Ancients and moderns in medieval music theory: from Guido of Arezzo to Jacobus

Bibliography

• Affligemensis, Johannes. De musica cum tonario. Edited by J. Smits van Waesberghe. Corpus Scriptorum de Musica 1. Rome: American Institute of Musicology, 1950.
   Google Scholar
• Aristotle. De anima. Translatio Iacobi. Edited by J. Decorte, and J. Brams. Recensio Guillelmi de Morbeka. Edited by R. A. Gauthier. Aristoteles Latinus XII.1-2. Aristoteles Latinus Database 2. Turnhout: Brepols, 2006.
   Google Scholar
• Aristotle. De anima. Translationes Roberti Grosseteste et Guillelmi de Morbeka. Edited by F. Bossier, Aristoteles Latinus Database 2. Turnhout: Brepols, 2006.
   Google Scholar
• Aristotle. De caelo. Translationes Roberti Grosseteste et Guillelmi de Morbeka. Edited by F. Bossier. Aristoteles Latinus Database 2. Turnhout: Brepols, 2006.
   Google Scholar
• Aristotle. Ethica Nicomachea. Translatio Antiquissima libr. II-III sive “Ethica Vetus”, Translationis Antiquioris quae supersunt sive “Ethica Nova”, “Hoferiana”, “Borghesiana”, Translatio Roberti Grosseteste Lincolniensis sive “Liber Ethicorum” (Recensio Pura et Recensio Recognita). Edited by R. A. Gauthier, Aristotles Latinus XXVI.1-3, 5 vols. Leiden: Brill, 1972–1974.
   Google Scholar
• Aristotle. Metaphysica, lib. I-XIV. Recensio et Translatio Guillelmi de Moerbeka. Edited by G. Vuillemin-Diem. Aristoteles Latinus XXV.3, 2 vols, Leiden: E.J. Brill, 1995.
   Google Scholar
• Aristotle. Physica. Edited by Fernand Bossier, and Jozef Brams. Aristoteles Latinus VII.1-2. Leiden: Brill, 1990.
   Google Scholar
• Bacon, Roger. Metaphysica. Opera hactenus inedita Rogeri Baconi, Fasc. I. Edited by R. Steele. Oxford: Clarendon Press, 1905.
   Google Scholar
• Baltzer, Rebecca A. “Johannes de Garlandia.” Grove Music Online. Oxford Music Online. Oxford University Press. Accessed May 12, 2017. http://www.oxfordmusiconline.com/subscriber/article/grove/music/14358.
   Google Scholar
• Bent, Margaret. Magister Jacobus de Ispania, Author of the Speculum musicae. London: Ashgate, 2015.
   Google Scholar
• Berthold of Constance. Annales. Edited by J.-P. Migne. Patrologia Latina 147: 343B-442D. Paris: Garnier, 1853.
   Google Scholar
• Boethius. Philosophiae consolatio. Edited by Ludwig Bieler. Corpus Christianorum Series Latina 94. Turnhout: Brepols, 1957.
   Google Scholar
• Callus, D. A. The Oxford Condemnation of St Thomas. 2nd ed. Oxford: Blackfriars, 1955.
   Google Scholar
• Curtius, Ernst. European Literature and the Latin Middle Ages. Translated by Willard R. Trask. Princeton, NJ: Princeton University Press, 1990.
   Google Scholar
• de Cruce, Petrus. Tractatus de tonis. Edited by Denis Harbinson. Corpus Scriptorum de Musica 29. Rome: American Institute of Musicology, 1976.
   Google Scholar
• de Garlandia, Johannes. De musica plana. Edited by Christian Meyer in Musica plana Johannis de Garlandia. Baden-Baden: V. Koerner, 1998.
   Google Scholar
• de Grocheio, Johannes. Ars musice. Edited by Constant J. Mews, John N. Crossley, Catherine Jeffreys, Leigh McKinnon, and Carol J. Williams. Kalamazoo: Medieval Institute Publications, Western Michigan University, 2011.
   Google Scholar
• de Moravia, Hieronymus. Tractatus de musica. Edited by Christian Meyer, and Guy Lobrichon. Corpus Christianorum Continuatio Mediaevalis 250. Turnhout: Brepols, 2012.
   Google Scholar
• de Muris, Johannes. Notitia artis musicae. Edited by Ulrich Michels, Corpus Scriptorum de Musica 16. Dallas: American Institute of Musicology, 1972.
   Google Scholar
• Desmond, Karen. “Behind the Mirror: Revealing the Contexts of Jacobus’s Speculum Musicae.” PhD diss., New York University, 2009.
