References
- Bergson, Henri. 1911. Laughter: An Essay on the Meaning of the Comic. London: Macmillan.
- Erickson, Steven. 2013. “High Plains Drifter.” Sight and Sound 23 (6): 70.
- Frangville, Vanessa. 2009. “Tibet in Debate: Narrative Construction and Misrepresentations in Seven Years in Tibet and Red River Valley.” Transtext(e)s-Transcultures-Journal of Global Cultural Studies. http://transtexts.revues.org/289.
- Genette, Gérard. 1997. Palimpsests: Literature in the Second Degree. Lincoln: University of Nebraska Press.
- Hansen, Peter. 2001. “Tibetan Horizon: Tibet and the Cinema in the Early Twentieth Century.” In Imagining Tibet: Perceptions, Projections, and Fantasies, edited by Thierry Dodin and Heinz Räther, 91–110. Boston, MA: Wisdom Publications.
- Harvey, Dennis. 2006. “The Silent Holy Stones.” Variety 402 (13): 34.
- Higgins, Dick. 2001. “Intermedia.” Leonardo 34 (1): 49–54.
- Horton, Andrew, and Stuart McDougal. 1998. Play It Again, Sam: Retakes on Remakes. Berkeley: University of California Press.
- Lo, Kwai-Cheung. 2013. “Reconfiguring the Chinese Diaspora through the Eyes of Ethnic Minorities.” In Diasporic Chineseness after the Rise of China: Communities and Cultural Production, edited by Julia Kuehn, Kam Louie, and David Pomfret, 170–186. Vancouver: University of British Columbia Press.
- Stam, Robert. 2005. Literature through Film: Realism, Magic, and the Art of Adaptation. Malden, MA: Blackwell.
- Tseden, Pema. 2014. “Taluo” [Tharlo]. In Manishi, jingjingdeqiao [Holy Stones Silently Chiselled, a collection of short stories written in Chinese by Pema Tseden], 147–172. Beijing: Zhongguo minzu sheying yishu chubanshe.