References: Chromatic modernity: color, cinema, and the media of the 1920s

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Fossati, Giovanni, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakçi, Sarah Street, and Joshua Yumibe. 2018. The Colour Fantastic: Chromatic Worlds of Silent Cinema. Amsterdam: EYE Filmmuseum/Amsterdam University Press.
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Gaudreault, André, and Philippe Marion. 2005. “A Medium Is Always Born Twice.” Early Popular Visual Culture 3 (1): 3–15. doi:10.1080/17460650500056964.
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Kalmus, Natalie. 1935. “Color Consciousness.” Journal of the Society of Motion Picture Engineers 25 (2): 139–147. doi:10.5594/J05386.
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Street, Sarah. 2012. Colour Film in Britain: The Negotiation of Innovation 1900-1955. London: Palgrave Macmillan/British Film Institute.
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Yumibe, Joshua. 2012. Moving Color: Early Film, Mass Culture, Modernism. New Brunswick, NJ: Rutgers University Press.
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Chromatic modernity: color, cinema, and the media of the 1920s

by Sarah Street and Joshua Yumibe, New York, Columbia University Press, 2019, xvii + 347 pp., £88 (hardcover), ISBN 9780231179829

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Chromatic modernity: color, cinema, and the media of the 1920s

by Sarah Street and Joshua Yumibe, New York, Columbia University Press, 2019, xvii + 347 pp., £88 (hardcover), ISBN 9780231179829

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