   Google Scholar
• Desmond, Karen. “Did Vitry Write an Ars Vetus et Nova?” The Journal of Musicology 32, no. 4 (2015): 441–493. doi: 10.1525/jm.2015.32.4.441
   Web of Science ®Google Scholar
• Desmond, Karen. “New Light on Jacobus, Author of Speculum Musicae.” Plainsong and Medieval Music 9, no. 1 (2000): 19–40. doi: 10.1017/S0961137100000024
   Google Scholar
• de Vitry, Philippe. Ars Nova. Edited by Gilbert Reaney, Andre Gilles, and Jean Maillard. Corpus Scriptorum de Musica 8. Stuttgart: American Institute of Musicology, 1986.
   Google Scholar
• de Zamora, Johannes Aegidius. Ars musica. Edited by Michel Robert-Tissot. Corpus Scriptorum de Musica 20. Rome: American Institute of Musicology, 1974.
   Google Scholar
• Dyer, Joseph. “Music, the Passions, and Virtue in Two Quodlibetal Questions of the Philosopher Pierre d’Auvergne.” Philomusica On-Line 15, no. 2 (2016): 1–54.
   Google Scholar
• Franco of Cologne. Ars cantus mensurabilis. Edited by Gilbert Reaney et André Gilles. Dallas: American Institute of Musicology, 1974.
   Google Scholar
• Fulcher of Chartres. Historia Hierosolymitana. Edited by J.-P. Migne, Patrologia Latina 155: 823A-940D. Paris: Gernier, 1853.
   Google Scholar
• Fulgentius Mythographus. Mitologiarium libri tres. Edited by R. Helm. Leipzig: Teubner, 1970.
   Google Scholar
• Fuller, Sarah. “A Phantom Treatise of the Fourteenth Century? The Ars Nova.” The Journal of Musicology 4, no. 1 (1985): 23–50. doi: 10.2307/763721
   Web of Science ®Google Scholar
• Gerard of Cremona. Theorica planetarum Gerardi. Edited by F. J. Carmody. Berkeley: University of California Press, 1942.
   Google Scholar
• Guido of Arezzo. Micrologus. Edited by J. Smits van Waesberghe. Corpus Scriptorum de Musica 4. Rome: American Institute of Musicology, 1955.
   Google Scholar
• Guido of Arezzo. Regule rithmice, Prologus in antiphonarium, and Epistola ad michahelem. Edited by Dolores Pesce. Ottawa: Institute of Medieval Music, 1999.
   Google Scholar
• Guy of Saint-Denis. Tractatus de Tonis. Edited by Sieglinde van de Klundert. Bubenreuth: Hurricane Publishers, 1998.
   Google Scholar
• Haar, James. “Music of the Spheres.” Grove Music Online. Oxford Music Online. Oxford University Press. Accessed May 12, 2017. http://www.oxfordmusiconline.com/subscriber/article/grove/music/19447.
   Google Scholar
• Hammond, Frederick, and Edward Roesner. “Hieronymus de Moravia.” Grove Music Online. Oxford Music Online. Oxford University Press. Accessed May 12, 2017. http://www.oxfordmusiconline.com/subscriber/article/grove/music/14275.
   Google Scholar
• Hartmann, Wilfried. “‘Modernus’ und ‘Antiquus’: Zur Verbreitung und Bedeutung dieser Bezeichnungen in der Wissenschaftlichen Literatur vom 9. bis zum 12. Jahrhundert.” In Antiqui und Moderni. Traditionsbewußtsein und Fortschrittsbewußtsein im späten Mittelalter, edited by Albert Zimmerman, 21–39. Miscellanea Medievalia: Veröffentlichungen des Thomas-Instituts der Universität zu Köln 9. Berlin: De Gruyter, 1974.
   Google Scholar
• Hentschel, Frank. “Der verjagte Dämon: Mittelalterliche Gedanken zur Wirkung der Musik aus der Zeit um 1300, mit einer Edition der Quaestiones 16 und 17 aus Quodlibet VI des Petrus d’Auvergne.” In Geistesleben im 13. Jahrhundert, edited by Jan A. Aertsen, and Andreas Speer, 395–421. Miscellanea Mediaevalia: Veröffentlichungen des Thomas-Instituts der Universität zu Köln 27. Berlin: De Gruyter, 2000.
   Google Scholar
• Hicks, Andrew. “Music, Myth, and Metaphysics: Harmony in Twelfth-Century Cosmology and Natural Philosophy.” PhD diss., Centre for Medieval Studies, University of Toronto, 2012.
   Google Scholar
• Homer. The Odyssey. Translated by Edward McCrorie. Baltimore: Johns Hopkins University Press, 2004.
   Google Scholar
• Hucke, Helmut. “Das Dekret ‘Docta Sanctorum Patrum’ Papst Johannes’ XXII.” Musica Disciplina 38 (1984): 119–131.
