References
- Childs, Peter, and James Green. 2013. Aesthetics and Ethics in Twenty-First Century British Novels: Zadie Smith, Nadeem Aslam, Hari Kunzru and David Mitchell. London: Bloomsbury.
- Forster, E. M. [1927] 1949. Aspects of the Novel. Edward Arnold: London.
- Massey, Doreen. 1994. Space, Place and Gender. Minneapolis, MN: University of Minnesota Press.
- Phillips, Mike. 2016. “Postcolonial Endgame.” Journal of Postcolonial Writing 52 (1): 6–12.
- Rifberg, Synne. 2013. “Zadie Smith: On Bad Girls, Good Guys and the Complicated Midlife.” [ Interview]. Louisiana Literature Festival 2013. Accessed 2 October 2013. https://www.youtube.com/watch?v=SIh3swyGYX4
- Sell, Jonathan. 2007. “Experimental Ethics: Autonomy and Contingency in the Novels of Zadie Smith.” In The Ethical Component in Experimental British Fiction since the 1960s, edited by Susana Onega and Jean-Michel Ganteau, 150–170. Newcastle upon Tyne: Cambridge Scholars.
- Smith, Zadie. 2000. White Teeth. London: Hamish Hamilton.
- Smith, Zadie. 2002. The Autograph Man. London: Hamish Hamilton.
- Smith, Zadie. 2004. “Hanwell in Hell.” New Yorker, September 27, 2004. Accessed 15 July 2015. http://www.newyorker.com/magazine/2004/09/27/hanwell-in-hell
- Smith, Zadie. 2006. On Beauty. London: Penguin.
- Smith, Zadie. 2012a. NW. London: Hamish Hamilton.
- Smith, Zadie. 2012b. “The North West London Blues.” The New York Review of Books, June 2. http://www.nybooks.com/blogs/nyrblog/2012/jun/02/north-west-london-blues/
- Smith, Zadie. 2013b. The Embassy of Cambodia. London: Hamish Hamilton.
- Smith, Zadie. 2013a. “Meet the President.” New Yorker, December 8. http://www.newyorker.com/magazine/2013/08/12/meet-the-president
- Tew, Philip. 2014. “Will Self and Zadie Smith’s Depictions of Post-Thatcherite London: Imagining Traumatic and Traumatological Space.” Études Britanniques Contemporaines 47 (2014). http://ebc.revues.org/1886