eShakespeare and performance

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• Auslander , Philip . 1999 . Liveness: Performance in a Mediatized Culture , London : Routledge .
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• Beardon , Colin , and Gavin Carver New Visions in Performance: The Impact of Digital Technologies . Lisse, , The Netherlands : Swets & Zeitlinger , 2004 .
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• Belsey , Catherine. 1991 . “Afterword: A Future for Materialist Feminist Criticism?” . In The Matter of Difference: Materialist Feminist Criticism of Shakespeare , Edited by: Wayne , Valerie . 257 – 70 . Ithaca, NY : Cornell University Press .
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• Bradshaw , Graham. 1993 . Misrepresentations: Shakespeare and the Materialists , Ithaca, NY : Cornell University Press .
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• Broadhurst , Susan , and Josephine Machon Performance and Technology: Practices of Virtual Embodiment and Interactivity . Basingstoke : Palgrave Macmillan , 2006 .
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• Carson , Christie . Designing Shakespeare: An Audio Visual Archive 1960–2000 . Arts and Humanities Data Service . 2003 < http://ahds.ac.uk/performingarts/collections/designing-shakespeare.htm >.
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• Carson , Christie . “Digital Technology Turning Conventional Theatre Practices Inside Out.” Beardon and Carver 153 – 66 .
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• Carson , Christie “Digitising Performance History: Where do we go from here?” Performance Research 10.3 (Spec. issue On Shakespeare, Ed. Peter Holland and William Sherman, Dec. 2005) : 4 – 17 .
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• Carson , Christie English Subject Centre Newsletter . Article. Feb. 2004 < http://www.english.heacademy.ac.uk/explore/publications/newsletters/newsissue6/carson.htm >.
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• Carson , Christie “The Evolution of Online Editing: Where will it End?” Shakespeare Survey 59 (Sept. 2006) : 168 – 81 .
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• Carson , Christie “Internet Resources Guide.” Royal Shakespeare Company. May 2006 < http://www.rsc.org.uk/content/3935.aspx >.
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• Carson , Christie “Technology as a Bridge to Audience Participation?” Broadhurst and Machon 181 – 93 .
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• Carson , Christie , and Jacky Bratton The Cambridge King Lear CD-ROM: Text and Performance Archive . Cambridge : Cambridge UP , 2000 .
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• De Grazia , Margareta and Stallybrass , Peter . 1993 . “The Materiality of the Shakespeare Text.” . Shakespeare Quarterly , 44 ( 3 ) : 255 – 83 .
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• Dixon , Steve. 2007 . Digital Performance: A History of New Media in Theater, Dance, Performance Art and Installation , Cambridge, MA : MIT P .
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• Dollimore , Jonathan. 1984 . Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries , Chicago : University of Chicago Press .
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• Dollimore , Jonathan , and Alan Sinfield Political Shakespeare: New Essays in Cultural Materialism . Manchester : Manchester UP , 1985 .
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• Fernie , Ewan , Ramona Ray , Mark Thornton Burnett and Clare McManus Reconceiving the Renaissance . Oxford : Oxford UP , 2005 .
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• Hodgdon , Barbara , and W.B. Worthen A Companion to Shakespeare and Performance . Malden, MA : Blackwell , 2005 .
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• Joughin , John. June 2005 . “Shakespeare Now: An Editorial Statement.” . Shakespeare , 1 ( 1 ) : 1 – 7 .
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• Liu , Alan . “Knowledge 2.0? The University and Web 2.0.” A plenary talk at “Renewals: Refiguring University English in the 21st Century”, Royal Holloway University of London, 5 July, 2007. Video: < http://www.english.heacademy.ac.uk/archive/mediaplayer/player.html?directPlay=alan_liu_plenary384K >. Abstract: < http://www.english.heacademy.ac.uk/archive/mediaplayer/transcripts/liu.htm >. Blog response: < http://www.english.heacademy.ac.uk/renewals_blog/?p=19 >.
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• Massai , Sonia World-Wide Shakespeares: Local Appropriations in Film and Performance . London : Routledge , 2005 .
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• McLuskie , Kate . “Battle of Will for the Bard's Soul.” The Times Higher Education Supplement 24 Dec 2004 : 22 – 23 .
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• Ouzounian , Richard . “The Penelopiad” . Toronto Star 28 July 2007 : E1,12 .
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Online Resources

• English Subject Centre . “Digital Resource for Teaching and Discussion”, including “Images of Violence” and “Performance Approaches to King Lear” . < http://www.english.heacademy.ac.uk/designshake/index.htm >.
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• Much Ado About Nothing podcast of the Globe Education production. Department for Children, Schools and Families (formerly DfES) < http://www.standards.dfes.gov.uk/keystage3/subjects/english/focus/shakespeare/globe_audio/ >.
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• MySpace < http://www.myspace.com/ >.
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• Nintendo Wii < http://wii.com/ >.
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• The Penelopiad blog < http://thepenelopiad.wordpress.com/ >.
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• Royal Shakespeare Company Learning Department, including “Exploring Shakespeare” < http://www.rsc.org.uk/learning/Learning.aspx >.
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• Second Life < http://www.secondlife.com/ >.
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• Shakespeare's Globe Theatre, Globe Link Education, including “Adopt an Actor” < http://www.shakespeares-globe.org/ >.
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• Stagework, illustrating the National Theatre productions online < http://www.stagework.org/webdav/harmonise?Page/@id=6000 >.
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• Wikipedia < http://wikipedia.org/ >.
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• YouTube video publishing < http://uk.youtube.com/ >.
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