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Studies in Russian and Soviet Cinema Volume 11, 2017 - Issue 1: Women in Cinema
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Articles

Filming death at work: Aleksei Balabanov’s unreleased script for Clay Pit

Daria EzerovaSlavic Languages and Literatures, Yale University, New Haven, CT, USACorrespondence[email protected]
Pages 56-64 | Published online: 20 Jan 2017

References

  • Céline, Louis-Ferdinand. 1983. Journey to the End of the Night. Translated by Ralph Manheim. New York: New Directions.
  • Chechot, Aglaia. 2013. “Priglashenie na kazn’. (2011).” In Balabanov, edited by Arkus Kuvshinova, and Shavlovskii, 267–271. St Petersburg: Masterskaia Seans.
  • Dolin, Anton. 2013. “Zybkoe tsarstvo svobody.” In Balabanov, edited by Arkus Kuvshinova, and Shavlovskii, 340–348. St Petersburg: Masterskaia Seans.
  • Faulkner, William. 2011. Sanctuary. London: Vintage.
  • Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez. New York, NY: Columbia University Press.
  • Kuvshinova, Mariia, Liubov’ Arkus, and Konstantin Shavlovskii, eds. 2013. Balabanov. St Petersburg: Masterskaia Seans.
  • Ratgauz, Mikhail. 2009. “Na smert’ brata.” Seans: 37–38. Accessed December 1, 2016. http://seance.ru/n/37-38/movies-37-38/mophy/na-smert-brata/ Reprinted in Kuvshinova et al., eds., Balabanov, 263–265.
  • Remarque, Erich Maria. 2013. Three Comrades. New York: Random House.
  • Zvonkine, Eugénie. 2014. “‘Watch Your Films Attentively’: Kira Muratova’s Unrealised Script as a Key to Her Oeuvre.” Studies in Russian and Soviet Cinema 8 (1): 41–50.10.1080/17503132.2014.888230

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