Identifying the English: essentialism and multiculturalism in contemporary English folk music

References

• Aughey, Arthur. 2007. The Politics of Englishness. Manchester: Manchester University Press.
   Google Scholar
• Aughey, Arthur and Christine Berberich, eds. 2011. These Englands: A Conversation on National Identity. Manchester: Manchester University Press.
   Google Scholar
• Bater, Patricia. 2013. ‘“Blacking Up”: English Folk Traditions and Changing Perceptions about Black People in England’. Thesis, University of Sheffield. http://etheses.whiterose.ac.uk/4181/.
   Google Scholar
• BBC. 2016. ‘Shrewsbury Folk Festival Bans “Blackface” Morris Dancers’. 25 August 2016. http://www.bbc.co.uk/news/uk-england-shropshire-37172500 (accessed 25 August 2016).
   Google Scholar
• Berntzen, Lars Erik and Manès Weisskircher. 2016. ‘Anti-Islamic PEGIDA Beyond Germany: Explaining Differences in Mobilisation’. Journal of Intercultural Studies 37: 556–73. doi: 10.1080/07256868.2016.1235021
   Web of Science ®Google Scholar
• Bigenho, Michelle. 2002. Sounding Indigenous: Authenticity in Bolivian Music Performance. New York: Palgrave.
   Google Scholar
• Bohlman, Philip V. 2004. The Music of European Nationalism: Cultural Identity and Modern History. Santa Barbara: ABC-CLIO.
   Google Scholar
• Boyes, Georgina. 1993. The Imagined Village; Culture, Ideology and the English Folk Revival. Manchester: Manchester University Press.
   Google Scholar
• Boyle, Maggie. 2012. ‘Pete Coe (Bansitar) and Maggie Boyle—The Jackdaw’. YouTube, http://www.youtube.com/watch?v=_kuk7l0xBWY (accessed 16 June 2014).
   Google Scholar
• Buckland, Theresa J. 1990. ‘Black Faces, Garlands, and Coconuts: Exotic Dances on Street and Stage’. Dance Research Journal 22(2): 1–12. doi: 10.2307/1477779
   Web of Science ®Google Scholar
• Cantle, Ted. 2012. Interculturalism: The New Era of Cohesion and Diversity. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Cullingford, Cedric, and Ikhlaq Din. 2006. Ethnicity and Englishness: Personal Identities in a Minority Community. Newcastle upon Tyne: Cambridge Scholars Publishing.
   Google Scholar
• Davey, Merv. 2006. ‘Guizing: Ancient Traditions and Modern Sensitivities’. Cornish Studies 14: 229–44. doi: 10.1386/corn.14.1.229_1
   Google Scholar
• Doane, Ashley and Eduardo Bonilla-Silva, eds. 2003. White Out: The Continuing Significance of Racism. New York: Routledge.
   Google Scholar
• Dueck, Byron. 2013. Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance. New York: Oxford University Press.
   Google Scholar
• English Folk Dance and Song Society. 2016. ‘Black Sailors and Sea Shanties: New Learning Resource for Black History Month’. http://efdss.org/news/239-september-2016/3953-black-sailors-and-sea-shanties-new-learning-resource-for-black-history-month?utm_source=efdss&utm_medium=email&utm_content=link&utm_campaign=black-history-month (accessed 30 October 2016).
   Google Scholar
• Entzinger, Han. 2014. ‘The Rise and Fall of Multiculturalism: The Case of the Netherlands’. In Toward Assimilation and Citizenship: Immigrants in Liberal Nation-States, edited by Christian Joppke and Ewa Morawska, 59–86. London: Palgrave Macmillan UK.
   Google Scholar
• Ford, Robert, and Matthew Goodwin. 2014. Revolt on the Right: Explaining Support for the Radical Right in Britain. London: Routledge.
   Google Scholar
• Hainsworth, Paul. 2016. The Extreme Right in Europe and the USA. London: Bloomsbury Publishing.
   Google Scholar
• Harker, Dave. 1985. Fakesong: The Manufacture of British ‘Folksong’ 1700 to the Present Day. Milton Keynes: Open University Press.
   Google Scholar
• Hazell, Robert, ed. 2006. The English Question. Manchester: Manchester University Press.
   Google Scholar
• Hellier-Tinoco, Ruth. 2011. Embodying Mexico: Tourism, Nationalism and Performance. Oxford: Oxford University Press.
