1,861
Views
0
CrossRef citations to date
0
Altmetric
Research Article

The legacy of Angélique in late 20th-century Black Canadian drama

References

  • Bell, Bernard. 1987. The Afro-American Novel and Its Tradition. Amherst, MA: University of Massachusetts Press.
  • Bernier, Celeste-Marie. 2012. Characters of Blood: Black Heroism in the Transatlantic Imagination. Charlottesville, VA: University of Virginia Press.
  • Brydon, Diana. 2001. “Black Canadas: Rethinking Canadian and Diasporic Cultural Studies.” Revista Canaria de Estudios Ingleses 43: 101–117.
  • Clarke, George Elliott. 1999. Beatrice Chancy. Victoria: Polestar Book Publishers.
  • Clarke, George Elliott. 2000. “Racing Shelley, Or, Reading the Cenci as a Gothic Slave Narrative.” European Romantic Review 11 (2): 168–185. doi:https://doi.org/10.1080/10509580008570107.
  • Clarke, George Elliott. 2012. Directions Home: Approaches to African-Canadian Literature. Toronto: University of Toronto Press.
  • Cole, Desmond. 2020. The Skin We’re In. Toronto: Doubleday.
  • Cooper, Afua. 1992. Memories Have Tongue. Toronto: Sister Vision.
  • Cooper, Afua. 2006. The Hanging of Angélique: The Untold Story of Canadian Slavery and the Burning of Old Montréal. Toronto: HarperCollins.
  • Cooper, Afua. 2007. “Unsilencing the Past: Memorializing Four Hundred Years of African Canadian History.” In Multiple Lenses: Voices from the Diaspora Located in Canada, edited by David Divine, 11–22. Newcastle upon Tyne: Cambridge Scholars Publishing.
  • Elgersman, Maureen G. 1999. Unyielding Spirits: Black Women and Slavery in Early Canada and Jamaica. New York: Garland.
  • Elliott, Lorris. 1985. “The Trial of Marie-Joseph Angélique, Negress and Slave.” In Other Voices: Writings by Blacks in Canada, edited by Lorris Elliott, 55–65. Toronto: Williams-Wallace Publishers.
  • Filewod, Alan. 2005. “‘From Twisted History’: Reading Angélique.” In African-Canadian Theatre, edited by Maureen Moynagh, 29–39. Toronto: Playwrights Canada Press.
  • Foster, Frances Smith. 1994. Witnessing Slavery: The Development of Ante-Bellum Slave Narratives. Madison, WI: University of Wisconsin Press.
  • Gale, Lorena. 1999. Angélique. Toronto: Playwrights Canada Press.
  • Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press.
  • Hartman, Saadiya. 2008. Lose Your Mother: A Journey along the Atlantic Slave Route. New York: Farrar: Straus and Giroux.
  • Heiland, Donna. 2007. “George Elliott Clarke’s Beatrice Chancy: Sublimity, Pain, Possibility.” In Postfeminist Gothic: Critical Interventions in Contemporary Culture, edited by Benjamin A. Brabon and Stéphanie Genz, 126–139. London: Palgrave Macmillan.
  • Keizer, Arlene R. 2004. Black Subjects: Identity Formation in the Contemporary Narrative of Slavery. Ithaca, NY: Cornell University Press.
  • Larson, Katherine. 2006. “Resistance from the Margins in George Elliott Clarke’s Beatrice Chancy.” Canadian Literature 189: 103–118.
  • Maynard, Robin. 2017. Policing Black Lives. Halifax: Fernwood.
  • Mbembe, Achille. 2003. “Necropolitics.” Public Culture 15 (1): 11–40. doi:https://doi.org/10.1215/08992363-15-1-11.
  • McKittrick, Katherine. 2006. Demonic Grounds: Black Women and the Cartographies of Struggle. Minneapolis, MN: University of Minnesota Press.
  • Mitchell, Angelyn. 2002. The Freedom to Remember: Narrative, Slavery, and Gender in Contemporary Black Women’s Fiction. New Brunswick, NJ: Rutgers University Press.
  • Montague, Amanda. 2012. “Rewriting Violent Histories: Transcultural Adaptation in Beatrice Chancy.” In Africadian Atlantic: Essays on George Elliott Clarke, edited by Joseph Pivato, 135–150. Toronto: Guernica.
  • Morrison, Toni. 1987. Beloved. New York: Alfred A. Knopf.
  • Moynagh, Maureen. 2002. ““This History’s Only Good for Anger”: Gender and Cultural Memory in Beatrice Chancy.” Signs: Journal of Women in Culture and Society 28 (1): 98–124. doi:https://doi.org/10.1086/340909.
  • Moynagh, Maureen. 2005. “Eyeing the North Star?: Figuring Canada in Postslavery Fiction and Drama.” Comparative American Studies An International Journal 3 (1): 15–27. doi:https://doi.org/10.1177/1477570005050947.
  • Pivato, Joseph. 2012. “Walking the Walk: George Elliott Clarke’s Creative Practice.” In Africadian Atlantic: Essays on George Elliott Clarke, edited by Joseph Pivato, 313–324. Toronto: Guernica.
  • Rushdy, Ashraf H.A. 1999. Neo-Slave Narratives: Studies in the Social Logic of the Form. New York: Oxford University Press.
  • Scarry, Elaine. 1987. The Body in Pain: The Making and Unmaking of the World. New York and Oxford: Oxford University Press.
  • Siemerling, Winfried. 2015. The Black Atlantic Revisited. Montréal: McGill-Queen’s University Press.
  • Spillers, Hortense J. 1987. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.” Diacritics 17 (2): 64–81. doi:https://doi.org/10.2307/464747.
  • Tompkins, Joanne. 2009. “Urban Entanglements in Three African Canadian Plays: Lorena Gale’s Angélique, George Boyd’s Consecrated Ground, and Andrew Moodie’s Riot.” Theatre Research in Canada 30 (1_2): 17–36. doi:https://doi.org/10.3138/tric.30.1_2.17.
  • Walcott, Rinaldo. 2021. On Property. Windsor, ON: Biblioasis.
  • Walcott, Rinaldo, and Idil Abdillahi. 2019. Blacklife. Post-BLM and the Struggle for Freedom. Winnipeg: ARP Books.
  • Walker, James. 2007. “Approaching African-Canadian History.” In Multiple Lenses: Voices from the Diaspora Located in Canada, edited by David Divine, 2–10. Newcastle upon Tyne: Cambridge Scholars Publishing.