References
- Bauder, M. 2014. Interview mit Marc Bauder [Interview with Marc Bauder]. Available at: http://www.filmportal.de/thema/interview-mit-marc-bauder (accessed 10 December 2015).
- Bennett, J. (2005) ‘The agency of assemblages and the North American blackout’, Public Culture, vol. 17, pp. 445–466. doi: 10.1215/08992363-17-3-445
- Butler, J. (2010) ‘Performative agency’, Journal of Cultural Economy, vol. 3, no. 2, pp. 147–161. Special Issue: Performativity, Economics and Politics. doi: 10.1080/17530350.2010.494117
- Callon, M. (2010) ‘Performativity, misfires, and politics’, Journal of Cultural Economy, vol. 3, no. 2, 163–169. Special Issue: Performativity, Economics and Politics. doi: 10.1080/17530350.2010.494119
- Carroll, N. (1997) ‘Fiction, non-fiction, and the film of presumptive assertion: a conceptual analysis’, in Film Theory and Philosophy, eds R. Allen & M. Smith, Oxford University Press, New York, pp. 173–202.
- Clarke, C. (2012) ‘Financial engineering, not economic photography: popular discourses of finance and the layered performances of the sub-prime crisis’, Journal of Cultural Economy, vol. 5, no. 3, pp. 261–278. doi: 10.1080/17530350.2012.674964
- Clarke, C. & Brassett, J. (2015) ‘Popular Documentaries and the Global Financial crisis’, in Documenting World Politics: A Critical Companion to IR and Non-Fiction Film, eds R. van Muster & C. Sylvest, Routledge, London, pp. 43–57.
- Cochoy, F. Giraudeau, M. & McFall, L. (2010) ‘Performativity, economics, and politics: an overview’, Journal of Cultural Economy, vol. 3, no. 2, pp. 139–146. Special Issue: Performativity, Economics and Politics. doi: 10.1080/17530350.2010.494116
- Currie, G. (1999) ‘Documentary and the contents of photographs’, The Journal of Aesthetics and Art Criticism, vol. 57, no. 3 ( Summer), pp. 285–297. doi: 10.2307/432195
- de Certeau, M. (1984) The Practice of Everyday Life. Trans. Steven Rendall. University of California Press, Berkeley.
- de Goede, M. (2003) ‘Beyond economism in international political economy’, Review of International Studies, vol. 29, no. 1, pp. 79–97. doi: 10.1017/S0260210503000056
- de Goede, M. (2015) ‘Documenting financial assemblages and the visualisation of responsibility’, in Documenting World Politics: A Critical Companion to IR and Non-Fiction Film, eds R. van Muster & C. Sylvest, Routledge, London, pp. 58–77.
- Dean, J. (2013) ‘Complexity as capture – neoliberalism and the loop of drive’, New Formations, vol. 80, pp. 138–154. doi: 10.3898/NewF.80/81.08.2013
- Dürrschmidt, A. (ed.) (2004/2013) Falk Richter: Das System. Materialien, Gespräche, Textfassungen zu “Unter Eis”. Recherchen 22. Theater der Zeit, Berlin.
- Grosvenor, P. (2014) ‘It’s not a wonderful life: the financial crisis on film and the limits of hollywood liberalism’, in Movies in the Age of Obama: The Era of Post-Racial and Neo-Racist Cinema, ed D. G. Izzo, Rowman and Littlefield, Lanham, MD, pp. 149–170.
- Ho, K. (2009) Liquidated. An Ethnography of Wall Street, Duke University Press, Durham, NC.
- Jerslev, A. (2005) ‘Performativity and documentary. Sami Saif’s and Phie Ambo’s family and performativity’, in Performative Realism. Interdisciplinary Studies in Art and Media, ed R. Gade & A. Jerslev, Museum Tusculanum Press, Copenhagen, pp. 85–115.
- Klingler, N. (2013) Master of the Universe. Available at: http://www.critic.de/film/master-of-the-universe-6052/ 24 October (accessed 20 April 2016).
- La Berge, L. C. (2016) ‘How to make money with words: finance, performativity, language’, Journal of Cultural Economy, vol. 9, no. 1, pp. 43–62. doi: 10.1080/17530350.2015.1040435
- Marsh, N. Crosthwaite, P. & Knight, P. (2013) ‘Show me the money: the culture of neoliberalism’, New Formations, vol. 80, pp. 209–217. doi: 10.3898/NewF.80/81.Rev01.2013
- Master of the Universe. (Press Pamphlet) Arsenal Verleih. Available at: http://www.master-of-the-universe-film.de/download/MOTU_PR.pd (accessed 20 April 2016).
- Meissner, M. (2012) ‘Portraying the global financial crisis: myth, aesthetics, and the city’, NECSUS European Journal of Media Studies, vol. 1, no. 1, pp. 98–125. doi: 10.5117/NECSUS2012.1.MEIS
- Nichols, B. (2001) Introduction to documentary, Indiana University Press, Bloomington.
- Rebhandl, B. (2013) ‘Landschaft der verwaisten Möglichkeiten’, taz: Die Tageszeitung. 7 November. Available at: http://www.taz.de/1/archiv/digitaz/artikel/?ressort=ku&dig=2013%2F11%2F07%2Fa0168 (accessed 20 April 2016).
- Scheibler, S. (1993) ‘Constantly performing the documentary: the seductive promise of lightning over water’, in Theorizing Documentary, ed M. Renov, Routledge AFI Readers, London, pp. 135–150.
- Storn, A. 2014. ‘Der Mensch hinter der Macht’, Die Zeit. 18 June. Available at: http://www.zeit.de/kultur/film/2014-06/master-of-the-universe-doku-arte (accessed 20 April 2016).
- van Muster, R. & Sylvest, C. (2015) ‘Introduction’, in Documenting World Politics, eds R. Van Muster & C. Sylvest, Routledge, London, pp. 3–22.
- Filmography
- Marc Bauder. Dir. (2003) “Grow or Go”. Architekten des globalen Villages [Grow or Go: Architects of the Global Village]. Documentary. 95 min. Bauderfilm/ZDF. Germany.
- Marc Bauder. Dir. (2007) Der Top-Manager [The Top Manager]. Documentary. 45 min. Bauderfilm/WDR, Germany.
- Marc Bauder. Dir. (2013) Master of the Universe. Documentary. 88 min. Bauderfilm/NGF Geyrhalterfilm/HR/SWF/arte. Germany/Austria.