https://orcid.org/0000-0002-5171-4199
References
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- Jullien, François. 1995. The Propensity of Things. Translated by Janet Lloyd. New York: Zone Books.
- Jullien, François. 2004a. In Praise of Blandness: Proceeding from Chinese Thought and Aesthetics. Translated by Paula M. Varsano. New York: Zone Books.
- Jullien, François. 2004b. “A Treatise on Efficacy: Between Western and Chinese Thinking.” Translated by Janet Lloyd. University of Hawaii Press.
- Jullien, François. 2009a. The Great Image Has No Form, or On the Nonobject through Painting. Translated by Jane Marie Todd. Chicago: The University of Chicago Press.
- Jullien, François. 2009b. “Paris Pékin, pour une philosophie de l’écart.” le Débat 153 (1): 183–192.
- Lessing, Gotthold Ephraim. 1836. Laocoon: Or the Limits of Poetry and Painting. Translated by William Ross. London: J. Ridgway & Sons.
- Wu, You. 2020. “Globalization, Divergence and Cultural Fecundity: Seeking Harmony in Diversity through François Jullien’s Transcultural Reflection on China.” Critical Arts 34 (2): 30–42.
- Zhu, Zhirong. 2022a. Philosophy of Chinese Art. Translated by Chen Kaiju, Luo Na, and Xue Ping. New York: Routledge.
- Zhu, Zhirong. 2022b. Chinese Aesthetics in a Global Context. Translated by Xurong Kong. Singapore: Springer.