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It's the Real Thing: The Limits of Realism in Holocaust Visual Art

Pages 415-422 | Published online: 04 Sep 2009

Works Cited

  • Adorno, Theodor. “Commitment.” Notes to Literature, II. Ed. Rolf Tiedemann. Trans. Sherry Weber Nicholson. New York: Columbia UP, 1993
  • Barthes , Roland . 1982 . Camera Lucida: Reflections on Photography , New York : Hill and Wang .
  • Baudrillard , Jean . 2001 . Jean Baudrillard: Selected Writings , Edited by: Poster , Mark . Stanford : Stanford UP .
  • Benjamin , Walter . 2004 . “The Work of Art in Mechanical Reproduction.” . In The Nineteenth-Century Visual Culture Reader , Edited by: Schwartz , Vanessa R and Przyblyski , Jeannine M . New York : Routledge .
  • Godfrey , Mark . 2007 . Abstraction and the Holocaust , New Haven : Yale UP .
  • Hirsh , Marianne . 2001 . “Surviving Images: Holocaust Photographs and the Work of Postmemory.” . The Yale Journal of Criticism , 14.1 : 5 – 37 .
  • Katz-Freiman , Tami . 2003 . “Don’t Touch My Holocaust.” . In Impossible Images: Contemporary Art After the Holocaust , Edited by: Hornstein , Shelley , Levitt , Laura and Silberstein , Laurence J . 129 – 156 . New York : New York UP .
  • Sontag , Susan . 2001 . On Photography , New York : Picador .
  • Wolff , Janet . 2008 . The Aesthetics of Uncertainty , New York : Columbia UP .

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