341
Views
0
CrossRef citations to date
0
Altmetric
Articles

Climbing Mont Ventoux: the contest/context of scholasticism and humanism in early fifteenth-century Paduan music theory and practiceFootnote*

ORCID Icon

Bibliography

  • Amalarius episcopus [Amalarius of Metz]. Opera liturgica omnia. Edited by J. M. Hanssens. 3 vols. Vatican City: Vatican Apostolic Library, 1948–1950.
  • Bellinati, Claudio. Contributo alla storia della cattedrale di Padova nell’età di Giotto e della cappella Scrovegni. Edited by Giannino Carraro. Padua: Padova e il suo territorio, 2014.
  • Bent, Margaret. “Bishop Francesco Malipiero, Music, and the Vicenza Delegation to Basel.” In Music and Culture in the Age of the Council of Basel, edited by Matteo Nanni, 161–169. Turnhout: Brepols, 2013.
  • Bent, Margaret. “Grammar and Rhetoric in Late Medieval Polyphony: Modern Metaphor or Old Simile?” In Rhetoric Beyond Words: Delight and Persuasion in the Arts of the Middle Ages, edited by Mary Carruthers, 52–71. Cambridge: Cambridge University Press, 2010.
  • Bent, Margaret. “The Grammar of Early Music: Preconditions for Analysis.” In Tonal Structures in Early Music, edited by Cristle Collins Judd, 15–59. New York: Garland, 1998.
  • Bent, Margaret. Magister Jacobus de Ispania, Author of the Speculum musicae. Farnham: Ashgate, 2015.
  • Bent, Margaret. “Petrarch, Padua, the Malatestas, Du Fay and Vergene bella.” In Bon jour, Bon mois et bonne estrenne: Essays of Renaissance Music in Honour of David Fallows, edited by Fabrice Fitch and Jacobijn Kiel, 86–96. Woodbridge: Boydell and Brewer, 2011.
  • Bent, Margaret. “Pietro Emiliani’s Chaplain Bartolomeo Rossi da Carpi and the Lamentations of Johannes de Quadris in Vicenza.” Il Saggiatore Musicale 2 (1995): 5–16.
  • Bent, Margaret. “Some Singers of Polyphony in Padua and Vicenza around Pietro Emiliani and Francesco Malipiero.” In Beyond 50 Years of Ars Nova Studies at Certaldo 1959–2009, edited by Marco Gozzi, Agostino Ziino, and Francesco Zimei, 287–303. Lucca: Libreria Musicale Italiana, 2014.
  • Cattin, Giulio. “Tradizione e tendenze innovatrici nella normativa e nella pratica liturgico-musicale della congregazione di S. Giustina.” Benedictina 17 (1970): 254–299.
  • Ciconia, Johannes. Nova Musica and De Proportionibus. Edited by Oliver B. Ellsworth. London: University of Nebraska Press, 1993.
  • Durling, Robert M. “The Ascent of Mt. Ventoux.” In Petrarch, edited by Harold Bloom, 29–42. New York: Chelsea House, 1989.
  • Dyer, Joseph. “The Place of Musica in Medieval Classifications of Knowledge.” The Journal of Musicology 24, no. 1 (2007): 3–71. doi: 10.1525/jm.2007.24.1.3
  • Dyer, Joseph. “Speculative ‘Musica’ and the Medieval University of Paris.” Music and Letters 90, no. 2 (2009): 177–204. doi: 10.1093/ml/gcn089
  • Falkeid, Unn. “Petrarch, Mont Ventoux and the Modern Self.” Forum Italicum: A Journal of Italian Studies 43, no. 1 (2009): 5–28. doi: 10.1177/001458580904300101
  • Favaro, Antonio. “Intorno all vita ed alle opera di Prosdocimo de’ Beldomandi, matematico padovano del secolo XV.” In Bullettino de bibliografia e di storia delle scienze matematiche e fisiche, 12, 1–74, 250–251, 405–423, 1879.
  • Federici Vescovini, Graziella. Astrologia e Scienza: La crisi dell’aristotelismo sul cadere del Trecento e Biagio Pelacani da Parma. Florence: Nuoviedizioni Enrico Vallecchi, 1979.
  • Freccero, John. “The Fig Tree and the Laurel: Petrarch’ Poetics.” Diacretics 5 (1975): 34–40. doi: 10.2307/464720
  • Fuller, Sarah. “Contrapunctus, Dissonance Regulation, and French Polyphony of the Fourteenth Century.” In Medieval Music in Practice: Studies in Honor of Richard Crocker, edited by Judith A. Peraino, 113–152. Middleton, WI: American Institute of Musicology, 2013.
