176
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

“BêTes De ScèNe”: Robert Lepage's Totem, Circus, and the Freakish Human Animal

Pages 615-623 | Published online: 29 Nov 2012

Works Cited

  • Rachel , Adams . 2001 . Sideshow U.S.A.: Freaks and the American Cultural Imagination , Chicago, IL : U of Chicago P .
  • Nicolas , Bancel . 2009 . Human Zoos: From the Hottentot Venus to Reality Shows , Liverpool : Liverpool U P .
  • “‘Bêtes de scène.’” La Presse 17–18 April 2010: A1
  • Blais, Marie-Christine. “Totem: 2010, l’Odyssée de la vie.” La Presse 29 April 2010. Web. 25 Feb. 2012
  • Cocteau, Jean. Le Rappel à l’ordre. Paris: Librairie Stock, 1930
  • Festival mondial du cirque de demain. Tohu, Montreal. Feb. 2011. Print program
  • Forrest, Jennifer. “Aerial Misses and Spectating Messieurs: The Paradox of the Lady Acrobat in the French Fin de Siècle.” Peripheries of Nineteenth-Century French Studies: Views from the Edge. Ed. Timothy Raser. Newark, NJ: U of Delaware P, 2002. 133–155
  • Mark , Franko . 1992 . Where He Danced: Cocteau’s Barbette and Ohno’s Water Lilies . PMLA , 107.3 May : 594 – 607 .
  • Fricker, Karen. “‘Somewhere Between Science and Legend:’ Images of Indigeneity in Cirque du Soleil and Robert Lepage’s Totem.” Montréal Circus Research Group. Concordia University, Montréal. 13 Dec. 2010. Oral presentation
  • Gold, Tanya. “Meet Snake-girl—the contortionist getting circus audiences in a twist.” Daily Mail 17 Jan. 2008. Web. 25 Feb. 2012
  • Elizabeth , Grosz . 1996 . “ Intolerable Ambiguity: Freaks as/at the Limit ” . In Freakery: Cultural Spectacles of the Extraordinary Body , Edited by: Garland Thomson , Rosemarie . 55 – 66 . New York : NYU P .
  • Jennifer , Harvie and Hurley , Erin . 1999 . States of Play: Locating Québec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil . Theatre Journal , 51.3 : 299 – 315 .
  • Nichola , Haxell . 2000 . ‘Ces Dames du Cirque:’ A Taxonomy of Male Desire in Nineteenth-Century French Literature and Art . MLN , 115 : 783 – 800 .
  • Erin , Hurley . 2008 . Les Corps multiples du Cirque du Soleil . Globe , 11.2 : 135 – 157 .
  • Marc-André , Lemieux . Acrobaties et mythologie . Métro 9–11 April 2010 , 28
  • Le Québec à Las Végas. Special issue of L’Annuaire théâtral 45 (Spring 2009)
  • Peta , Tait . 1999 . Circus Bodies as theatre animals . Australasian Drama Studies , 35 Oct. : 129 – 143 .
  • Totem. Director Robert Lepage. Montreal’s Old Port. April 2010. Print program
  • Turenne, Martine. “Le Top 10 des 150 sociétés les plus admirées.” Les Affaires 18 Feb. 2011. Web. Consulted 25 Feb. 2012
  • “Wayne Schoenfeld: Icônes/Iconoclasts.” Tohu, Montreal. 15 Feb.–6 Mar. 2011. Curators’ wall-mounted notes
  • Kari , Weil . 2006 . Men and Horses: Circus Studs, Sporting Males, and the Performance of Purity in Fin-de-Siècle France . French Cultural Studies , 17.1 Feb. : 87 – 105 .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.