1,541
Views
0
CrossRef citations to date
0
Altmetric
Articles

Valuing and evaluating musical practice as research in ethnomusicology and its implications for research assessment

ORCID Icon, ORCID Icon & ORCID Icon

References

  • ARC. 2015a. ‘Excellence in Research for Australia’. https://www.arc.gov.au/excellence-research-australia (accessed 29 May 2020).
  • ARC. 2015b. ‘Engagement and Impact Assessment’. https://www.arc.gov.au/engagement-and-impact-assessment (accessed 29 May 2020).
  • ARC. 2015c. ‘ANZSRC Consultation’. https://www.arc.gov.au/anzsrc-review/anzsrc-consultation (accessed 29 May 2020).
  • ARC. 2019. ‘Non-Traditional Research Outputs (NTROs)’. https://dataportal.arc.gov.au/ERA/NationalReport/2018/pages/section1/non-traditional-research-outputs-ntros/ (accessed 29 May 2020).
  • ARC. 2020. ‘Classification Codes—FoR, RFCD, SEO and ANZSIC Codes’. https://www.arc.gov.au/grants/grant-application/classification-codes-rfcd-seo-and-anzsic-codes (accessed 24 February 2022).
  • de Assis, Paulo. 2017. ‘Rasch24 The Somatheme’. In Artistic Research in Music: Discipline and Resistance, Artists and Researchers at the Orpheus Institute, edited by Jonathan Impett, 15–42. Ghent: Orpheus Institute, Leuven University Press.
  • Barney, Katelyn, ed. 2014. Collaborative Ethnomusicology: New Approaches to Music Research Between Indigenous and non-Indigenous Australians. Melbourne: Lyrebird Press.
  • Barthes, Roland. 1972. ‘The Grain of Voice’. In Image, Music, Text: Essay Selected and Translated by Stephen Heath (1977), 179–189. London: Fontana Press.
  • Barwick, Linda and Joseph Toltz. 2017. ‘Quantifying the Ineffable? The University of Sydney’s Guidelines for Non-Traditional Research Outputs’. In Perspectives on Artistic Research in Music, edited by Robert Burke and Andrys Onsman, 55–66. Lanham: Lexington Books.
  • Borgdorff, Henk. 2012. The Conflict of the Faculties. Perspectives on Artistic Research and Academia. Leiden: Leiden University Press.
  • Born, Georgina. 2010. ‘For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn’. Journal of the Royal Musical Association 135 (2): 205–243.
  • British Forum for Ethnomusicology (BFE). 2016. ‘Ethics Statement’. https://bfe.org.uk/bfe-ethics-statement (accessed 6 March 2022).
  • Clifford, James. 1988. On Ethnographic Authority. The Predicament of Culture: Twentieth-Century Ethnography, Literature and Art. Cambridge, MA: Harvard University Press.
  • Connell, Raewyn. 2019. The Good University: What Universities Actually do and why It's Time for Radical Change. Clayton: Monash University Publishing.
  • Cook, Nicholas. 2008. ‘We are all (Ethno)Musicologists Now’. In The New (Ethno)Musicologies, edited by Henry Stobart, 48–67. Plymouth: Scarecrow Press.
  • Cook, Nicholas. 2015. ‘Performing Research: Some Institutional Perspectives’. In Artistic Practice as Research: Theory, Criticism, Practice, edited by Mine Doğantan-Dack, 11–32. London: Routledge.
  • Cook, Nicholas. 2018. Music as Creative Practice, Studies in Musical Performance as Creative Practice. Oxford, New York: Oxford University Press.
  • Corn, Aaron and Joseph N Gumbula. 2006. ‘Rom and the Academy Repositioned: Binary Models in Yolŋu Intellectual Traditions and Their Application to Wider Intercultural Dialogues’. In Boundary Writing: An Exploration of Race, Culture and Gender Binaries in Contemporary Australia, edited by Lynette Russell, 170–98. Hawai’i: University of Hawai’i Press.
  • Corn, Aaron. 2011. ‘Sound Exchanges: An Ethnomusicologist’s Approach to Interdisciplinary Teaching and Learning in Collaboration with a Remote Indigenous Australian Community’. The World of Music 51 (3): 21–50.
  • Corn, Aaron. 2013a. ‘Nations of Song’. Humanities Research 19 (3): 148–60.
  • Corn, Aaron. 2013b. ‘Sustaining Australia’s Indigenous Music and Dance Traditions: The Role of the NRPIPA’. Musicology Australia 35: 268–84.
  • Corn, Aaron. 2014. ‘Agent of Bicultural Balance: Ganma, Yothu Yindi, and the Legacy of Yunupiŋu’. Journal of World Popular Music 1 (1): 24–45.
  • Corn, Aaron. 2018. ‘Singing in the Presence of Knowing’. In Associations: Research and Creative Practice, edited by James Oliver, 158–69. Melbourne: Melbourne University Press.
  • Corn, Aaron. 2019. ‘JN Gumbula, the Ancestral Chorus, and the Value of Indigenous Knowledges’. Preservation, Digital Technology & Culture 47 (3–4): 77–90.