  • Fuller, Sarah. “‘Delectabatur in hoc auris’: Some Fourteenth-Century Perspectives on Aural Perception.” Musical Quarterly 82, no. 3/4 (1998): 466–481. doi: 10.1093/mq/82.3-4.466
  • Gallo, F. Alberto, and Giovanni Mantese. Ricerche sulle origini della cappella musicale del duomo di Vicenza. Venice: Istituto per la collaborazione culturale, 1964.
  • Giletti, Ann M. “Averroës and Averroism.” In Medieval Italy: An Encyclopedia, edited by Christopher Kleinhenz, 79–82. New York: Routledge, 2004.
  • Grant, Edward. “Ways to Interpret the Terms ‘Aristotelian’ and ‘Aristotelianism’ in Medieval and Renaissance Natural Philosophy.” History of Science 25, no. 4 (1987): 335–358. doi: 10.1177/007327538702500401
  • Haggh, Barbara. “Ciconia’s Nova musica: A Work for Singers in Renaissance Padua.” In ‘New Music’ 1400–1600: Papers from an International Colloquium on the Theory, Authorship and Transmission of Music in the Age of the Renaissance (Lisbon-Évora, 27–29 May 2003), edited by João Pedro d’ Alvarenga and Manuel Pedro Ferreira, 7–24. Lisbon: Casa do Sul–Centro de Estudos de Sociologia e Estética Musical da Universidade Nova de Lisboa–Centro de História da Arte da Universidade de Évora, 2009.
  • Hallmark, Anne. “Johannes Ciconia: Reviewing the Documentary Evidence.” In Beyond 50 Years of Ars Nova Studies at Certaldo 1959–2009 [Ars nova italiana del trecento VIII], edited by Marco Gozzi, Agostino Ziino, and Francesco Zimei, 265–285. Lucca: Libreria Musicale Italiana, 2014.
  • Hallmark, Anne. “Protector, imo verus pater: Francesco Zabarella’s Patronage of Johannes Ciconia.” In Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, edited by Jessie Ann Owens and Anthony M. Cummings, 153–168. Sterling Heights, MI: Harmonie Park Press, 1997.
  • Herlinger, Jan W., ed. The Lucidarium of Marchetto of Padua. Chicago: University of Chicago Press, 1985.
  • Herlinger, Jan W. “Marchetto’s Division of the Whole Tone.” Journal of the American Musicological Society 34, no. 2 (1981): 193–216. doi: 10.2307/831346
  • Holford-Strevens, Leofranc. “Humanism and the Language of Music Treatises.” Renaissance Studies 15, no. 4 (2001): 415–449. doi: 10.1111/1477-4658.00375
  • Holford-Strevens, Leofranc. “The Latin Poetry of Johannes Ciconia and ‘Guilhermus’.” In “Qui musicam in se habet”: Essays in Honor of Alejandro Planchart, edited by Stanley Boorman, and Anna Zayaruznaya, 437–469. Middleton: American Institute of Musicology, 2015.
  • Isidore of Seville. Etymologiarum sive originum libri XX. Edited by W. M. Lindsay. 2 vols. Oxford: Clarendon Press, 1957.
  • Isidore of Seville. The Etymologies of Isidore of Seville. Translated and edited by Stephen A. Barney, W. J. Lewis, J. A. Beach, and Oliver Berghof. Cambridge: Cambridge University Press, 2006.
  • Jeffreys, Catherine. “Some Early References to Aristotle’s Politics in Parisian Writings about Music.” In Identity and Locality in Early European Music 1028–1740, edited by Jason Stoessel, 83–105. Farnham: Ashgate, 2009.
  • Kallendorf, Craig W. ed. Humanist Educational Treatises. Cambridge, MA: Harvard University Press, 2002.
  • Kohl, Benjamin G. “The Changing Concept of the Studia Humanitatis in the Early Renaissance.” Renaissance Studies 6 (1992): 185–202. doi: 10.1111/j.1477-4658.1992.tb00262.x
  • Kohl, Benjamin G. Culture and Politics in Early Renaissance Padua. Aldershot: Ashgate, 2001.
  • Lovato, Antonio. “Dottrine musicali nel Trecento Padovano.” In Padova Carrarese: Atti del Convengo, Padova, Reggia dei Carraresi, 11–12 Decembre 2003, edited by Oddone Longo, 215–225. Padua: Il Poligrafo, 2005.
  • Marchetto da Padova. Lucidarium – Pomerium. Edited and translated by Marco Della Sciucca, Tiziana Sucato, and Carla Vivarelli. Florence: Edizioni del Galluzzo per la Fondazione Ezio Franceschini, 2007.
  • Martin, Craig. Subverting Aristotle: Religion, History, and Philosophy in Early Modern Science. Baltimore: Johns Hopkins University Press, 2014.
