1,185
Views
0
CrossRef citations to date
0
Altmetric
Articles

‘Whole Shew and Spectacle’: French Prisoner-of-War Theatre in England During the Napoleonic Era

References

  • Hampshire Telegraph. 1804. Hampshire Telegraph and Sussex Chronicle. Portsmouth. 1803-1899. 6th February 1804.
  • Abell, F. 1914. Prisoners of War in Britain 1756 to 1815: A Record of Their Lives, Their Romance and Their Sufferings. London: Oxford University Press.
  • Anon. 1810. Le philanthrope révolutionnaire ou Hécatombe à Haïti. Berkeley: Bancroft Library. Manuscript. MSS 2004/246 z.
  • Anon. 1824. A Dictionary of Musicians: From the Earliest Ages to the Present Time. Vol. 1. London: Sainsbury & Co.
  • Astbury, K. & Cox, D. 2021. Re-examining the Sources for the Prisoner-of-War Theatre at Portchester Castle. In: E. Martínez-Radío Garrido, ed. Prisioneros de Guerra. Madrid: Sílex. forthcoming.
  • Astbury, K., Hambridge, K. & Hicks, J. 2017. The Melodramatic Moment: Researching Early French and English Melodrama Through Performance. https://www2.warwick.ac.uk/fac/arts/modernlanguages/research/french/currentprojects/napoleonictheatre/performingmelodrama/.
  • Astbury, K. & Tisdall, D. 2021. Une exploration du mélodrame parisien à travers la représentation d’une pièce des prisonniers de guerre du château de Portchester en 1810: Roseliska ou amour, haine et vengeance. In: P. Taiëb & O. Bara, eds. Actes de colloque: musique de scène. Rennes: Presses universitaires de Rennes. forthcoming.
  • Bonnefoux, P.-M.-J. de. 1900. Mémoires du Baron de Bonnefoux, capitaine de vaisseaux, 1782–1855, E. Duval, ed. Paris: Plon-Nourrit et Cie.
  • Burwick, F. 2009. Romantic Drama: Acting and Reacting. Cambridge: Cambridge University Press.
  • Catel, L. 1845. Prison de Dartmoor ou récit historique des infortunes et évasions des prisonniers français en Angleterre sous l’Empire de 1809 jusqu’en 1814. Vol. 1. Paris: chez les principaux libraires.
  • Chamberlain, P. 2008. Hell Upon Water: Prisoners of War in Britain 1793–1815. Stroud: The History Press.
  • Chevalier, H. 1895. Vie et aventures du capitaine de corsaire Tom Souville: ses combats, ses évasions, 1777–1839. Paris: E. Plon, Nourrit et Cie.
  • Clarke, J. & Horne, J., eds. 2018. Militarized Cultural Encounters in the Long Nineteenth Century: Making War, Mapping Europe. Basingstoke: Palgrave Macmillan.
  • Cox, D. 2017. Stages of Captivity: Napoleonic Prisoners of War & Their Theatricals, 1808–1814. Thesis (PhD), University of Warwick.
  • Daly, G. 2004. Napoleon's Lost Legions: French Prisoners of War in Britain. 18031814. History, 89 no. 3 (295): 361–380.
  • Dwyer, P.G. 2010. Public Remembering, Private Reminiscing: French Military Memoirs and the Revolutionary and Napoleonic Wars. French Historical Studies, 33/2:231–258.
  • Emeljanow, V. 2015. Popular Entertainments as Survival Strategies in Prisoner-of-war Camps During World War II. In: C. Lee & J. Goodall, eds. Trauma and Public Memory. Basingstoke: Palgrave Macmillan, pp. 174–192.
  • Forrest, A., Hagemann, K. & Rendall, J., eds. 2009. Soldiers, Citizens and Civilians: Experiences and Perceptions of the Revolutionary and Napoleonic Wars, 1790–1820. Basingstoke: Palgrave Macmillan.
  • Frykman, N. 2009. Seamen on Late Eighteenth-Century European Warships. International Review of Social History, 54:67–93.
  • Garneray, L. 2012. The Floating Prison: My Captivity on the British Hulks 1806–1814, R. Rose, trans., 2nd ed. London: N.p.: Otterquill Books.
  • Gilbert, H. 2004. Foreword. In: J. Lo, ed. Staging Nation: English Language Theatre in Malaysia and Singapore. Hong Kong: Hong Kong University Press, pp. vii–viii.
