References
- Aboagye, Kaiya. 2018. “Australian Blackness, the African Diaspora and Afro/Indigenous Connections in the Global South.” Transition: The Magazine of Africa and the Diaspora 126: 72–85. doi:https://doi.org/10.2979/transition.126.1.11.
- Australian National University. 2010. “Australia’s Earliest Contact Rock Art Discovered by Australian National University.” Phys.Org, July 23. https://phys.org/news/2010-07-australia-earliest-contact-art.html
- Aw, Tash. 2013. Five Star Billionaire. New York: Spiegel and Grau.
- Bahrawi, Nazry. 2021. “Were-tigers in Were-texts: Cultural Translation and Indigeneity in the Malay Archipelago.” In Translational Politics in Southeast Asian Literatures: Contesting Race, Gender, and Sexuality, edited by Grace V. S. Chin, 66–81. New York: Routledge.
- Barlocco, Fausto. 2013. “Consuming Ethnic Identities: ‘Materializing’ the Nation and the Minority in Sabah.” Sojourn 28 (3): 465–484. doi:https://doi.org/10.1355/sj28-3c.
- Boey, Kim Cheng. 2018. “‘We are All Exiles’: Exile and Place in the Poetry of Ee Tiang Hong, Wong Phui Nam and Shirley Geok-lin Lim.” Asiatic 12 (2): 23–45.
- Braginsky, V. I. 1990. “Hikayat Hang Tuah: Malay Epic and Muslim Mirror: Some Considerations on Its Date, Meaning and Structure.” Journal of the Humanities and Social Sciences of Southeast Asia 146: 399–412.
- Chow, Emily, and Joseph Sipalan. 2019. “Malaysia Backs $1.5 Billion in Aid for State Palm Oil Firm.” Reuters, April 9. https://www.reuters.com/article/us-malaysia-felda/malaysia-backs-1-5-billion-in-aid-for-state-palm-oil-firm-felda-idUSKCN1RL161
- Cunneen, Chris. 2017. “Police Violence: The Case of Indigenous Australians.” In The Wiley Handbook on Violence and Aggression, edited by Peter Sturmey. Malden: John Wiley and Sons. https://onlinelibrary.wiley.com/doi/book/https://doi.org/10.1002/9781119057574
- Gabriel, Sharmani Patricia. 2014. “‘After the Break’: Re-conceptualizing Ethnicity, National Identity and ‘Malaysian-Chinese’ Identities.” Ethnic and Racial Studies 37 (7): 1211–1224. doi:https://doi.org/10.1080/01419870.2014.859286.
- Gabriel, Sharmani Patricia. 2016. “‘Local’ and ‘National’ Transformations: Cultural Globalization, Heterogeneity, and Malaysian Literature in English.” Journal of Commonwealth Literature 51 (1): 145–164. doi:https://doi.org/10.1177/0021989414566517.
- Glass of Venice. n.d. “Millefiori: A Miracle of Murano Glass.” Accessed 9 November 2020. https://www.glassofvenice.com/millefiori.php
- Haron, Muhammed. 2002. “The Cape Malays: An Imagined Community in South Africa.” African Research and Documentation 88: 35–58.
- Holden, Philip. 2012. “Global Malaysian Novels: Prospects and Possibilities.” Kajian Malaysia 30 (1): 47–59.
- Leng, Rachel. 2017. “The Circulation of Ghostly Women and Li Yongping’s Affective Sinophone Malaysian Identity.” South East Asia Research 25 (2): 122–138. doi:https://doi.org/10.1177/0967828X17703435.
- Lim, Shirley Geok-lin. 2015. “English in Malaysia: Identity and the Market Place.” Asiatic 9 (2): 1–25.
- Meade, Amanda. 2016. “TV Host Sonia Kruger Calls for End to Muslim Migration to Australia.” The Guardian, July 17. https://www.theguardian.com/media/2016/jul/18/tv-host-sonia-kruger-calls-for-end-to-muslim-migration-to-australia
- Mohamad, Maznah. 2011. “Like a Shady Tree Swept by the Windstorm: Malays in Dissent.” In Melayu: The Politics, Poetics and Paradoxes of Malayness, edited by Maznah Mohamad and Syed Muhd Khairudin Aljunied, 34–67. Singapore: NUS Press.
- Musa, Omar. 2013. “Interview with Omar Musa [With Lian Low].” Peril Magazine, July 16. https://peril.com.au/back-editions/the-amok-of-omar-musa-unfinished/
- Musa, Omar. 2014. Parang. Melbourne: Penguin Books.
- Musa, Omar. 2017a. Millefiori. Melbourne: Penguin Books.
- Musa, Omar. 2017b. “The Ranthem II - Omar Musa | Bankstown Poetry Slam.” Youtube. Video, 7: 14. Bankstown Poetry Slam. Accessed 9 November 2020. https://www.youtube.com/watch?v=XMtFQobSeXg
- Musa, Omar. n.d.a “Omar Musa.” The Garret: Writers on Writing. Accessed 9 November 2020. https://thegarretpodcast.com/omar-musa/
- Musa, Omar. n.d.b “The Hat.” The Moth. Audio, 11: 37. Accessed 9 November 2020. https://themoth.org/storytellers/omar-musa
- Nordhoff, Sebastian, ed. 2012. The Genesis of Sri Lanka Malay. Leiden: Brill.
- The Pin. n.d. “Omar Musa: Storyteller.” Accessed 9 November 2020. http://www.thepin.org/meet/omar-musa
- Quayum, Mohammad A. 2018. “Malaysian Literature and Beyond.” Asiatic 12 (2): 1–5.
- Quintero, Desiree A., and Mohd Anis Md Nor. 2016. “The Curvilinear Ethnoaesthetic in Pangalay Dancing among the Suluk in Sabah, Malaysia.” Wacana Seni Journal of Arts Discourse 15: 1–25. doi:https://doi.org/10.21315/ws2016.15.1.
- Ramazani, Jahan. 2015. A Transnational Poetics. Chicago: University of Chicago Press.
- Ros, Aiza Mohd Mokhtar, and Che Zarrina Sa’ari. 2015. “An Assessment of Attitude and Intention of the Kedayan People in Practicing the Local Culture among Different Levels of Educational Background.” International Journal of Arts and Sciences 8 (7): 453–463.
- Said, Edward. 1993. Culture and Imperialism. New York: Knopf.
- Toh, Terence. 2014. “‘Here Come the Dogs’ Poet Omar Musa Now a Voice in Verse.” The Star Malaysia, November 4. https://www.thestar.com.my/lifestyle/books/news/2014/11/04/here-come-the-dogs-poet-omar-musa-now-a-voice-in-verse
- Van Neerven, Ellen. 2019. “Rapper, Poet and Novelist Omar Musa.” The Saturday Paper, November 2–8. https://www.thesaturdaypaper.com.au/culture/books/2019/11/02/rapper-poet-and-novelist-omar-musa/15726132009018
- Yahp, Beth. 2017. The Red Pearl and Other Stories. Newtown, Australia: Vagabond Press.