References
- Aldrich, R. (2005). Temporary exhibitions: Changing perspectives. In R. Aldrich (Ed.), Vestiges of the colonial empire in France (pp. 291–327). Palgrave Macmillan.
- Alexander, V., Blank, G., & Hale, S. (2018). TripAdvisor reviews of London museums: A new approach to understanding visitors. Museum International, 70(1–2), 154–165. https://doi.org/https://doi.org/10.1111/muse.12200
- Anderson, B. (2006). Imagined communities: Reflections on the origin and spread of nationalism. Verso.
- Bakhtin, M. (1987). The problem of the text. In M. Holquist (Ed.), Speech genres and other late essays (pp. 130–158). University of Texas.
- Bal, M. (1996). The discourse of the museum. In B. Ferguson, R. Greenberg, & S. Nairne (Eds.), Thinking about exhibitions (pp. 145–157). Routledge.
- Bal, M. (2010). Exposing the public. In S. MacDonald (Ed.), Companion to museum studies (pp. 1099–1135). Wiley.
- Bonnell, J., & Simon, R. (2007). ‘Difficult’ exhibitions and intimate encounters. Museum and Society, 5(2), 65–85. https://doi.org/https://doi.org/10.29311/mas.v5i2.97
- Bourdieu, P. (2010). Distinction: A social critique of the judgement of taste. Taylor & Francis.
- Bourdieu, P., & Darbel, A. (1997). The love of art: Eurpoean art museums and their public. Polity Press.
- Carter, P. (2015). Where are the enslaved? TripAdvisor and the narrative landscapes of southern plantation museums. Journal of Heritage Tourism, 11(3), 235–249. https://doi.org/https://doi.org/10.1080/1743873X.2015.1100625
- Chronis, A. (2005). Co-constructing heritage at the Gettysburg storyscape. Annals of Tourism Research, 32(2), 386–406. https://doi.org/https://doi.org/10.1016/j.annals.2004.07.009
- Chronis, A. (2012). Tourists as story-builders: Narrative construction at a heritage museum. Journal of Travel and Tourism Marketing, 29(5), 444–459. https://doi.org/https://doi.org/10.1080/10548408.2012.691395
- Crane, S. (1997). Memory, distortion, and history in the museum. History and Theory, 36(4), 44–63. https://doi.org/https://doi.org/10.1111/0018-2656.00030
- Culler, J. (1990). Framing the sign. University of Oklahoma Press.
- Fforde, C., Keeler, H., & McKeown, C. (2020). The Routledge companion to indigenous repatriation. Routledge.
- Francis, D. (2015). “An arena where meaning and identity are debated and contested on a global scale”: narrative discourses in British museum exhibitions, 1972–2013. Curator: The Museum Journal, 58(1), 41–58. https://doi.org/https://doi.org/10.1111/cura.12097
- Golding, V. (2009). Learning at the museum frontiers: Identity, race and power. Routledge.
- Golding, V. (2013). Museums, poetics and affect. Feminist Review, 104(1), 80–99. https://doi.org/https://doi.org/10.1057/fr.2013.2
- Hall, S. (1999). Whose heritage? Un-settling ‘the heritage’, re-imagining the post-nation. Third Text, 13(49), 3–13. https://doi.org/https://doi.org/10.1080/09528829908576818
- Hanks, L., Hale, J., & MacLeod, S. (2012). Museum making: The place of narrative. In S. MacLeod, L. Hanks, & J. Hale (Eds.) Museum making: Narratives, architectures, exhibitions (pp. ix–xxiii). Taylor & Francis.
- Higgins, C. (2019). Budge up, great white males! MoMA goes global with an explosive $450m rehang.The Guardian. https://www.theguardian.com/artanddesign/2019/oct/16/moma-goes-global-with-an-explosive-450m-rehang
- Hodsdon, L. (2020). ‘I expected … something’: Imagination, legend, and history in TripAdvisor reviews of Tintagel Castle. Journal of Heritage Tourism, 15(4), 410–423. https://doi.org/https://doi.org/10.1080/1743873X.2019.1664558
- Iser, W. (1978). The implied reader. Johns Hopkins University Press.
