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Article

To Write or To Paint the Monstrous? —The Strange Case of Claude Louis-Combet

Works Cited

  • Buffon. Les Époques de la Nature, Lexique. Paris, Édition du Museum d’Histoire Naturelle, 1962.
  • Buffon. Histoire Naturelle. Paris, Gallimard, 1984.
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  • Derrida, Jacques. “Deconstruction and the Other.” Dialogues with Contemporary Continental Thinkers: The Phenomenological Heritage, edited by Richard Kearney, Manchester UP, 1984.
  • Derrida, Jacques. Points…: Interviews, 1974–1994. Translated by Peggy Kamuf, et al., Stanford UP, 1995.
  • Jones, David Houston. “Sex, Sainthood and the Other Body: Writing Icons in Claude Louis-Combet and David Nebreda.” French Cultural Studies, vol. 14, no. 2, 2003, pp. 178–191.
  • Louis-Combet, Claude. Dadomorphes et Dadopathes [Dadomorphs and Dadopaths]. Paris, Deyrolle Éditeur, 1992.
  • Louis-Combet, Claude. Dado, Le Sacre du Dépotoir [The Junkyard’s Coronation]. Brussels, La Pierre d’Alun, 1996.
  • Louis-Combet, Claude. Le Blockhaus de Dado: Fécamp 2003–2006 [Dado’s Blockhouse]. Honfleur, CGB Galerie, 2007.
  • Louis-Combet, Claude. Dado: Les Oiseaux d’Irène [The Birds of Irene]. Paris, La Différence, 2007.
  • Pollock, Jackson. “My Painting.” Pollock: Painting, edited by Barbara Rose, Agrinde Publications Ltd., 1980.

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