https://orcid.org/0000-0001-9595-4867
References
- Abdel-Shehid, Gamal, and Zahir Kolia, Caribbean Philosophical Association 2017. “In Light of the Master: Re-Reading Césaire and Fanon.” The CLR James Journal 23 (1): 175–192. https://doi.org/10.5840/clrjames2017102440.
- Allen, Jason. 2017. “Aimé Césaire and the Divine Comedy: Self-Enlightenment and the Dialectic of Relation in and the Dogs Were Silent.” Journal of Postcolonial Writing 53 (4): 482–494. https://doi.org/10.1080/17449855.2017.1292182.
- Benjamin, Walter. [1935] 1999. The Arcades Project, edited by Eiland H, McLaughlin K, Tiedeman R. Cambridge, MA: Harvard University Press.
- Césaire, Aimé. 1969. Une tempête. Paris: Seuil, Points.
- Césaire, Aimé. 1956a. “Culture et Colonisation.” Présence Africaine N° VIII-IX-X (3): 190–205. https://doi.org/10.3917/presa.9564.0190.
- Césaire, Aimé. 1956b. Et les chiens se taisaient. Paris: Présence Africaine.
- Césaire, Aimé. [1961] 2011. “La Révolte de Frantz Fanon.” Jeune Afrique: 13–19. https://www.jeuneafrique.com/178228/politique/la-r-volte-de-frantz-fanon-par-aim-c-saire/.
- Césaire, Aimé. 1946. Les Armes miraculeuses. Paris: Gallimard.
- Chapman, Edmund. 2016. “Nature, Religion and Freedom in Aimé Césaire’s Une Tempête.” Journal of Postcolonial Writing 52 (6): 726–738. https://doi.org/10.1080/17449855.2016.1173574.
- Derrida, Jacques. 2008. Séminaire 2001–02. La bête et le souverain. Vol. 1. Paris: Galilée.
- Fanon, Frantz. 2002 [1961]. Les Damnés de la terre. Paris: La Découverte Poche.
- Fanon, Frantz. 1952. Peau noire masques blancs. Paris: Seuils, Points.
- Glissant, Édouard. [1981] 1997. Le Discours antillais. Paris: Gallimard, Folio Essais.
- Gil, Alex. 2013. “Migrant Textuality: On the Fields of Aimé Césaire’s Et Les Chiens Se Taisaient.” Ph.D. Diss., University of Virginia.
- Hiddleston, Jane. [2014] 2021. Decolonising the Intellectual. Politics, Culture, and Humanism at the End of the French Empire. Liverpool: Liverpool University Press.
- Hiddleston, Jane. 2022. Frantz Fanon: Literature and Invention. Cambridge: Legenda.
- Khoury, Joseph. 2006. “The Tempest Revisited in Martinique: Aimé Césaire’s Shakespeare.” Journal for Early Modern Cultural Studies 6 (2): 22–37. https://doi.org/10.1353/jem.2006.0015.
- Macey, David. [2000] 2012. Frantz Fanon. A Biography. London: Verso.
- Mégevand, Martin. 2011. “The Tragedy of Decolonization: Dialectics at a Standstill.” In Postcolonial Poetics: Genre and Form, edited by Patrick Crowley and Jane Hiddleston, 185–201. Liverpool: Liverpool University Press.
- Nixon, Rob. 1987. “Caribbean and African Appropriations of the Tempest.” Critical Inquiry 13 (3): 557–578. https://doi.org/10.1086/448408.
- Scott, David. 2014. Omens of Adversity: Tragedy, Time, Memory, Justice. Durham and London: Duke University Press.
- Shakespeare, William. 1611. The Tempest.
- Wilder, Gary. 2015. Freedom Time: Negritude, Decolonization and the Future of the World. Durham and London: Duke University Press.
- Wilder, Gary. 2004. “Race, Reason, Impasse: Cesaire, Fanon, and the Legacy of Emancipation.” Radical History Review 2004 (90): 31–61. https://doi.org/10.1215/01636545-2004-90-31.
- Williams, James. 2023. Frantz Fanon. London: Reaktion Books.
- Wynter, Sylvia. 1989. “Beyond the Word of Man: Glissant and the New Discourse of the Antilles.” World Literature Today 63 (4): 637–648. https://doi.org/10.2307/40145557.
- West, Russell. 2007. “Césaire’s Bard: Shakespeare and the Performance of Change in Césaire’s Une Tempête.” Journal of Caribbean Literatures 4 (3): 1–16.