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Photography and Culture Volume 15, 2022 - Issue 3: Theorizing New Photographies in China
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Introduction

Theorizing New Photographies in Contemporary China: An Introduction

Hongfeng TangView further author information
Pages 223-226 | Published online: 21 Feb 2023

References

  • Jin, Yongquan. 2011. “Reading & Reflections (II): Wu Zhihui on Photography in 1911” [大义过眼录(中) 辛亥年吴稚晖说摄影.] Chinese Photography 387: 94–97.
  • Gu, Yi. 2020. Chinese Ways of Seeing and Open-Air Painting. Cambridge, MA: Harvard University Asia Center.
  • Kang, Youwei. 1923. “Notes and Comments in: Ouyang Huiqiang.”. The Guide to Photography [摄影指南]. Shanghai: Powkee Studio.
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  • Tang, Hongfeng. 2022. Transparency: Visual Modernity in China (1872—1911) [透明 中国视觉现代性 (1987—1911)]. Beijing, China: SDX Joint Publishing Company.
  • Wu, Shengqing. 2020. Photo Poetics: Chinese Lyricism and Modern Media Culture. New York, NY: Columbia University Press.
  • Wu, Yiqiang. 2021. “Mao Weidong, the Ferryman of Chinese Photographic Theories, Should not Leave Like This!.” Accessed January 29 2023. https://new.qq.com/rain/a/20210801A03N6700.
  • Zhao, Xinna & Jialin Huang, eds. 2022. The Master Who Likes to Play: The Intellectual Reflections from Zhao Yuanren’s Photographic Records [好玩儿的大师 赵元任影记之学术篇]. Beijing, China: The Commercial Press.
  • Zhu, Shuai & Jianru Yang, eds. 2014. Photography Literature in Republic of China [民国摄影文论]. Beijing, China: China Photographic Publishing House.

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