Dogs Urinating on the 1623 Folio: The Jaggard Press’s Dionysus Ornament in Context

Bibliography

• Bland, Mark. ‘William Stansby and the Production of The Workes of Beniamin Jonson 1615–16.’ The Library 20, no. 1 (1998): 1–33.
   Web of Science ®Google Scholar
• Blayney, Peter. Shakespeare’s First Folio. Washington, DC: The Folger Shakespeare Library, 1991.
   Google Scholar
• Boeckeler, Erika Mary. ‘Left To Their Own Devices: Sixteenth-century Widows and Their Printers’ Devices.’ In Women’s Labour and the History of the Book in Early Modern England, edited by Valerie Wayne, 95–114. London: Bloomsbury Press, Arden Shakespeare Series, 2020.
   Google Scholar
• Bruster, Douglas. ‘Shakespeare's Lady 8.’ Shakespeare Quarterly 66, no. 1 (2015): 47–88.
   Web of Science ®Google Scholar
• Camille, Michael. Image on the Edge : The Margins of Medieval Art. Cambridge: Harvard University Press, 1992.
   Google Scholar
• Crooke, Helkiah. Mikrokosmographia. London: Jaggard Press, 1615.
   Google Scholar
• D’Elia, Una Roman. ‘The Decorum of a Defecating Dog.’ Print Quarterly 22, no. 2 (June 2005): 119–132.
   Web of Science ®Google Scholar
• Dutton, Richard. Ben Jonson: To the First Folio. Cambridge: Cambridge University Press, 1983.
   Google Scholar
• Emerson, Catherine. ‘Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains.’ In Indecent Bodies in Early Modern Visual Culture, vol. 40, 257–278. Amsterdam: Amsterdam University Press, 2022.
   Google Scholar
• Fudge, Erica. ‘‘The Dog is Himself’: Humans, Animals, and Self-Control in The Two Gentlemen of Verona.’ In How to Do Things with Shakespeare: New Approaches, New Essays, ed. Laurie Maguire, 186–209. Malden, MA: Blackwell Pub, 2008.
   Google Scholar
• Greg, W. W. The Shakespeare First Folio: Its Bibliographical and Textual History. Oxford: Clarendon Press, 1955. Reprint. 1969.
   Google Scholar
• Hart, James. The Anatomie of Urines. London: Printed by Richard Field for Robert Mylbourne, 1625. STC 12887a.
   Google Scholar
• Higgins, Ben. ‘Printing the First Folio.’ In Cambridge Companion to Shakespeare’s First Folio, ed. Emma Smith, 30–47. Cambridge: Cambridge UP, 2016.
   Google Scholar
• Higgins, Ben. Shakespeare’s Syndicate. Oxford: Oxford UP, 2022.
   Google Scholar
• Hinman, Charlton. The First Folio of Shakespeare. New York: W.W. Norton, 1968.
   Google Scholar
• Irish, Bradley. Shakespeare and Disgust: The History and Science of Early Modern Revulsion. London: Bloomsbury Publishing, 2023.
   Google Scholar
• Jonietz, Fabian. ‘Indecent Creativity and the Tropes of Human Excreta.’ In Indecent Bodies in Early Modern Visual Culture, vol. 40, 197–228. Amsterdam: Amsterdam University Press, 2022.
   Google Scholar
• Jonson, Benjamin. The Workes of Beniamin Ionson. London: William Stansby, 1616.
   Google Scholar
• Kirwood, A. E. M. ‘Richard Field, Printer, 1589–1624,’ The Library 4th ser., vol. s4-XII, no. 1, June 1931, pp. 1–39.
   Google Scholar
• Laoutaris, Chris. ‘The Prefatory Material.’ In Cambridge Companion to Shakespeare’s First Folio, edited by Emma Smith, 48–67. Cambridge: Cambridge UP, 2016.
   Google Scholar
• Lesser, Zachary. Ghosts, Holes, Rips and Scrapes: Shakespeare in 1619, Bibliography in the Longue Durée. Cambridge: University of Pennsylvania Press, 2021.
   Google Scholar
• McGann, Jerome. The Textual Condition. Princeton, NJ: Princeton UP, 1991.
   Google Scholar
• McKerrow, R. B. Printer's & Publishers' Devices in England & Scotland, 1485–1640. London: The Bibliographical Society at Chiswick Press, 1913.
   Google Scholar
• O’Malley, C. D. ‘Helkiah Crooke, M.D., F.R.C.P., 1576–1648.’ Bulletin of the History of Medicine 42, no. 1 (1968): 1–118.
   PubMedGoogle Scholar
• Plomer, Henry. English Printers’ Ornaments. London: Grafton & Co., 1924.
   Google Scholar
• Pollard, Alfred. Shakespeare Folios and Quartos. London: Methuen, 1909. Cooper Square, 1970.
   Google Scholar
• Raber, Karen. Animal Bodies, Renaissance Culture. Cambridge: University of Pennsylvania Press, 2013.
   Google Scholar
• Riddell, James H. ‘Ben Jonson’s Folio of 1616.’ In The Cambridge Companion to Ben Jonson, edited by Richard Harp and Stanley Stewart, 152–162. Cambridge: Cambridge University Press, 2000.
   Google Scholar
• Rozin, Paul, Jonathan Haidt, and Clark McCauley. ‘Disgust.’ In Handbook of Emotions, edited by Feldman Barrett, M. Lewis and J. M. Haviland-Jones, 818–834. New York: Guilford Press, 2016.
   Google Scholar
• Sawday, Jonathan. The Body Emblazoned: Dissection and the Human Body in Renaissance Culture. Routledge, 1995.
   Google Scholar
• Shakespeare, William. Mr. William Shakespeares Comedies, Histories & Tragedies. London: Jaggard, Blount, Smethwick, Aspley, 1623.
   Google Scholar
• Simons, Patricia. ‘Manliness and the Visual Semiotics of Bodily Fluids in Early Modern Culture.’ Journal of Medieval and Early Modern Studies 39, no. 2 (2009): 331–373.
   Web of Science ®Google Scholar
• Stewart, Alison G. ‘Expelling from Top and Bottom: The Changing Role of Scatology in Images of Peasant Festivals from Albrecht Duerer to Pieter Bruegel.’ In Fecal Matters in Early Modern Literature and Art: Studies in Scatology, edited by Jeff Persels and Russell Ganim, 118–137. Burlington, VT: Taylor & Francis Group, 2004.
   Google Scholar
• Wilkinson, Hazel. ‘Printers’ Ornaments and Flowers.’ In Book Parts, edited by Dennis Duncan and Adam Smyth, 111–122. Oxford: Oxford UP, 2019.
   Google Scholar