   Google Scholar
• Hughes, Andrew. “Franco of Cologne.” Grove Music Online. Oxford Music Online. Oxford University Press. http://www.oxfordmusiconline.com/subscriber/article/grove/music/10138.
   Google Scholar
• Jeffreys, Catherine. “The Exchange of Ideas about Music in Paris c. 1270–1304: Guy of Saint-Denis, Johannes de Grocheio, and Peter of Auvergne.” In Communities of Learning: Networks and the Shaping of Intellectual Identity in Europe, 1100–1500, edited by C. J. Mews, and J. N. Crossley, 151–175. Turnhout: Brepols, 2011.
   Google Scholar
• John of Salisbury. Policraticus. Edited by K. S. B. Keats-Rohan. Corpus Christianorum Continuatio Mediaeualis 118. Turnhout: Brepols, 1993.
   Google Scholar
• Kilwardby, Robert. De ortu scientiarum. Edited by A. Judy. Oxford: British Academy, 1976.
   Google Scholar
• Leodiensis, Jacobus. Speculum musicae. Edited by Roger Bragard. Corpus Scriptorum de Musica 3, 7 vols. Rome: American Institute of Musicology, 1955–1968.
   Google Scholar
• Macrobius. Commentaria in Somnium Scipionis. Edited by J. Willis. Leipzig: Teubner, 1970.
   Google Scholar
• Mews, Constant J., John N. Crossley, and Carol J. Williams. “Guy of St Denis on the Tones: Thinking About Chant for Saint-Denis c. 1300.” Journal of Plainsong and Medieval Music 23, no. 2 (2014): 151–176.
   Web of Science ®Google Scholar
• Mews, Constant J., Catherine Jeffreys, Leigh McKinnon, Carol J. Williams, and John N. Crossley. “Guy of Saint-Denis and the Compilation of Texts about Music in London, British Library, Harl. MS. 281.” Electronic British Library Journal (2008), art. 6: 1–34.
   Google Scholar
• Pedersen, Olaf. “The Origins of the Theorica Planetarum.” Journal for the History of Astronomy 12 (1981): 113–123. doi: 10.1177/002182868101200203
   Google Scholar
• Plato. The Republic. Translated by Robin Waterfield. Oxford: Oxford University Press, 1998.
   Google Scholar
• Plato. Timaeus. Translated by Chalcidius and edited by J. H. Waszink, Plato latinus 4. London: Warburg Institute, 1975.
   Google Scholar
• Priscian. Institutiones grammaticae. Edited by M. Hertz. In Grammatici Latini 2, edited by H. Keil. Leipzig: Teubner, 1859. Reprint, Hildesheim: Olms, 1961.
   Google Scholar
• Pseudo-Bernard of Clairvaux. Liber de modo bene vivendi ad sororem. Edited by J.-P. Migne. Patrologia Latina 184. Paris: Garnier, 1854, 1199A–1206D.
   Google Scholar
• Salutati, Coluccio. De laboribus Herculis. Edited by B. L. Ullmann, from Bibliotecha Augustana, Coluccio Salutati, complete works. Accessed May 12, 2017. https://www.hs-augsburg.de/~%20harsch/Chronologia/Lspost14/Salutati/sal_h000.html.
   Google Scholar
• Suger of Saint-Denis. Vie de Louis VI le Gros. Edited by Louis Halphen. Paris: Belles Lettres, 1964.
   Google Scholar
• Tanay, Dorit. “The Image of Music and the Bodies of Knowledge in the Late Middle Ages: Rhythmic Procedures as Cultural Representations.” Science in Context 9, no. 2 (1996): 121–136. doi: 10.1017/S0269889700002374
   Web of Science ®Google Scholar
• Tanay, Dorit. Noting Music, Marking Culture: The Intellectual Context of Rhythmic Notation, 1250–1400. Musicological Studies & Documents. Neuhausen-Stuttgart: American Institute of Musicology, Hanssler-Verlag, 1999.
   Google Scholar
• Tanay, Dorit. “Time and Money: A New Look at the Mathematical Foundation of the Ars Nova.” Dutch Journal of Music Theory 15 (2010): 18–31.
   Google Scholar
• Tanay, Dorit. “The Transition from the Ars Antiqua to the Ars Nova: Evolution or Revolution?” Musica Disciplina 46 (1992): 79–104.
   Google Scholar
• Thom, Paul, and Henryk Lagerlund, eds. A Companion to the Philosophy of Robert Kilwardby. Leiden: Brill, 2013.
   Google Scholar
• Vergil. The Aeneid. Translated by Sarah Ruden. New Haven, CT: Yale University Press, 2008.
   Google Scholar
• Wegman, Robert C. “Jacobus de Ispania and Liège.” Journal of the Alamire Foundation 8 (2016): 253–274. doi: 10.1484/J.JAF.5.111881
   Google Scholar