References
- Barnett, Henrietta. 1921 Canon Barnett, His Life, Work and Friends by His Wife. London: J. Murray.
- Bowe, N. G. and E. Cumming. 1998. The Arts & Crafts Movement in Dublin and Edinburgh 1885–1925. Dublin: Irish Academic Press.
- Bowles-Daly, J. 1889 Glimpses of Irish Industries. London: Ward and Downey.
- Budge, G. 2000 “Poverty and the Picture Gallery: the Whitechapel Exhibitions and the Social Project of Ruskinian Aesthetics.” Visual Culture in Britain 1(2): 43–56.
- Clifford, J. 1987 “Of Other Peoples: Beyond the Salvage Paradigm.” In H. Foster (ed.) Discussions in Contemporary Culture, pp. 121–30.
- Connolly, S. J. 1997 “Culture, Identity and Tradition: Changing Definitions of Irishness.” In B. Graham (ed.) In Search of Ireland: A Cultural Geography, pp. 19–42. London: Routledge.
- Crowley, D. and L. Taylor (eds). 2000 The Lost Arts of Europe: The Haslemere Museum Collection of European Peasant Art. Haslemere, Surrey: Haslemere Educational Museum.
- Cumming, E. and W. Kaplan. 1991 The Arts and Crafts Movement. London: Thames and Hudson.
- Dunlevy, Mairead. 1999 Dress in Ireland: A History. Wilton, Cork: The Collins Press.
- Foster, H. (ed). 1987 Discussions in Contemporary Culture. Seattle, WA: Bay Press.
- Gibbons, L. 2000 “Race against Time: Racial Discourse and Irish History.” In C. Hall (ed.) Cultures of Empire, pp. 205–19. Manchester: Manchester University Press.
- Graburn, N. 1999 “Ethnic and Tourist Arts Revisited.” In R. Phillips and C. B. Steiner (eds) Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds, pp. 335–53. Berkeley, CA: University of California Press.
- Graham, Brian. 1997 “Ireland and Irishness: Place, Culture and Identity.” In B. Graham (ed.) In Search of Ireland: A Cultural Geography, pp. 1–18. London: Routledge.
- Hall, C. (ed.). 2000 Cultures of Empire. Manchester: Manchester University Press.
- Harrod, T. 2000 “‘For Love and Not For Money:’ Reviving ‘Peasant Art’ in Britain 1880–1930.” In D. Crowley and L. Taylor (eds). The Lost Arts of Europe: The Haslemere Museum Collection of European Peasant Art, pp. 13–24. Haslemere, Surrey: Haslemere Educational Museum.
- Hart, A. 1885 Cottage Industries and What They Can Do for Ireland. London: Smith, Elder & Co.
- Hart, A. 1886. “The Women's Industries of Ireland.” Queen December 18: 742.
- Hart, A. 1887 The Cottage Industries of Ireland, with an Account of the Work of the Donegal Industrial Fund. London: Hamilton, Adams & Co.
- Hart, A. 1904. “The Old Celtic Manuscripts as Sources of Design.” House Beautiful january: 22–4.
- Helland, J. 2002 “Rural Women and Urban Extravagance in Late Nineteenth-Century Britain.” Rural History: Economy, Society, Culture 13(2): 179–97.
- Helland, J. 2004 “Embroidered Spectacle: Celtic Revival as Aristocratic Display.” In J. Murphy and B. FitzSimon (eds) The Irish Revival Reappraised. Dublin: Irish Academic Press.
- Hoad, J. 1987 This is Donegal Tweed. Inver, Co. Donegal: Shoestring Pubications.
- Interview with Alice Hart. 1889 Women's Penny Paper September 14 1889, pp. 1–2.
- Jebb, E. L. 1885 “The Home Arts and Industries Association.” Magazine of Art 294–8.
- Jessup, L. (ed.) 2001. Antimodernism and Artistic Experience: Policing the Boundaries of Modernity. Toronto: University of Toronto Press.
- Jeune, M. 1889. “Irish Industrial Art.” Woman's World II: 159–63.
- Kopytoff, Igor. 1986 “The Cultural Biography of Things: Commoditization as Process.” In A. Appadurai (ed.) The Social Life of Things: Commodities in Cultural Perspective, pp. 64–94. Cambridge: Cambridge University Press.
- Kovan, S. 1994 “The Whitechapel Picture Exhibitions and the Politics of Seeing.” In Daniel J. Sherman and Irit Rogoff (eds) Museum Culture: Histories, Discourses, Spectacles, pp. 22–48. Minneapolis, MN: Minnesota University Press.
- Larmour, P. 1990–1. “The Donegal Industrial Fund and Its Cottage Industries.” Irish Arts Review 128–33.
- Larmour, P. 1992 The Arts & Crafts Movement in Ireland. Belfast: Friar's Bush Press.
- Martin, R. M. 1907 “The Manufacture of Lace and Crochet in Ireland.” In Irish Rural Life and Industry. Dublin: Hely's Ltd.
- Murphy, J. and B. FitzSimon (eds) 2004. The Irish Revival Reappraised. Dublin: Irish Academic Press.
- Parry, L. 1988 Textiles of the Arts and Crafts Movement. London: Thames and Hudson.
- Paterson, E. C. 2003 “Decoration and Desire: Women of the Home Arts Movement 1884–1915.” Unpublished PhD thesis, Queen's University, Kingston, Canada.
- Phillips, R. 2001 “Performing the Native Woman: Primitivism and Mimicry in Early Twentieth- Century Visual Culture.” In L. Jessup (ed.) Antimodernism and Artistic Experience: Policing the Boundaries of Modernity, pp. 26–49. Toronto: University of Toronto Press.
- Phillips, R. and C. B. Steiner (eds). 1999 Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. Berkeley, CA: University of California Press.
- Rooney, B. 1998 “The Irish Exhibition at Olympia, 1888.” Irish Architectural and Decorative Studies 1: 100–119.
- Schaffer, Talia. 2000. The Forgotten Female Aesthetes: Literary Culture in Late-Victorian England. Charlottesville, VA: University Press of Virginia.
- Schoeser, M. 1998. The Watts Book of Embroidery: English Church Embroidery 1833–1953. Liverpool: Watts & Co.
- Smith, J. 2000. Britain and Ireland: From Home Rule to Independence. Harlow, Essex: Pearson Education.
- Spooner, Brian. 1986. “Weavers and Dealers: The Authenticity of an Oriental Carpet.” In A. Appadurai (ed.) The Social Life of Things: Commodities in Cultural Perspective, pp. 195–235. Cambridge: Cambridge University Press.
- Symondson, A. 1994 “Art Needlework in Ireland.” Irish Arts Review 10: 126–35.