  • Corn, Aaron and Wantarri Jampijinpa Patrick. 2014. ‘Singing the Winds of Change: Ethnomusicology and the Generation of New Collaborative Contexts for the Teaching of Warlpiri Knowledge Across Generations and Cultures’. In Collaborative Ethnomusicology: New Approaches to Music Research Between Indigenous and Non-Indigenous Australians, edited by Katelyn Barney, 147–68. Melbourne: Lyrebird Press.
  • Croft, John. 2015. ‘Composition is not research’. Tempo 69 (272): 6–11. doi: https://doi.org/10.1017/S0040298214000989.
  • Cunning, David. 2014. The Cambridge Companion to Descartes’ Meditations. Cambridge: Cambridge University Press.
  • Delgado, Maria and Mike Thelwell. 2015. ‘Arts and Humanities Research Evaluation: No Metrics Please, Just Data’. Journal of Documentation 71: 817–33.
  • Doğantan-Dack, Mine. 2015. Artistic Practice as Research in Music: Theory, Criticism, Practice. London: Routledge.
  • Ellis, Catherine1992. World of Music. 36(1).
  • Evans, Ralph, et al. 2011. ‘20 Years After the Dawkins Review’: Tertiary Music Education in Australia Task Force Report. Sydney: Global Access Partners.
  • Feld, Steven. 2013. Listening to the Histories of Listening: Collaborative Experiments in Acoustemology. Lecture: University of Helsinki. May 5.
  • Gillespie, Kirsty, Sally Treloyn and Don Niles. 2017. A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild. Canberra: ANU Press.
  • Graeber, David. 2001. Toward an Anthropological Theory of Value: The False Coin of our own Dreams. New York: Palgrave MacMillan.
  • Gumbula, Joseph Neparrŋa. 2019. ‘Matjabala Mali’ Buku-Ruŋanmaram: New Pathways for Indigenous Cultural Survival Through Yolŋu Explorations of the University of Sydney Archives’. Preservation, Digital Technology & Culture 47 (3–4): 70–76.
  • Hagedorn, Katherine J. 2001. Divine Utterances: The Performance of Afro-Cuban Santeria. Washington/London: Smithsonian Institution Press.
  • Hazelkorn, Ellen. 2015. ‘The Obsession with Rankings in Tertiary Education: Implications for Public Policy’. https://hepru.files.wordpress.com/2015/01/the-obsession-with-rankings-in-tertiary-education_wb_0115.pdf (accessed 16 May 2020).
  • Impett, Jonathan. 2017. Artistic Research in Music: Discipline and Resistance, Artists and Researchers at the Orpheus Institute, Orpheus Institute Series. Leuven: Leuven University Press.
  • Ingalls, Monique, Muriel Swijghuisen Reigersberg and Zoe Sherinian. 2018. Making Congregational Music Local in Christian Communities Worldwide. London/New York: Routledge.
  • Kirkkopelto, Esa. 2017. ‘Searching for Depth in the Flat World: Art, Research, and Institutions’. In Artistic Research in Music: Discipline and Resistance, Artists and Researchers at the Orpheus Institute, edited by Jonathan Impett, 134–48. Ghent: Orpheus Institute, Leuven University Press.
  • Kisliuk, Michelle. 1998. “Seize the Dance” BaAka Musical Life and the Ethnography of Performance. New York: Oxford University Press.
  • Langton, Marcia. 2019. Welcome to Country: An Introduction to Our First Peoples for Young Australians. Melbourne: Hardie Grant.
  • Manley, David. B. and Charles S. Taylor. 1996. Descartes’ Meditations—Trilingual Edition. https://corescholar.libraries.wright.edu/philosophy/8 (accessed 29 May 2020).
  • Marcus, George, E. and Michael M. J. Fischer. 1999. Anthropology as a Cultural Critique: An Experimental Moment in the Human Sciences. Chicago/London: The University of Chicago Press.
  • Marett, Allan. 2005. Songs, Dreamings, and Ghosts: The Wangga of North Australia. Middleton: Wesleyan University Press.
  • Marett, Allan and Linda Barwick. 2007. ‘Musical and Linguistic Perspectives on Aboriginal song’. Australian Aboriginal Studies 2007 (2): 1–5.
  • Marika, Raymattja, Dayŋawa Ŋurruwutthun and Leon White. 1989. ‘Always Together, Yaka Gana: Participatory Research at Yirrkala as Part of the Development of a Yolŋu Education’. Convergence 25 (1): 23–39.
  • McKerrell, Simon. 2016. Focus: Scottish Traditional Music. New York/London: Routledge.
  • McKerrell, Simon. 2021. ‘Towards Practice Research in Ethnomusicology’. Ethnomusicology Forum, doi:https://doi.org/10.1080/17411912.2021.1964374
  • Moore, Samuel, Cameron Neylon, Martin Paul Eve, Daniel Paul O’Donnell and Damian Pattinson. 2017. ‘“Excellence R Us”: University Research and the Festishisation of Excellence’. Palgrave Communications: Humanities, Social Sciences, Business. https://www.nature.com/articles/palcomms2016105 (accessed 19 January 2020)
  • Nakata, Martin. 2007. Disciplining the Savages: Savaging the Disciplines. Canberra: Aboriginal Studies Press.
