829
Views
1
CrossRef citations to date
0
Altmetric
Essay

Neoliberalism and class tourism in The Darjeeling Limited

References

  • Berlant, L. 2011. Cruel Optimism. Durham: Duke University Press.
  • Boltanski, L., and È. Chiapello. 2005. The New Spirit of Capitalism. Translated by Gregory Elliott. London: Verso.
  • Boschi, E., and T. McNelis. 2012. “‘Same Old Song’: On Audio-Visual Style in the Films of Wes Anderson.” New Review of Film and Television Studies 10 (1): 28–45. doi:10.1080/17400309.2012.631174.
  • Bourdieu, P. 1984. Distinction. A Social Critique of the Judgement of Taste. Translated by Richard Nice. Cambridge, MA: Harvard University Press.
  • Britton, A. 2009. “Blissing Out: The Politics of Reaganite Entertainment.” In Britton on Film: The Complete Film Criticism of Andrew Britton, edited by B. K. Grant, 97–158. Detroit: Wayne State University Press.
  • Buckland, W. 2012. “Wes Anderson: A ‘Smart’ Director of the New Sincerity?” New Review of Film and Television Studies 10 (1): 1–5. doi:10.1080/17400309.2011.640888.
  • Buckland, W. 2018. Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis. New York: Bloomsbury Academic.
  • Chatterjee, A. 2017. The Great Indian Railways: A Cultural Biography. London and New York: Bloomsbury.
  • Dean, J. 2009. Democracy and Other Neoliberal Fantasies. Durham, NC: Duke University Press.
  • Dean-Ruzicka, R. 2013. “Themes of Privilege and Whiteness in the Films of Wes Anderson.” Quarterly Review of Film and Video 30 (1): 25–40. doi:10.1080/10509208.2010.500945.
  • Deleuze, G. 1992. “Postscript on the Societies of Control.” October 59: 3–7.
  • Dilley, W. C. 2017. The Cinema of Wes Anderson: Bringing Nostalgia to Life. New York: Columbia University Press.
  • Fisher, M. 2009. Capitalist Realism: Is There No Alternative? Winchester: Zero Books.
  • Florida, R. 2002. The Rise of the Creative Class. New York: Basic Books.
  • Gooch, J. 2014. “Objects/Desire/Oedipus: Wes Anderson as Late-Capitalist Auteur.” In The Films of Wes Anderson. Critical Essays on an Indiewood Icon, edited by P. C. Kunze, 181–198. New York: Palgrave Macmillan.
  • Harvey, D. 2005. A Brief History of Neoliberalism. Oxford: Oxford University Press.
  • Jameson, F. 1992. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.
  • Jurca, C. 2001. White Diaspora: The Suburb and the Twentieth-Century American Novel. Princeton: Princeton University Press.
  • Kotsko, A. 2018. Neoliberalism’s Demons: On the Political Theology of Late Capitalism. Stanford, CA: Stanford University Press.
  • Kunze, P. C. 2014. “Introduction: The Wonderful Worlds of Wes Anderson.” In The Films of Wes Anderson. Critical Essays on an Indiewood Icon, edited by P. C. Kunze, 1–9. New York: Palgrave Macmillan.
  • MacDowell, J. 2010. “Notes on Quirky.” Movie: A Journal of Film Criticism 1: 1–16.
  • MacDowell, J. 2016. “Quirky Culture: Tone, Sensibility, and Structure of Feeling.” In A Companion to American Indie Film, edited by G. King, 83–105. London: Blackwell.
  • Mayshark, J. F. 2007. Post-Pop Cinema: The Search for Meaning in New American Film. Westport, CT: Praeger Publishers.
  • McKittrick, C. 2001. “‘I Laughed and Cringed at the Same Time’: Shaping Pedophilic Discourse around American Beauty and Happiness.” The Velvet Light Trap: A Critical Journal of Film and Television 47 (2): 3–13.
  • Perkins, C. E. 2012. American Smart Cinema. Edinburgh: Edinburgh University Press.
  • Phillis, J. H. 2014. “‘I Always Wanted to Be a Tenenbaum’: Class Mobility as Neoliberal Fantasy in Wes Anderson’s the Royal Tenenbaums.” In The Films of Wes Anderson. Critical Essays on an Indiewood Icon, edited by P. C. Kunze, 171–180. New York: Palgrave Macmillan.
  • Sconce, J. 2002. “Irony, Nihilism and the New American “Smart” Film.” Screen 43 (4): 349–369. doi:10.1093/screen/43.4.349.
  • Vermeulen, T. 2014. Scenes from the Suburbs: Suburban Space in Contemporary US Film and Television. Edinburgh: Edinburgh University Press.
  • Vermeulen, T., and R. van den Akker. 2010. “Notes on Metamodernism.” Journal of Aesthetics & Culture 2 (1): 5677. doi:10.3402/jac.v2i0.5677.
  • Vermeulen, T., and R. van den Akker. 2017. “Periodizing the 2000s, or the Emergence of Metamodernism.” In Metamodernism: Historicity, Affect, Depth, edited by R. van den Akker and T. Vermeulen, 1–22. Lanham, MD: Rowman and Littlefield.
  • Wilkins, K. 2019. American Eccentric Cinema. New York: Bloomsbury Academic.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.