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Safundi Volume 15, 2014 - Issue 2-3: South African Photography: A Special Double Issue
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Book Review

Nollywood

Nomusa MakhubuMichaelis School of Fine Art, University of Cape Town, Cape TownCorrespondence[email protected]
Pages 416-419 | Published online: 07 Jul 2014

References

  • Adesokan, Akinwumi. Postcolonial Artists and Global Aesthetics. Bloomington: Indiana University Press, 2011.
  • Andrew, Dudley. The Major Film Theories. Oxford: Oxford University Press, 1976.
  • Fanon, Frantz. The Wretched of the Earth, trans. Constance Farrington (New York: Grove Press, 1963).
  • Haynes, Jonathan, ed. Nigerian Video Films. Columbus, GA: Ohio University Press, 2000.
  • Krings, Matthias, and Onookome Okome, eds. Global Nollywood: The Transnational Dimensions of an African Video Film Industry. Bloomington: Indiana University Press, 2013.
  • Larkin, Brian. Signal and Noise: Media, Infrastructure and Urban Culture in Nigeria. Durham, NC: Duke University Press, 2008.10.1215/9780822389316
  • Marshall, Ruth. Political Spiritualities: The Pentecostal Revolution in Nigeria. Chicago, IL: University of Chicago Press, 2009.10.7208/chicago/9780226507149.001.0001
  • Saul, Mahir, and Ralph Austen, eds. Viewing African Cinema in the Twenty-first Century: Art Films and the Nollywood Video Revolution. Columbus, GA: Ohio University Press, 2010.

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