   Google Scholar
• Hughes, David. 2008. Traditional Folk Song in Modern Japan: Sources, Sentiment and Society. London: Global Oriental.
   Google Scholar
• The Imagined Village. 2007. The Imagined Village. London: Real World Records CDRW147. Compact Disc.
   Google Scholar
• The Imagined Village 2012. Bending the Dark. London: ECC Records Ltd ECC006. Compact Disc.
   Google Scholar
• Kenny, Michael. 2014. The Politics of English Nationhood. Oxford: Oxford University Press.
   Google Scholar
• Kešić, Josip, and Jan Willem Duyvendak. 2016. ‘Nationalism Without Nationalism? Dutch Self-Images Among the Progressive Left’. In The Culturalization of Citizenship: Belonging and Polarization in a Globalizing World, edited by Jan Willem Duyvendak, Peter Geschiere and Evelien Tonkens, 49–71. London: Palgrave MacMillan UK.
   Google Scholar
• Kingsnorth, Paul. 2008. Real England: The Battle against the Bland. London: Portobello Books.
   Google Scholar
• Kymlicka, Will. 1995. Multicultural Citizenship: A Liberal Theory of Minority Rights. Oxford: Clarendon Press.
   Google Scholar
• Lady Maisery. 2011. Weave and Spin. Derby: RootBeat Records RBRCD09. Compact Disc.
   Google Scholar
• Lentin, Alana, and Gavan Titley. 2011. The Crises of Multiculturalism: Racism in a Neoliberal Age. London: Zed Books.
   Google Scholar
• Livingston, Tamara E. 1999. ‘Music Revivals: Towards a General Theory’. Ethnomusicology 43: 66–85. doi: 10.2307/852694
   Web of Science ®Google Scholar
• Looking for a New England. New Folk: Old Roots. 2009. London: FROOTS ACE1. Compact Disc.
   Google Scholar
• Looking for a New England 2: The Other Traditions. 2010. London: FROOTS ACE2. Compact Disc.
   Google Scholar
• Lomax, Alan. 1977. ‘Appeal for Cultural Equity’. Journal of Communication 27(2): 125–38. doi: 10.1111/j.1460-2466.1977.tb01838.x
   Web of Science ®Google Scholar
• Los Angeles County Museum of Art. n.d. ‘Portrait of a Sailor (Paul Cuffe?) | LACMA Collections.’ http://collections.lacma.org/node/210991. (accessed 10 December 2016).
   Google Scholar
• Lucas, Caroline. 2013. ‘The Imagined Folk of England: Whiteness, Folk Music and Fascism’. Critical Race and Whiteness Studies 9(1). http://www.acrawsa.org.au/ejournal/, Brisbane.
   Google Scholar
• Lundström, Catrin. 2014. White Migrations: Gender, Whiteness and Privilege in Transnational Migration. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Magowan, Fiona, and Karl Neuenfeldt. 2005. Landscapes of Indigenous Performance: Music, Song and Dance in the Torres Strait and Arnhem Land. Canberra: Aboriginal Studies Press.
   Google Scholar
• McWhorter, Ladelle. 2005. ‘Where do White People Come From? A Foucaultian Critique of Whiteness Studies’. Philosophy and Social Criticism 31: 533–56. doi: 10.1177/0191453705055488
   Google Scholar
• Meer, Nasar, and Tariq Modood. 2012. ‘How Does Interculturalism Contrast with Multiculturalism?’ Journal of Intercultural Studies 33: 175–96. doi: 10.1080/07256868.2011.618266
   Google Scholar
• Merlan, Francesca. 2009. ‘Indigeneity: Global and Local’. Current Anthropology 50: 303–33. doi: 10.1086/597667
   PubMed Web of Science ®Google Scholar
• Mitsui, Toru. 1998. ‘Domestic Exoticism: A Recent Trend in Japanese Popular Music’. Perfect Beat 4(4): 1–12.
   Google Scholar
• Modood, Tariq. 2007. Multiculturalism. Cambridge: Polity Press.
   Google Scholar
• Morris Offspring and The English Acoustic Collective. 2005. On English Ground. Tour Programme.
   Google Scholar
• Mukherjee, Sheema. n.d. ‘Sheema Mukherjee: Sitarist, Composer, Vocalist, Bassist.’ http://www.mukherjee.co.uk/ (accessed 6 December 2016).