- Jacobi, D. (2013). Exposition temporaire et accélération: la fin d’un paradigme? La Lettre de l’OCIM (150).
- Jameson, T. (2017). Digital orientalism: TripAdvisor and online travelers’ tales. In J. Daniels, K. Gregory, & T. M. Cottom (Eds.), Digital sociologies (pp. 119–138). Policy Press.
- Jones, C. (2015). Enhancing our understanding of museum audiences: Visitor studies in the twenty-first century. Museum and Society, 13(4), 539–544. https://doi.org/https://doi.org/10.29311/mas.v13i4.352
- Kavoura, A., & Borges, M. (2016). Understanding online communities on social networks via the notion of imagined communities: The case of TripAdvisor. International Journal of Web Based Communities, 12(3), 238–261. https://doi.org/https://doi.org/10.1504/IJWBC.2016.077759
- Kladou, S., & Mavragani, E. (2015). Assessing destination image: An online marketing approach and the case of TripAdvisor. Journal of Destination Marketing & Management, 4(3), 187–193. https://doi.org/https://doi.org/10.1016/j.jdmm.2015.04.003
- Kress, G. (2011). Multimodal discourse analysis. In J. Gee & M. Handford (Eds.), The Routledge handbook of discourse analysis (pp. 35–50). Routledge.
- Litt, E. (2012). Knock, knock. Who's there? The imagined audience. Journal of Broadcasting & Electronic Media, 56(3), 330–345. https://doi.org/http://doi.org/10.1080/08838151.2012.705195
- Liverpool Museums. (2021). International slavery museum. Retrieved on January 11, 2021, from https://www.liverpoolmuseums.org.uk
- Luke, T. (2002). Museum politics: Power plays at the exhibition. University of Minnesota Press.
- Lynch, B., & Alberti, S. (2010). Legacies of prejudice: Racism, co-production and radical trust in the museum. Museum Management and Curatorship, 25(1), 13–35. https://doi.org/https://doi.org/10.1080/09647770903529061
- Macdonald, S. (1998). Exhibitions of power and powers of exhibition: An introduction to the politics of display. In S. Macdonald (Ed.), The politics of display (pp. 176–196). Routledge.
- Macdonald, S. (2005). Accessing audiences: Visiting visitor books. Museum and Society, 3(3), 119–136. https://doi.org/https://doi.org/10.29311/mas.v3i3.65
- Macdonald, S. (2008). Unsettling memories: Intervention and controversy over difficult public heritage. In M. Anico & E. Peralta (Eds.) Heritage and identity: Engagement and demission in the contemporary world (pp. 93–104). Routledge.
- McKay, S., & Monteverde, S. (2003). Dialogic looking: Beyond the mediated experience. Art Education, 56(1), 40–45. https://doi.org/https://doi.org/10.1080/00043125.2003.11653483
- Munar, A., & Ooi, C.-S. (2012). What social media tell us about the heritage experience (CLCS Working Paper Series). Copenhagen.
- Murrell, D. (2018). Posing modernity: The black model from Manet and Matisse to today. Yale University Press.
- Musée d'Orsay. (2019). Retrieved January 11, 2021, from https://www.musee-orsay.fr/en/events/exhibitions/in-the-museums/exhibitions-in-the-musee-dorsay-more/article/le-modele-noir-47692.html.
- Naidoo, R. (2004). Never mind the buzzwords. In J. Littler & R. Naidoo (Eds.), The politics of heritage: The legacies of race (pp. 32–43). Routledge.
- Naidoo, R. (2013). Diversity after diversity. Retrieved January 11, 2021, from http://www.thirdtext.org/diversity-after-diversity
- Ndiaye, P., & Madiner, L. (2019). Le Modèle Noir: de Géricault a Matisse - la chronologie. Musée d’Orsay/Flammarion.
- Nguyen, T. (2020). Pop-up or permanent? The case of the Mardi Gras museum. In J. Adair & A. Levin (Eds.), Museums, sexuality, and gender activism (pp. 80–89). Routledge.