  • Gilbert, D., Hawley, J., Nicholson, H. & Worth, L. 2020. On Amateurs: An Introduction and a Manifesto. Performance Research, 25/1:2–9.
  • Gille, L.-F. 1892. Mémoires d’un conscrit de 1808, P. Gille, ed. Paris: Victor-Havard.
  • Holdsworth, H. 2014. Introduction. In: H. Holdsworth, ed. Theatre and National Identity: Re-Imagining Conceptions of Nation. New York: Routledge, pp. 1–16.
  • Isbell, M. 2011. The Handwritten Playbill as Cultural Artifact: A French Amateur Theatrical Aboard the British Prison Ship, Crown. Inquire: A Journal of Comparative Literature, 1/2. https://inquire.streetmag.org/articles/40.
  • Jordan, R. 2009. Convict Performances in a Penal Colony: New South Wales, 1789–1830. Theatre Research International, 21/1:33–40.
  • Julian, T. 2018. “Les feux couverts d’une cendre trompeuse”: blessures et hantises de l’histoire nationale dans le théâtre révolutionnaire. In: I. Ligier-Degauque & A. Teulade, eds. La Mémoire de la blessure au théâtre. Mise en fiction et interrogation du traumatisme de la Renaissance au XXIe siècle. Rennes: Presses universitaires de Rennes, pp. 109–124.
  • Kennedy, C. 2013. Narratives of the Revolutionary and Napoleonic Wars: Military and Civilian Experience in Britain and Ireland. Basingstoke: Palgrave Macmillan.
  • Lardier, A. 1845. Histoire des pontons et prisons d’Angleterre pendant la guerre du Consulat et de l’Empire. Vol. 1. Paris: au comptoir des imprimeurs réunis.
  • Lecomte, L.-H. 1910. Histoire des théâtres de Paris: le théâtre de la cité 1792–1807. Paris: H. Daragon.
  • Levent, L. 2009. Les officiers de l’armée du Consulat et de l’Empire, 1800–1815. Thesis (Masters). https://bibliotheque-martial-lapeyre.napoleon.org/Default/doc/SYRACUSE/47356/les-officiers-de-l-armee-du-consulat-et-de-l-empire-1800-1815-etude-d-un-echantillon-representatif-m.
  • Lloyd, C. 2007. The Arts and Crafts of Napoleonic and American Prisoners of War 1756–1816. Woodbridge: Antique Collectors’ Club.
  • Masson, P. 1987. Les sépulcres flottants: prisonniers français en Angleterre sous l'Empire. Rennes. Éditions Ouest-France.
  • More, H. 1818. Tragedies. London: T. Cadell & W. Davies.
  • Morieux, R. 2019. The Society of Prisoners: Anglo-French Wars and Incarceration in the Eighteenth Century. Oxford: Oxford University Press.
  • Navickas, K. 2016. Protest and the Politics of Space and Place, 1789–1848. Manchester: Manchester University Press.
  • Petiteau, N. 1996. The Nobility of the Empire and the Elite Groups of the 19th Century – a Successful Fusion. https://www.napoleon.org/en/history-of-the-two-empires/articles/the-nobility-of-the-empire-and-the-elite-groups-of-the-19th-century-a-successful-fusion/.
  • Popkin, J.D. 2007. Facing Racial Revolution: Eyewitness Accounts of the Haitian Insurrection. Chicago: University of Chicago Press.
  • Quantin, J., 1823. Trois ans de séjour en Espagne, dans l'intérieur du pays, sur les pontons, à Cadix, et dans l’île de Cabrera. Vol. 2. Paris: J. Brianchon.
  • Rediker, M. 2014. Outlaws of the Atlantic: Sailors, Pirates, and Motley Crews in the Age of Sail. Boston: Beacon Press.
  • Rodger, N.A.M. 1986. The Wooden World: An Anatomy of the Georgian Navy. London: Collins.
  • Russell, G. 1995. Theatres of War: Performance, Politics and Society, 1793–1815. Oxford: Oxford University Press.
  • Saglia, D. 2019. Continental Trouble: The Nationality of Melodrama and the National Stage in Early Nineteenth-Century Britain. In: K. Hambridge & J. Hicks, eds. The Melodramatic Moment: Music and Theatrical Culture, 1790–1820. Chicago: Chicago University Press, pp. 43–58.
  • Stevens, K. 2017. Anglo-French Encounters: The Integration of French Prisoners of War and Émigrés into British Society 1789–1815. Dissertation (Masters), University of Kingston.