   Google Scholar
• Okolosie, Lola. 2014. ‘Cameron and the Morris Dancers: A Sign of Our Nationalistic Mood.’ The Guardian, 14 October 2014. https://www.theguardian.com/commentisfree/2014/oct/14/david-cameron-blacked-up-morris-dancers-nationalistic-englishness-black-people (accessed 15 October 2014).
   Google Scholar
• Paradies, Yin C. 2006. ‘Beyond Black and White: Essentialism, Hybridity and Indigeneity’. Journal of Sociology 42(4): 355–367. doi: 10.1177/1440783306069993
   Web of Science ®Google Scholar
• PRS for Music Foundation. 2011a. New Music 20x12. http://www.prsformusicfoundation.com/Partnerships/Flagship-Programmes/New-Music-20x12/ (accessed 15 April 2012).
   Google Scholar
• PRS for Music Foundation 2011b. Sheema Mukherjee, Commissioned by The Imagined Village. http://www.prsformusicfoundation.com/Partnerships/Flagship-Programmes/New-Music-20x12/Meet-the-New-Music-20x12-Composers/Sheema-Mukherjee (accessed 15 April 2012).
   Google Scholar
• Rattansi, Ali. 2011. Multiculturalism: A Very Short Introduction. Oxford: Oxford University Press.
   Google Scholar
• Ronström, Owe. 2014. ‘Traditional Music, Heritage Music’. In Oxford Handbook of Music Revival, edited by Caroline Bithell and Juniper Hill, 43–59. New York: Oxford University Press.
   Google Scholar
• Sackmann, Rosemarie. 2003. ‘Introduction: Collective Identities and Social Integration’. In Identity and Integration: Migrants in Western Europe, edited by Rosemarie Sackmann, Bernhard Peters and Thomas Faist, 1–9. Aldershot: Ashgate.
   Google Scholar
• Schofield, Derek. 2005. ‘A Black and White Issue?’ English Dance and Song, Summer edition, 12–14.
   Google Scholar
• Sunier, Thijl, and Rob van Ginkel. 2006. ‘“At Your Service!”: Reflections on the Rise of Neo-nationalism in the Netherlands’. In Neo-Nationalism in Europe and Beyond: Perspectives from Social Anthropology, edited by Andre Gingrich and Marcus Banks, 107–24. Oxford: Berghahn Books.
   Google Scholar
• Sweers, Britta. 2005. Electric Folk: The Changing Face of English Traditional Music. New York: Oxford University Press.
   Google Scholar
• Topic Records. 2010. ‘The Voice of the People’. http://www.topicrecords.co.uk/category/the-voice-of-the-people/ (accessed 3 April 2014).
   Google Scholar
• Trechter, Sara, and Mary Bucholtz. 2001. ‘Introduction: White Noise: Bringing Language into Whiteness Studies’. Journal of Linguistic Anthropology 11(1): 3–21. doi: 10.1525/jlin.2001.11.1.3
   Google Scholar
• Usborne, Simon. 2014. ‘Black-Faced Morris Dancers: Traditional Disguise or Simply Racist?’ The Independent, 14 October 2014. http://www.independent.co.uk/life-style/health-and-families/features/black-faced-morris-dancers-traditional-disguise-or-simply-racist-9794704.html (accessed 12 December 2016).
   Google Scholar
• Vertovec, Steven. 2010a. ‘Introduction: New Directions in the Anthropology of Migration and Multiculturalism’. In Anthropology of Migration and Multiculturalism: New Directions, edited by Steven Vertovec, 1–17. Abingdon: Routledge.
   Google Scholar
• Vertovec, Steven 2010b. ‘Super-Diversity and Its Implications’. In Anthropology of Migration and Multiculturalism: New Directions, edited by Steven Vertovec, 65–95. Abingdon: Routledge.
   Google Scholar
• Webster-Kogen, Ilana. 2014. ‘Song Style as Strategy: Nationalism, Cosmopolitanism and Citizenship in the Idan Raichel Project’s Ethiopian-influenced songs’. Ethnomusicology Forum 23: 27–48. doi: 10.1080/17411912.2013.879034
   Web of Science ®Google Scholar
• Winter, Trish, and Simon Keegan-Phipps. 2013. Performing Englishness: Identity and Politics in a Contemporary Folk Resurgence. Manchester: Manchester University Press.
   Google Scholar
• Wood, Chris. 2006. ‘Not Icons but Jewels: Music and Loss in England’. Journal of Music in Ireland 6(2). http://journalofmusic.com/focus/not-icons-jewels (accessed 10 October 2014).
   Google Scholar