2,716
Views
0
CrossRef citations to date
0
Altmetric
Articles

“Golden hour”: Nostalgia and the demise of the Muslim urban space in Twilight in Delhi and Sunlight on a Broken Column

References

  • Ahmed, Naim. 1968. Shahr-Ashob, edited by Na’im Ahmad and translated by FW Pritchett. Delhi: Maktabah Jami’ah. http://www.columbia.edu/itc/mealac/pritchett/00urduhindilinks/workshop2009/txt_naim_ahmad_1968.html
  • Ali, Ahmed. [1940] 2008. Twilight in Delhi. Reprint ed. Delhi: Rupa Publications.
  • Ali, Muzaffar, Dir. 1981. Umrao Jaan. Integrated Films/S. K. Jain and Sons. Film.
  • Anjaria, Ulka. 2012. Realism in the Twentieth-Century Indian Novel: Colonial Difference and Literary Form. New York: Cambridge University Press.
  • Azad, M.H. [1880] 2001. Aab-e Hayat: Shaping the Canon of Urdu Poetry. Translated by F.W. Pritchett. New Delhi: Oxford University Press. https://dsal.uchicago.edu/books/PK2155.H8413/
  • Benjamin, Walter, Asja Lacis. 1978. “Naples.” In Reflections: Essays, Aphorisms, Autobiographical Writings, and Jephcott Edmund, 163. New York: Schocken Books.
  • Bonnet, Alastair. 2010. Left in the Past: Radicalism and the Politics of Nostalgia. New York and London: Continuum.
  • Boym, Svetlana. 2001. Future of Nostalgia. New York: Basic Books.
  • Burton, Antoinette. 2003. Dwelling the Archive: Women Writing House, Home and History in Late Colonial India. Delhi: Oxford University Press.
  • Chanda, Geetanjali. 2014. Indian Women in the House of Fiction. Delhi: Zubaan Books.
  • Dalrymple, William. 2008. “Several Gaps in Writing on Delhi.” Outlook Magazine, January 15. https://www.outlookindia.com/website/story/several-gaps-in-writing-on-delhi/236496
  • Desai, Anita. [1984] 1999. In Custody. Reprint ed. London: Vintage Books.
  • Dhulipala, Venkat. 2015. Creating a New Medina: State Power, Islam, and the Quest for Pakistan in Late Colonial North India. Delhi: Cambridge University Press.
  • Dwyer, Rachel. 2013. “Top Ten Muslim Characters in Bollywood.” Critical Muslim 5: n.p. https://www.criticalmuslim.io/top-ten-muslim-characters-in-bollywood/. Accessed June 20, 2022.
  • Faiz, Faiz Ahmed. 2013. Best of Faiz. Translated by Shiv K. Kumar. Noida: Random House India.
  • Futehally, Zeenuth, and Rumanna Denby. [1951] 2009. Zohra. Delhi: Oxford University Press.
  • Gopal, Priyamvada. 2009. History of the Indian English Novel: Nation, History and Narration. New York: Oxford University Press.
  • Hali, Altaf Hussain. [1879] 1997. Musaddas e-Madd o-Jazr e-Islam. Translated by Christopher Shackle and Javed Majeed. New Delhi: Oxford University Press. http://www.columbia.edu/itc/mealac/pritchett/00urdu/hali/musaddas/index.html
  • Hamilton, Carrie. 2007. “Happy Memories.” New Formations 63: 65–81.
  • Hosain, Attia. [1961] 2009. Sunlight on a Broken Column. Reprint ed. Delhi: Penguin India.
  • Hossain, Rokeya. [1905] 2005. Sultana’s Dream; and Padmarag: Two Feminist Utopias, Translated by Barnita Bagchi. Delhi: Penguin India.
  • Hussain, Iqbalunnisa. [1944] 2019. Purdah and Polygamy. Reprint ed. Delhi: Oxford University Press.
  • Joshi, Priya. 2002. In Another Country: Colonialism, Culture and the English Novel in India. New York: Columbia University Press.
  • Kaul, Suvir. 2015. “Three Novels of Muslim Life.” In A History of the Indian Novel in English, edited by Ulka Anjaria, 133–146. New York: Cambridge University Press.
  • Kazmi, Zehra. 2019. “Misfit of Modernity: The Anxiety of Belonging in Attia Hosain’s Sunlight on a Broken Column.” Harf: A Journal of South Asian Studies 4: 101–116.
  • Lowenthal, David. 1989. “Nostalgia Tells It Like It Wasn’t.” In The Imagined Past: History, and Nostalgia, edited by Malcolm Chase and Christopher Shaw, 18–32. Manchester: Manchester University Press.
  • Merchant, Ismail, Dir. 1993. In Custody. Merchant Ivory Productions. Film.
  • Needham, Anuradha Digwaney. 1993. “Multiple Forms of (National) Belonging: Attia Hosain’s Sunlight on a Broken Column.” MFS Modern Fiction Studies 39 (1): 93–111. doi:10.1353/mfs.0.1056.
  • Padamsee, Alex. 2011. “Postnational Aesthetics and the Work of Mourning in Ahmed Ali’s Twilight in Delhi.” The Journal of Commonwealth Literature 46 (1): 27–44. doi:10.1177/0021989410395431.
  • Rawail, Harnam Singh, Dir. 1963. Mere Mehboob. Rahul Theatres. Film.
  • Raychaudhuri, Anindya. 2017. Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora. London: Rowman & Littlefield International.
  • Safvi, Rana. 2018. “Shahjahanabad, Shahr Ashob Poetry and the Revolt of 1857.” Sahapedia. https://www.sahapedia.org/shahjahanabad-shahr-ashob-poetry-and-the-revolt-of-1857#_edn2
  • Santner, Eric. 2006. On Creaturely Life: Rilke, Benjamin, Sebald. Chicago and London: University of Chicago Press.
  • Shingavi, Snehal. 2013. “Lavish Weddings and Nostalgic Delhis: Anti-Colonial Aesthetics in Ahmed Ali’s Fiction.” In The Two-Sided Canvas: Perspectives on Ahmed Ali, and Mehr Afshan Farooqui, 151–176. New York: Oxford University Press.
  • Stewart, Susan. 1992. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Durham: Duke University Press.
  • Tierney, John. 2013. “What Is Nostalgia Good For? Quite a Bit, Research Show.” The New York Times. July 08. https://www.nytimes.com/2013/07/09/science/what-is-nostalgia-good-for-quite-a-bit-research-shows.html?utm_source=pocket_mylist
  • Tignol, Eve. 2017. “Nostalgia and the City: Urdu Shahr Āshob Poetry in the Aftermath of 1857.” Journal of the Royal Asiatic Society 27 (4): 559–573. doi:10.1017/S135618631700013X.
  • Walder, Dennis. 2010. Postcolonial Nostalgias: Writing, Representation and Memory. Abingdon: Routledge.
  • Zaman, Faridah. 2017. “Beyond Nostalgia: Time and Place in Indian Muslim Politics.” Journal of the Royal Asiatic Society 27 (4): 627–647. doi:10.1017/S1356186317000335.