778
Views
1
CrossRef citations to date
0
Altmetric
ARTICLES

Invention, wit and melancholy in the art of Annibale Carracci

Bibliography

  • Beecher, Donald. “Recollection, Cognition and Culture: An Overview of Renaissance Memory.” In Ars reminiscendi: Mind and Memory in Renaissance Culture, edited by Donald Beecher and Grant Williams, 367–433. Toronto: Victoria University of the University of Toronto, 2009.
  • Bell, Janis C. “Cassiano dal Pozzo's Copy of the Zaccolini Manuscripts.” In Leonardo da Vinci: Selected Scholarship, edited by Claire Farago, 103–125. London: Garland, 1999.
  • Bellori, Giovanni Pietro. Le vite de’ pittori, scultori et architetti moderni. Rome, 1672.
  • Benati, Daniele, and Eugenio Riccòmini, eds. Annibale Carracci. Milan: Electa, 2006.
  • Benati, Daniele, Gail Feigenbaum. Kate Ganz, Margaret Morgan Grasselli, Catherine Loisel Legrand and Clare van Tuyll, The Drawings of Annibale Carracci. London: Lund Humphries, 2009.
  • Boschloo, Anton. Annibale Carracci in Bologna: Visible Reality in Art after the Council of Trent, 2 vols., Kunsthistoriscehe Studiën van het Nederlands Instituut te Rome. Deel III. The Hague: Ministry of Cultural Affairs, Recreation and Social Welfare, 1974.
  • Brann, Noel. The Debate over the Origin of Genius During the Italian Renaissance. Leiden: Brill, 2002.
  • Britton, Piers. “‘Mio melanchonico, o vero [. . .] mio pazzo’: Michelangelo, Vasari and the Problem of Artists’ Melancholy in Sixteenth-Century Italy.” Sixteenth-Century Journal 34, no. 3 (2003): 653–675. doi: 10.2307/20061528
  • Burton, Robert. The Anatomy of Melancholy, edited by Thomas C. Faulkner, Nicholas K. Kiessling and Rhonda L. Blair, 6 vols. Oxford: Clarendon Press, 1989.
  • Calabrito, Monica. “Tasso's Melancholy and Its Treatment: A Patient's Uneasy Relationship with Medicine and Physicians.” In Diseases of the Imagination and Imaginary Disease in the Early Modern Period, edited by Yasmin Haskell, 201–228. Turnhout: Brepols, 2011.
  • Cocking, John M. The Imagination: A Study in the History of Ideas. London: Routledge, 1991.
  • Cropper, Elizabeth. The Ideal of Painting: Pietro Testas Düsseldorf Notebook. Princeton: Princeton University Press, 1986.
  • Cropper, Elizabeth, and Charles Dempsey. Friendship and the Love of Painting. Princeton: Princeton University Press, 1996.
  • Dempsey, Charles. Annibale Carracci and the Beginnings of Baroque Style, 2nd ed. Florence: Edizioni Cadmo, 2000.
  • Dempsey, Charles. Annibale Carracci: The Farnese Gallery, Rome. New York: Braziller, 1995.
  • Dempsey, Charles. “The Carracci Reform of Painting.” In The Age of Correggio and Carracci: Emilian Painting of the Sixteenth and Seventeenth Centuries, 237–254. Washington, DC: National Gallery of Art, 1986.
  • Emison, Patricia. Creating the “Divine” Artist: From Dante to Michelangelo. Leiden: Brill, 2004.
  • Feigenbaum, Gail. “‘A Likeness in the Tomb’: Annibale's Self Portrait Drawing in the J. Paul Getty Museum.” Getty Research Journal 2 (2010): 19–38.
  • Fracastoro, Girolamo. Della Torre ovvero l'intellezione, edited by Anna Li Vigni. Milan: Mimesis, 2009.
  • Gage, Frances. “Complexion and Palette in Giulio Mancini's Theory of Beauty and His Critique of Caravaggio.” In Da Caravaggio ai Caravaggeschi, edited by Maurizio and Alessandro Zuccaro, 355–390. Rome: CAM Editrice, 2009.
  • Gage, Frances. “Exercise for Mind and Body: Giulio Mancini, Collecting, and the Beholding of Landscape Painting in the Seventeenth Century.” Renaissance Quarterly 61, no. 4 (2008): 1167–1207. doi: 10.1353/ren.0.0366
  • Gage, Frances. “Giulio Mancini and Artist-Amateur Relations in Seventeenth-Century Roman Academies.” In The Accademia Seminars: The Accademia di San Luca in Rome, c. 1590–1635, CASVA Seminar Papers, 2, edited by Peter M. Lukehart, 247–287; 381–387. Washington, DC and New Haven: National Gallery of Art and Yale University Press, 2009.
  • Gage, Frances. “Teaching Them to Serve and Obey: Giulio Mancini on Collecting Religious Art in Seventeenth-Century Rome.” In Sacred Possessions: Collecting Italian Religious Art, 1500–1900, edited by Gail Feigenbaum and Sybille Ebert-Schifferer, 70–84. Los Angeles: Getty Research Institute, 2011.