- Noy, C. (2018). Memory, media, and museum audience’s discourse of remembering. Critical Discourse Studies, 15(1), 19–38. https://doi.org/https://doi.org/10.1080/17405904.2017.1392331
- Owens, T. (2012). Tripadvisor rates einstein: Using the social web to unpack the public meanings of a cultural heritage site. International Journal of Web Based Communities, 8(1), 40. https://doi.org/https://doi.org/10.1504/IJWBC.2012.044681
- Papacharissi, Z. (2012). Without you, I’m nothing: Performances of the self on Twitter. International Journal of Communication, 6, 1989–2006.
- Pitt Rivers Museum. (2020). Beyond the binary. Retrieved January 11, 2021, from https://www.prm.ox.ac.uk/beyond-the-binary
- Prentice, R., & Andersen, V. (2007). Interpreting heritage essentialisms: Familiarity and felt history. Tourism Management, 28(3), 661–676. https://doi.org/https://doi.org/10.1016/j.tourman.2006.02.008
- Ramirez-Gutierrez, D., Fernandez-Betancort, H., & Santana-Talavera, A. (2018). Talking to others: Analysing tourists’ communications on cultural heritage experiences. International Journal of Heritage Studies, 24(6), 634–648. https://doi.org/https://doi.org/10.1080/13527258.2017.1413674
- Rowe, S., Wertsch, J., & Kosyaeva, T. (2002). Linking little narratives to big ones: Narrative and public memory in history museums. Culture and Psychology, 8(1), 96–112. https://doi.org/https://doi.org/10.1177/1354067X02008001621
- Salinas, C., Blevins, B., & Sullivan, C. (2012). Critical historical thinking: When official narratives collide with other narratives. Multicultural Perspectives, 14(1), 18–27. https://doi.org/https://doi.org/10.1080/15210960.2012.646640
- Sandell, R. (2005). Constructing and communicating equality. In S. MacLeod (Ed.), Re-Shaping museum space (pp. 185–200). Routledge.
- Sandell, R. (2006). Museums, predjudice and the reframing of difference. Routledge.
- Silberman, N. (2013). Heritage interpretation as public discourse: Towards a new paradigm. In M.-T. Albert, R. Bernecker, & B. Rudolff (Eds.), Understanding heritage: Perspectives in heritage studies (pp. 21–34). De Gruyter.
- Silverstone, R. (1994). The medium is the museum: On objects and logics in times and spaces. In R. Miles & L. Zavala (Eds.) Towards the museum of the future: New European perspectives (pp. 161–177). Taylor & Francis.
- Smith, L. (2006). Uses of heritage. Routledge.
- Thurnell-Read, T. (2017). ‘What’s on your bucket list?’: Tourism, identity and imperative experiential discourse. Annals of Tourism Research, 67, 58–66. https://doi.org/https://doi.org/10.1016/j.annals.2017.08.003
- Tolia-Kelly, D. P. (2006). Affect – an ethnocentric encounter? Exploring the “universalist” imperative of emotional/affectual geographies. Area, 38(2), 213–217. https://doi.org/https://doi.org/10.1111/j.1475-4762.2006.00682.x
- Tunbridge, J., & Ashworth, G. (1996). Dissonant heritage. Wiley.
- Winchester, O. (2012). A book with its pages always open. In R. Sandell & E. Nightingale (Eds.), Museums, equality and social justice (pp. 142–155). Taylor & Francis.
- Yoo, K. H., & Gretzel, U. (2008). What motivates consumers to write online travel reviews? Information Technology & Tourism, 10(4), 283–295. https://doi.org/https://doi.org/10.3727/109830508788403114
- Yoo, K. H., & Gretzel, U. (2011). Influence of personality on travel-related consumer-generated media creation. Computers in Human Behavior, 27(2), 609–621. https://doi.org/https://doi.org/10.1016/j.chb.2010.05.002
- Zeng, B., & Gerritsen, R. (2014). What do we know about social media in tourism? A review. Tourism Management Perspectives, 10(128), 27–36. https://doi.org/https://doi.org/10.1016/j.tmp.2014.01.001