454
Views
1
CrossRef citations to date
0
Altmetric
Articles

Between virtuosity and despair: formal experimentation in diaspora tales

References

  • Attridge, Derek. 2004. The Singularity of Literature. London and New York: Routledge.
  • Bernabei, Franca. 2008. “What We All Long for: Dionne Brand’s Transatlantic Metamorphoses.” In Recharting the Black Atlantic: Modern Cultures, Local Communities, Global Connections, edited by Annalisa Oboe and Anna Scacchi, 109–127. New York: Routledge.
  • Brand, Dionne. 2001a. A Map to the Door of No Return: Notes to Belonging. Toronto: Doubleday Canada.
  • Brand, Dionne. 2001b. “Ruttier for the Marooned in the Diaspora.” In A Map to the Door of No Return: Notes to Belonging, edited by Dionne Brand, 213–218. Toronto: Doubleday Canada.
  • Brydon, Diana. 2007. “Dionne Brand’s Global Intimacies: Practising Affective Citizenship.” University of Toronto Quarterly 76: 990–1006.10.3138/utq.76.3.990
  • Caruth, Cathy. 1996. Unclaimed Experience: Trauma, Narrative, and History. Baltimore and London: John Hopkins University Press.
  • Casas, M. C. 2009. Multimodality in Canadian Black Feminist Writing: Orality and the Body in the Work of Harris, Philip, Allen and Brand. Amsterdam: Rodopi.
  • Chamberlin, J. Edward. 1993. Come Back To Me My Language: Poetry and the West Indies. Toronto: McClelland & Steward.
  • Cook, Méira. 1995. “The Partisan Body: Performance and the Female Body in Dionne Brand’s No Language is Neutral.” Open Letter 9 (2): 88–91.
  • Felman, Shoshana, and Dori Laub. 1992. Testimony: Crises of Witnessing in Literature, Psychoanalysis and History. London and New York: Routledge.
  • Freud, Sigmund. 1961. Beyond the Pleasure Principle. London and New York: Norton Library.
  • Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press.
  • Godard, Barbara. 1993. “Marlene Philip’s Hyphenated Tongue: Or Writing the Caribbean Demotic between Africa and Arctic.” In Major Minorities: English Literatures in Transit, edited by Raoul Granqvist, 151–175. Amsterdam: Rodopi.
  • Harris, Claire. 1986. “Poets in Limbo.” In A Mazing Space: Writing Canadian Women Writing, edited by Shirley Neuman and Smaro Kamboureli, 115–125. Edmonton, Alberta: Longspoon Press, NeWest Press.
  • Hunter, Lynette. 1992/1993. “After Modernism: Alternative Voices in the Writings of Dionne Brand, Claire Harris, and Marlene Philip.” University of Toronto Quarterly 62: 256–281.
  • LaCapra, Dominick. 2001. Writing History, Writing Trauma. Baltimore and London: John Hopkins University Press.
  • Morell, Carol. 1994. “Introduction.” In Grammar of Dissent: Poetry and Prose by Claire Harris, M. Nourbese Philip, Dionne Brand, edited by Carol Morell, 9–23. Fredericton, NB: Goose Lane Editions.
  • Philip, Marlene Noube Se. 2008. Zong! (As Told to the Author by Setaey Adamu Boateng). Middletown, CT: Wesleyan University Press.
  • Radstone, Susannah. 2011. “Trauma Studies: Contexts, Politics, Ethics.” In Other People’s Pain: Narratives of Trauma and the Question of Ethics, edited by Martin Modlinger and Philipp Sonntag, 63–90. Bern: Peter Lang.
  • Sontag, Susan. 2004. Regarding the Pain of Others. London: Penguin.
  • Walcott, Rinaldo. 2003 [1997]. “No Language is Neutral: The Politics of Performativity in M. Nourbese Philip’s and Dionne Brand’s Poetry.” In Black like Who? Writing Black Canada, by Rinaldo Walcott, 77–88. London, Ontario: Insomniac Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.