  • Ginzburg, Carlo. “Clues: Roots of an Evidential Paradigm.” In Clues, Myths and the Historical Method, translated by John and Anne Tedeschi, 96–125. Baltimore: Johns Hopkins University Press, 1989.
  • Ginzburg, Silvia. “Per la chronologia di Annibale Carracci (1602–1604).” In Nuova luce su Annibale Carracci, edited by Sybille Ebert-Schifferer and Silvia Ginzburg, 155–188. Rome: De Luca Editori d'Arte, 2012.
  • Gowland, Angus. “Melancholy, Imagination, and Dreaming in Renaissance Learning.” In Diseases of the Imagination and Imaginary Disease in the Early Modern Period, edited by Yasmiin Haskell, 53–102. Turnhout: Brepols, 2011.
  • Keazor, Henry. “Il vero modo”: Die Malereireform der Carracci. Berlin: Gebr. Mann Verlag, 2007.
  • Kemp, Martin. “From ‘Mimesis’ to ‘Fantasia’: The Quattrocento Vocabulary of Creation, Inspiration and Genius in the Visual Arts.” Viator 8 (1977): 347–398.
  • Kemp, Martin. Leonardo da Vinci: The Marvellous Works of Nature and Man. Oxford: Oxford University Press, 2006.
  • Liccioli, Loana. “Organi della conoscenza e operazioni della mente nel dialogo Turrius sive De intellectione.” In Girolamo Fracastoro: Fra medicina, filosofia e scienze della natura, edited by Alessandro Pastore and Enciro Peruzzi, 193–216. Florence: Olschki, 2006.
  • Maccherini, Michele. “Caravaggio nelle carte familiare di Giulio Mancini.” Prospettiva 86 (1997): 71–92.
  • Maccherini, Michele. “Novità su Bartolomeo Manfredi nei carteggio familiare di Giulio Mancini: lo Sdegno di Marte e i quadri di Marte’ e i quadri di Cosimo II granduca di Toscana.” Prospettiva 93–94 (1999): 131–141.
  • Maccherini, Michele. “Novità sulle Considerazioni di Giulio Mancini.” In Caravaggio nei IV centenario della Cappella Contarelli: Atti del convegno internazionale di studi, edited by Caterina Volpi, 123–128. Rome: CAMeditrice, 2001.
  • Maccherini, Michele. “Ritratto di Giulio Mancini.” In Bernini dai Borghese ai Barberini: la cultura a Roma intorno agli anni venti, edited by Olivier Bonfait and Anna Coliva, 47–57. Rome: De Luca d'arte, 2004.
  • Mahon, Denis. Studies in Seicento Art and Theory. London: Greenwood Press, 1947.
  • Mancini, Giulio. Considerazioni sulla pittura, edited by Adriana Marucchi. Rome: Accademia Nazionale dei Lincei, 1956.
  • Nutton, Vivian. “The Reception of Fracastoro's Theory of Contagion: The Seed That Fell Among Thorns.” Osiris 6 (1990): 196–234. doi: 10.1086/368701
  • Pearce, Spencer. “Intellect and Organism in Fracastoro's Turrius.” In The Cultural Heritage of the Italian Renaissance: Essays in Honor of T. G. Griffith, edited by Clive E. J. Griffiths and R. Hastings, 235–270. Lewiston, NY: Edward Mellen Press, 1993.
  • Pearce, Spencer. “Nature and Supernature in the Dialogues of Girolamo Fracastoro.” Sixteenth-Century Journal 27, no. 1 (1996): 111–132. doi: 10.2307/2544272
  • Robertson, Clare. The Invention of Annibale Carracci. Florence: Silvana Editoriale, 2008.
  • Siraisi, Nancy. History, Medicine and the Traditions of Renaissance Learning. Ann Arbor: University of Michigan Press, 2007.
  • Sohm, Philip. “Caravaggio's Deaths.” Art Bulletin 84 (2002): 449–468. doi: 10.2307/3177308
  • Summerscale, Anne. Malvasias Life of the Carracci: Commentary and Translation. University Park: Pennsylvania State University Press, 2000.
  • Terpstra, Nicholas. “Piety and Punishment: The Lay Conforteria and Civic Justice in Sixteenth-Century Bologna.” Sixteenth-Century Journal 22, no. 4 (1991): 679–694. doi: 10.2307/2542371
  • Vasoli, Cesare. “Il Turrius e la logica come strumento del sapere ‘naturale.’” In Girolamo Fracastoro: Fra medicina, filosofia e scienze della natura, edited by Alessandro Pastore and Enciro Peruzzi, 175–192. Florence: Olschki, 2006.
  • Wells, Marion A. The Secret Wound: Love-Melancholy and Early Modern Romance. Stanford: Stanford University Press, 2007.
  • Witcombe, Christopher. “Two Avvisi, Caravaggio, and Giulio Mancini.” Source: Notes in the History of Art 12 (1993): 22–29.
  • Zuccari, Roberto. “L'inventario di Annibale Carracci.” Antologia di Belle Arti 9–12 (1979): 821–822.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.