ Screen13 (2): 5–16.
  • Lovell, Alan. 1972b. ‘The Documentary Film Movement: John Grierson.’ In Studies in Documentary, edited by AlanLovell and JimHillier, 9–35. London: Secker and Warburg in association with the British Film Institute.
  • Low, Rachael. 1971. The History of the British Film 1918–1929. London: Allen & Unwin.
  • MacKillop, Ian, and NeilSinyard. 2003. ‘Celebrating British Cinema of the 1950s.’ In British Cinema of the 1950s: A Celebration, edited by IanMacKillop and NeilSinyard, 1–12. Manchester: Manchester University Press.
  • Macnab, Geoffrey. 1993. J. Arthur Rank and the British Film Industry. London: Routledge.
  • Marcus, Laura. 2007. The Tenth Muse: Writing About Cinema in the Modernist Period. Oxford: Oxford University Press.
  • Mazdon, Lucy, and CatherineWheatley. 2013. French Film in Britain Since 1930: Sex, Art and Cinephilia. Oxford: Berghahn Books.
  • Mekas, Jonas. 1955. ‘Editorial.’ Film Culture1 (1): 1.
  • Miller, Henry K.2010. ‘Review of Alternative Film Culture in Inter-War Britain by Jamie Sexton.’ Journal of British Cinema and Television7 (3): 504–508.
  • Montagu, Ivor. 1970. ‘Birmingham Sparrow: In Memoriam, Iris Barry, 1896–1969.’ Sight and Sound39 (2): 106–108.
  • Mycroft, Walter. 1924. ‘Film Notes.’ Evening Standard, May 13, pp. 12.
  • Nowell-Smith, Geoffrey. 2006. ‘The 1970 Crisis at the BFI and its Aftermath.’ Screen47 (4): 453–459.
  • Petley, Julian. 1986. ‘The Lost Continent.’ In All Our Yesterdays: 90 Years of British Cinema, edited by CharlesBarr, 98–119. London: British Film Institute.
  • Porter, Vincent. 2010. ‘The Exhibition, Distribution and Reception of French Films in Great Britain During the 1930s.’ In Je t'aime… moi non plus: Franco-British Cinematic Relations, edited by LucyMazdon and CatherineWheatley, 19–36. Oxford: Berghahn Books.
  • Powell, Dilys. 1944. ‘The Week's Films.’ Sunday Times, May 14, pp. 2.
  • Powell, Michael. 1986. A Life in Movies: An Autobiography. London: Heinemann.
  • Richards, Jeffrey. 2000. ‘Rethinking British Cinema.’ In British Cinema, Past and Present, edited by JustineAshby and AndrewHigson, 21–34. London: Routledge.
  • Richards, Jeffrey. 2010. The Age of the Dream Palace: Cinema and Society in 1930s Britain. London: I.B. Tauris.
  • Selfe, Melanie. 2012. ‘Circles, Columns and Screenings: Mapping the Institutional, Discursive, Physical and Gendered Spaces of Film Criticism in 1940s London.’ Journal of British Cinema and Television9 (4): 588–611.
  • Shail, Robert. 2008. ‘Introduction: Cinema in the Era of ‘Trouble and Strife’.’ In Seventies British Cinema, edited by RobertShail, xi–xix. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute.
  • Sight and Sound. 1937. ‘Things We Are Asked.’ Sight and Sound6 (21): 19.
  • Sunday Post. 1935. ‘What's On in Scotland This Week.’ Sunday Post (Dundee), May 19, pp. 17.
  • Whannel, Paddy. 1969. ‘Film Education and Film Culture.’ Screen10 (3): 49–59.
  • Whannel, Paddy. 1970. ‘A Film Culture in Britain?” National Film Theatre Programme, December 1970–January 1971: 30–31.
  • Williams, Raymond. 1958a. Culture and Society 1780–1950. London: Chatto & Windus.
  • Williams, Raymond. 1958b. ‘Culture is Ordinary.’ In Conviction, edited by NormanMacKenzie, 74–92. London: MacGibbon & Kee.
  • Winnington, Richard. 1944. ‘New Films.’ News Chronicle, May 13, pp. 2.
  • Wright, Basil. 1937. ‘The Cinema.’ Spectator, September 17, pp. 15.
  • Wright, Basil. 1939. ‘The Cinema.’ Spectator, January 6, pp. 20.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.