1,118
Views
5
CrossRef citations to date
0
Altmetric
Original Articles

Contested Tibetan landscapes in the films of Pema Tseden

References

  • Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions in Globalization. Minneapolis: University of Minnesota Press.
  • Barnett, Robert. 2015. “DV-made Tibet: Domestic Videos, Elite Films, and the Work of Pema Tseden.” In DV-Made China: Digital Subjects and Social Transformations After Independent Film, edited by Zhang Zhen and Angela Zito, 119–162. Honolulu, HI: University of Hawai'i Press.
  • Duara, Prasenjit. 2003. Sovereignty and Authenticity: Manchukuo and the East Asian Modern. Lanham: Rowman and Littlefield.
  • Elena, Alberto. 2005. The Cinema of Abbas Kiarostami. Translated by Belinda Coombes. London: SAQI.
  • Fan, Jiayang. 2015. “The Viral Wedding Photos That Conquered China.” The New Yorker, April 29.
  • Frangville, Vanessa. 2011–2012. “‘Minority Film’ and Tibet in the PRC: From ‘Hell on Earth’ to the ‘Garden of Eden’.” Latse Journal 7: 8–27.
  • Ginsburg, Faye. 2010. “Peripheral Visions: Blak Screens and Cultural Citizenship.” In Cinema at the Periphery, edited by Dina Iordanova, David Martin-Jones, and Bélan Vidal, 84–103. Detroit: Wayne State University Press.
  • Ginsburg, Faye D., Lila Abu-Lughod, and Brian Larkin, eds. 2002. Media Worlds: Anthropology of a New Terrain. Berkeley: University of California Press.
  • Gladney, Dru. C. 1994. “Representing Nationality in China: Refiguring Majority/Minority Identities.” The Journal of Asian Studies 53 (1): 92–123. doi:http://dx.doi.org/10.2307/2059528
  • Gyal, Sonthar. 2011–2012. “My Movie The Sun Beaten Path.” Latse Journal 7: 28–35.
  • Harper, Graeme, and Jonathan Rayner, eds. 2010. Cinema and Landscape. Chicago: University of Chicago Press.
  • Hong, Zhu and Junxi Qian. 2015. “‘Drifting in Lhasa: Cultural Encounter, Contested Modernity, and the Negotiation of Tibetanness.” Annals of American Geographers 105 (1): 144–161. doi:10.1080/00045608.2014.962975
  • Li, Jun, dir. 1963. The Serf (Nongnu). China. First August Film Production Studio. 88 min.
  • Lionnet, Françoise, and Shu-Mei Shi, eds. 2005. Minor Transnationalism. Durham, NC: Duke University Press.
  • Martin-Jones, David. 2010. “Islands at the Edge of History: Landscape and the Past in Recent Scottish-Gaelic Films.” In Cinema at the Periphery, edited by Dina Iordanova, David Martin-Jones, and Bélan Vidal, 156–175. Detroit: Wayne State University Press.
  • Nancy, Jean-Luc. 1999. “On Evidence: Life and Nothing More, by Abbas Kiarostami.” Discourse 21 (1): 76–88.
  • Nancy, Jean-Luc. 2001. L’Évidence du Film/The Evidence of Film: Abbas Kiarostami. Brussels: Yves Gevaert.
  • Robin, Françoise. 2008. “Performing Compassion: A Counter-Hegemonic Strategy in Tibetan Cinema?.” In Tibetan Arts in Transition: A Journey through Theatre, Cinema, and Painting, edited by Valeria Donati, 37–49. Rome: Asia Onlus.
  • Robinson, Luke. 2010. “From ‘Public’ to ‘Private’: Chinese Documentary and the Logic of Xianchang.” In The New Chinese Documentary Movement: For the Public Record, edited by Chris Berry, Lu Xinyu, and Lisa Rofel, 177–194. Hong Kong: Hong Kong University Press.
  • Robinson, Luke. 2013. Independent Chinese Documentary: From the Studio to the Street. New York: Palgrave Macmillan.
  • Rojas, Carlos. 2010. “Alai and the Linguistic Politics of Internal Diaspora.” In Global Chinese Literature: Critical Essays, edited by David Der-Wei Wang and Jing Tsu, 115–132. Leiden: Brill.
  • Shakya, Tsering. 2008. “The Development of Modern Tibetan Literature in the People's Republic of China in the 1980s.” In Modern Tibetan Literature and Social Change, edited by Lauren R. Hartley and Patricia Schiaffini-Vedani, 61–85. Durham, NC: Duke University Press.
  • Sonam, Tenzing. 2011–2012. “Quiet Storm: Pema Tseden and the Emergence of Tibetan Cinema.” Latse Journal 7: 36–47.
  • Trace Foundation. 2010. “On the Road with Pema Tseden.” Accessed 13 March 2016. http://www.trace.org/news/road-pema-tseden.
  • Tseden, Pema. 2010a. Creating a Modern Thangka: An Interview with Director Pema Tseden. New York: Trace Foundation, Interview. Accessed 13 March 2016. https://www.youtube.com/watch?v=hvtmMV40Jgg
  • Tseden, Pema. 2010b. “Soul Searching in Tibet: Films by Pema Tseden (Wanma Caidan).” New York: Asia Society, Interview. Accessed 13 March 2016. https://www.youtube.com/watch?v=pYCQHuJE-bo
  • Tseden, Pema. 2011–2012. “A Brief Introduction to New Student Short Films in the Tibetan Language.” Latse Journal 7: 58–63.
  • Venturino, Steven, J. 2007. “Signifying on China: African-American Literary Theory and Tibetan Discourse.” In Sinographies: Writing China, edited by Eric Hayot and Haun Saussy, 271–299. Minneapolis: University of Minnesota Press.
  • Yeh, Emily T. 2013. Taming Tibet: Landscape Transformation and the Gift of Chinese Development. Ithaca: Cornell University Press.
  • Yeh, Emily T. and Kunga T. Lama. 2013. “Following the Caterpillar Fungus: Nature, Commodity Chains, and the Place of Tibet in China's Uneven Geographies.” Social and Cultural Geography 14 (3): 318–340. doi:10.1080/14649365.2013.765025
  • Yu, Dan Smyer. 2014. “Pema Tseden's Transnational Cinema: Screening a Buddhist Landscape of Tibet.” Contemporary Buddhism: An Interdisciplinary Journal 15 (1): 125–144. doi:10.1080/14639947.2014.890355.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.