  • Nelson, Robin. 2013. Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave MacMillan.
  • Neylon, Cameron. 2020. ‘Research Excellence is a neo-Colonial Agenda (and What Might be Done About it)’. In Transforming Research Excellence: New Ideas from the Global South, edited by Robert McLean, Robert Tijssen, Matthew L. Wallace and Erika Kraemer-Mbula. South Africa: African Minds Publishers. doi:https://doi.org/10.17613/bta3-6g96.
  • Nooshin, Laudan. 2011. ‘Introduction to the Special Issue: The Ethnomusicology of Western Art Music’. Ethnomusicology Forum 20 (3): 285–300.
  • Östersjö, Stefan. 2017. ‘Thinking-through-Music, On Knowledge Production, Materiality, Embodiment, and Subjectivity in Artistic Research’. In Artistic Research in Music: Discipline and Resistance, Artists and Researchers at the Orpheus Institute, edited by Jonathan Impett, 88–107. Orpheus Institute Series. Leuven: Leuven University Press.
  • Pace, Ian. 2016. ‘Composition and Performance Can be, and Often Have Been, research’. Tempo 70 (275): 60–70. doi: https://doi.org/10.1017/S0040298215000637.
  • Patrick, Wantarri, Miles Holmes and Alan Box. 2008. Ngurra-kurlu. Alice Springs: Desert Knowledge Cooperative Research Centre.
  • Platt, Peter. 2000. ‘Only connect’. Musicology Australia 23 (1): 3–18.
  • Pocknee, David. 2015. ‘Composition Is not a Jaffa Cake, Research Is not a Biscuit: A Riposte to John Croft’. http://davidpocknee.ricercata.org/writing/croft-essay_airline_version_03.pdf (accessed 8 December 2020).
  • Research England. 2019. Guidance on Submissions (REF2019/01). Swindon: UK Research and Innovation, Research England. https://www.ref.ac.uk/media/1447/ref-2019_01-guidance-on-submissions.pdf (accessed 5 April 2022)
  • San Francisco Declaration on Research Assessment (DORA). 2012. https://sfdora.org/read/ (accessed 23 December 2021).
  • Schippers, Huib, Vanessa Tomlinson and Paul Draper. 2017. ‘Two Decades of Artistic Research: An Antipodal Experience’. In Artistic Research in Music: Discipline and Resistance, Artists and Researchers at the Orpheus Institute, edited by Jonathan Impett, 163–171. Orpheus Institute Series. Leuven: Leuven University Press.
  • Schippers, Huib. 2007. ‘The Marriage of Arts and Academia: Challenges and Opportunities for Music Research in Practice-Based Environments’. Dutch Journal of Music Theory 12: 34–40.
  • Schippers, Huib. 2015. ‘“Excellence in Research Australia”: The Right Step but Artistic Research Remains the Poor Cousin.’ The Australian, 18 March, Higher Education Supplement, p. 23.
  • Swijghuisen Reigersberg, Muriel E. 2010. ‘Applied Ethnomusicology, Music Therapy and Ethnographically Informed Choral Education: The Merging of Disciplines During a Case Study in Hopevale, Northern Queensland’. In Applied Ethnomusicology: Historical and Contemporary Approaches, edited by Klisala Harrison, Elizabeth Mackinlay and Svanibor Pettan, 51–74. Newcastle upon Tyne: Cambridge Scholars Publishing.
  • Swijghuisen Reigersberg, Muriel E. 2011. ‘Research Ethics, Positive and Negative Impact, and Working in an Indigenous Australian Context’. Ethnomusicology Forum 20 (2): 255–262.
  • Swijghuisen Reigersberg, Muriel E. 2019. ‘Ethical Scholarly Publishing Practices, Copyright and Open Access: A View from Ethnomusicology and Anthropology’. In Whose Book is it Anyway? A View from Elsewhere on Copyright, Publishing and Creativity, edited by Janis Jeffries and Sarah Kember, 309–345. Cambridge, UK: OpenBook Publishers.
  • Swijghuisen Reigersberg, Muriel and Jessie Lloyd. 2019. ‘“To Write or not to Write? That is the Question”: Practice as Research, Indigenous Methodologies, Conciliation and the Hegemony of Academic Authorship’. International Journal for Community Music 12 (3): 383–400.
  • Tuhiwai Smith, Linda. 2012. Decolonizing Methodologies: Research and Indigenous Peoples, Second Edition. London: Zed Books Ltd.
  • Wilsdon, J., et al. 2015. The Metric Tide: Report of the Independent Review of the Role of Metrics in Research Assessment and Management. London: Higher Education Funding Council for England.
  • Yunupiŋu, Mandawuy. 1994. ‘Yothu Yindi: Finding Balance’. Race and Class 35 (4): 114–20.