  • Mauro, Letterio. “La musica nei commenti ai Problemi: Pietro d’Abano e Évart de Conty.” In La musica nel pensiero medievale, edited by Letterio Mauro, 31–69. Ravenna: Longo Editore, 2001.
  • Mazzotta, Giuseppe. The Worlds of Petrarch. London: Duke University Press, 1993.
  • McManamon, John M. Funeral Oratory and the Cultural Ideals of Italian Humanism. Chapel Hill: University of North Carolina Press, 1989.
  • McManamon, John M. “Innovation in Early Humanist Rhetoric: The Oratory of Pier Paolo Vergerio.” Rinascimento: Rivista dell’istituto nazionales di studi sul rinascimento n.s. 21 (1982): 3–32.
  • McManamon, John M. Pierpaolo Vergerio the Elder: The Humanist as Orator. Tempe: Medieval and Renaissance Texts and Studies, 1996.
  • Mengozzi, Stefano. The Renaissance Reform of Medieval Music Theory. Cambridge: Cambridge University Press, 2010.
  • Mercer, R. G. G. The Teaching of Gasparino Barzizza: With Special Reference to his Place in Paduan Humanism. London: Modern Humanities Research Association, 1979.
  • Nardi, Bruno. Saggi sull’aristotelismo padovano dal secolo XIV al XVI. Firenze: Sansoni, 1958.
  • Palisca, Claude V., ed. “Sense over Reason: The Anti-Theoretical Reaction.” In Music and Ideas in the Sixteenth and Seventeenth Centuries, 29–48. University of Illinois Press, 2006.
  • Petrarca [Petrarch], Francesco. Le Familiari. Edizione critica. Vol. I: Libri I-IV. Vol. 10 of Edizione Nazionale delle Opere di Francesco Petrarca. Florence: G. C. Sansoni, 1933.
  • Petrarca [Petrarch], Francesco. Letters on Familiar Matters (Rerum familiarium libri). Vol. 1: Books I-VIII. Translated by Aldo S. Bernardo. New York: Italica Press, 1975.
  • Pirrotta, Nino. “Marchetto da Padova et l’Ars nova italiana.” In Musica tra Medioevo e Rinascimento, 63–79. Turin: Einaudi, 1984.
  • Prosdocimo de’ Beldomandi. Contrapunctus (Counterpoint). Edited by Jan Herlinger. Lincoln: University of Nebraska Press, 1984.
  • Prosdocimo de’ Beldomandi. Plana musica. Musica speculativa. Edited by Jan Herlinger. Chicago: University of Illinois Press, 2008.
  • Schmid, Hans, ed. Musica et Scolia Enchiriadis. Munich: Verlag de Bayerischen Akademie de Musicwissenschaften, 1981.
  • Stoessel, Jason. “Con lagreme bagnandome el viso: Mourning and Music in the Late Medieval Padua.” Plainsong and Medieval Music 24, no. 1 (2015): 71–89. doi: 10.1017/S0961137115000030
  • Stoessel, Jason. “The Interpretation of Unusual Mensuration Signs in the Ars subtilior.” In A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564), edited by Yolanda Plumley and Anne Stone, 179–202. Turnhout: Brepols, 2009.
  • Stoessel, Jason. “Music and Moral Philosophy in Early Fifteenth-Century Padua.” In Identity and Locality in Early European Music 1028–1740, edited by Stoessel, Jason, 107–127. Farnham: Ashgate, 2009.
  • Stoessel, Jason. “Symbolic Innovation: The Notation of Jacob de Senleches.” Acta Musicologica, 71, no. 2 (1999): 136–164. doi: 10.2307/932672
  • Strunk, Oliver. “Intorno a Marchetto da Padova.” Rassegna musicale 20, no. 4 (1950): 312–315.
  • Strunk, Oliver. “On the Date of Marchetto of Padova.” In Essays on Music in the Western World, edited by Oliver Strunk, 39–43. New York: Norton, 1974.
  • Tanay, Dorit. “Music in the Age of Dante and Petrarch: The Interrelation between Music, Linguistics, and Poetics in the Fourteenth Century.” In Medieval Music in Practice. Studies in Honor of Richard Crocker, edited by Judith A. Peraino, 269–291. Middleton: American Institute of Musicology, 2013.
  • Trolese, F. G. Ludovico Barbo e S. Giustina: contributo bibliografico : problemi attinenti alla riforma monastica del Quattrocento. Roma: Pontificia Università lateranense, 1983.
  • Woodward, William H. Vittorino da Feltre and Other Humanist Educators. Cambridge: Cambridge University Press, 1897.
  • Zonta, Gasparo. Francesco Zabarella (1360–1417). Padua: Tipografia del Seminario, 1915.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.