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Material Religion
The Journal of Objects, Art and Belief
Volume 16, 2020 - Issue 1: Light Mediations
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Articles

Transilluminations: Making the Transcendent Transparent

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  • Augustine, Saint. 1986. Confessions. Translated with an Introduction by R. S. Pine-Coffin. New York: Dorset Press.
  • Bauwens, Michal. 2016. “Under Construction? The Catholic Community in Ghent after the Beeldenstorm.” Low Countries Historical Review 131 (1): 81–98.
  • Bernet, Claus. 2013. Kirchenfenster und Glasarbeiten, Teil 1. Meisterwerke des Himmlischen Jerusalem, 6. Norderstedt: Bod – Books on Demand GmbH.
  • Bernet, Claus. 2014. Kirchenfenster und Glasarbeiten, Teil 2. Meisterwerke des Himmlischen Jerusalem, 16. Norderstedt: Bod – Books on Demand GmbH.
  • Bernet, Claus. 2015a. Jerusalems-Leuchter, Jerusalems-Kerzen und Adventskränze. Meisterwerke des Himmlischen Jerusalem, 25. Norderstedt: Bod – Books on Demand GmbH.
  • Bernet, Claus. 2015b. Kirchenfenster und Glasarbeiten, Teil 3, Meisterwerke des Himmlischen Jerusalem, 26. Norderstedt: Bod – Books on Demand GmbH.
  • Bexte, Peter. 2001. “Blind Opticiens.” In Wim Delvoye Cloaca New & Improved, 109–120. New York: New Museum of Contemporary Art in association with Recta Publishers.
  • Bexte, Peter. 2002a. “Die Göttliche Komödie der seXrays.” In (Catalogue) Wim Delvoye seXrays, 5–16. Luxembourg: beaumontpublic.
  • Bexte, Peter. 2002b. “Angels with Shitty Wings.” In Wim Delvoye Scatalogue, edited by Regina Lange, 11–21. Gent: MERZ/Luc Derycke & Co.
  • Blühm, Andreas, and Louise Lippincott. 2000. Licht! Het industriële tijdperk, 1750–1900. Kunst & Wetenschap, Technologie & Samenleving. Amsterdam: Van Gogh Museum/Carnegie Museum of Art/Thames & Hudson.
  • Boom, A. van der. 1960. De kunst der glazeniers in Europa 1100–1600. Amsterdam: Wereld-Bibliotheek.
  • Boom, A. van der. n.d. Ontwikkeling en karakter der monumentale glasschilderkunst. Rembrandt-Reeks. Amsterdam: A.J.G. Strengholt’s Uitg. Mij N.V.
  • Bukdahl, Else Marie. 2019. “Figuration and ‘Aesthetics of the Sublime’: Aspects of Their Interplay in Christian Art.” In Figurations and Sensations of the Unseen in Judaism, Christianity and Islam, edited by Birgit Meyer and Terje Stordalen, 229–245. London: Bloomsbury Academic.
  • Chieffo Raguin, Virginia. 2003. The History of Stained Glass. The Art of Light Medieval to Contemporary. London: Thames & Hudson Ltd.
  • Cowen, Painton. 1979. Rose Windows. San Francisco, CA: Chronicle Books.
  • Gage, John. 1982. “Gothic Glass. Two Aspects of a Dionysian Aesthetic.” Art History 5 (1): 36–58.
  • Gallistl, Bernhard. 2009. “Bedeutung und gebrauch der großen Lichterkrone im Hildesheimer Dom.” Concilium Medii Aevi 12: 43–88.
  • Groot, Johannes Cornelis. 1960. Encyclopedie van het Christendom. Katholieke Deel. Amsterdam/Brussel: Elsevier.
  • Haneveld, Gerhard Teunis. 1991. Het mirakel van het hart. Baarn: Ambo.
  • Hoogveld, Carine. 1989. Glas in lood in Nederland 1817 – 1968s. Gravenhage: SDU Uitgeverij.
  • Klinckaert, Jan. 2004. “Sursum Corda. Het hart in de christelijke religie.” In Het Hart, edited by Patrick Allegaert, 43–67. Ghent: Uitgeverij Snoeck.
  • Koolen, Anthonie, and Ernst van Raaij. 1997. Glas-in-lood-tegen het licht gehouden. Glazenierskunst in Nijmegen. Nijmegen: Gemeente Nijmegen, afdeling Bouwkunde.
  • Macfarlane, Alan, and Gerry Martin. 2002. The Glass Bathyscaphe. How Glass Changed the World. London: Profile Books Ltd.
  • MacKendrick, Karmen. 2004. Word Made Skin. Figuring Language at the Surface of Flesh. New York: Fordham University Press.
  • Mâle, Émile. [1898] 1972. The Gothic Image. Religious Art in France of the Thirteenth Century. Icon Editions. Translated by Dora Nussey. New York: Harper & Row Publishers.
  • Meyer, Birgit. 2015. “Picturing the Invisible. Visual Culture and the Study of Religion.” Method & Theory in the Study of Religion 27 (4–5): 333–360.
  • Morgan, David. 2008. The Sacred Heart of Jesus. The Visual Evolution of a Devotion. Amsterdam: Amsterdam University Press.
  • Nachtigall, Walter, Volker Oppitz, and Edward Pech. 1988. Glas. Unterhaltsamer Streifzug durch Geschichte und Gegenwart Eines Faszinierenden Stoffes. Berlin: Verlag Die Wirtschaft.
  • Podhradsky, Gerhard. 1965. Beknopt Liturgisch Woordenboek. Roermond: J.J. Romein & Zonen.
  • Ricke, Helmut. 2008. “Bedeutungswandel – Glas und Gläser in der Kunst.” In Zerbrechliche Schönheit Glas im Blick der Kunst, edited by Museum Kunstpalast, 8–22. Ostfildern: Hatje Cantz Verlag.
  • Schlink, Wilhelm. 1978. Die Kathedralen Frankreichs. München: Wilhelm Heyne Verlag.
  • Schultz, Weijmar, Willibrord Pek van Andel, Ida Sabelis and Eduard Mooyaart. 1999. “Magnetic Resonance Imaging of Male and Female Genitals During Coitus and Female Sexual Arousal.” British Medical Journal 319: 1596–1601.
  • Shaver-Crandell, Annie. 1994. Kennismaking met middeleeuwse kunst. Utrecht: Kosmos-Z&K Uitgevers.
  • Sloterdijk, Peter. [1998] 2007. Sferen. Translated by Hans Driessen. Amsterdam: Boom.
  • Sterckx, Pierre. 2002. “Wim Delvoye.” In Wim Delvoye Scatalogue, edited by Regina Lange, 21–34. Gent: MERZ/Luc Derycke & Co.
  • Timmers, J.J.M. 1985. Christelijke symboliek en iconografie. Vijfde druk. Weesp: De Haan.
  • Trînca, Beatrice. 2018. “The Bride and the Wounds.” Interfaces 5: 16–30.
  • Van Speybroeck, Daan. 2014. “The Overdetermination of the Heavenly Jerusalem Contemporary Windows by Gérard Garouste and Jean-Michel Alberola.” In The Imagined and Real Jerusalem in Art and Architecture, edited by Jeroen Goudeau, Mariëtte Verhoeven, and Wouter Meyers, 237–254. Leiden: Brill.
  • Wim Delvoye Cloaca New & Improved. 2001. New York: New Museum of Contemporary Art in association with Recta Publishers.