557
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

Artists’ Photographic Reflections: Imag(in)ing the Art Museum through Fictional Narratives

Works cited

  • Armstrong, Carol. “Automatism and Agency Intertwined: A Spectrum of Photographic Intentionality.” Critical Inquiry 38.4 (Summer 2012): 705–26. Print.
  • Barthes, Ronald. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1980. Print.
  • Battro, Antonio M. “From Malraux’s Imaginary Museum to Virtual Museum.” Museums in a Digital Age. Ed. Ross Parry. London: Routledge, 2010. 136–47. Print.
  • Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Illuminations. Ed. Hannah Arendt. New York: Schocken Books, 1969. 217–251. Print.
  • British Museum. Discobolus. Web. 23 Nov. 2012. <http://www.britishmuseum.org/explore/highlights/highlight_objects/gr/d/discus-thrower_discobolus.aspx>.
  • Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge, MA: MIT P, 2005. Print.
  • Buskirk, M., et.al. “Interviews with Sherrie Levine, Louise Lawler and Fred Wilson.” October 70 (Autumn 1994): 98–112. Print.
  • Crimp, Douglas. On the Museum’s Ruins. Cambridge, MA: MIT P, 1993. Print.
  • Deutsche, R. “Louise Lawler’s Rude Museum’ in Louise Lawler, Twice Untitled and Other Pictures (looking back).” Wexner Center for the Arts and MIT P, 2006. Web. 24 Nov. 2012 <http://eipcp.net/transversal/0106/deutsche/en/#_ftn27>.
  • Erickson, Kristen. “Marcel Broodthaers.” The Museum as Muse: Artists Reflect. Ed. Kynaston McShine. New York: MoMA, 1999. 62–69. Print.
  • Feeney, Mark. “Sophie Calle Returns to Gardner with ‘Last Seen’.” The Boston Globe: Theater & Art, 31 Oct. 2013. Web. 24 March 2014. <http://www.bostonglobe.com/arts/theater-art/2013/10/31/gardner-museum-memory-beholder/Yt9bNv5zBHGncy1QnWCgSL/story.html>.
  • Foster, Hal. Excerpt from “Subversive Signs.” Recoding: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1986. Web. 23 Nov. 2013. <http://allanmccollum.net/allanmcnyc/Hal_Foster.html>.
  • Fraser, Andrea. “A Museum is not a Business. It is Run in Businesslike Fashion.” Beyond the Box: Diverging Curatorial Practices. Ed. Melanie Townsend. Banff: Banff Centre Press, 2003. 109–22. Print.
  • Fraser, Andrea. “From the Critique of Institutions to an Institution of Critique.” Artforum (Sept. 2005): 100–106. Print.
  • Ihezie, Stephanie. “Exhibit Review: Last Seen by Sophie Calle.” The Tech Online Edition 133.51 (5 Nov. 2013). Web. 24 March 2014.
  • Krauss, Rosalind. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. New York: Thames and Hudson, 2000. Print.
  • Kriebel, T. Sabine. “Theories of Photography: A Short History.” Photography Theory. Ed. James Elkins. New York and London: Routledge, 2007. 3–49. Print.
  • Kroksnes, Andrea. Deconstructing Original Stories. For Art: Institute for Research within International Contemporary Art, Undated. Print. <http://www.forart.no/index2.php?option=com_iarticles&no_html=1&Itemid=22&task=file&id=141>.
  • Lawler, Louise. “Arrangement of Pictures.” October 26 (Autumn 1983): 3–16. Print.
  • Leahy, Helen Ress. Museum Bodies: The Politics and Practices of Visiting and Viewing. Farnham, Surrey: Ashgate, 2012. Print.
  • Lister, Martin. “Photography, Presence, and Pattern.” Photography Theory. Ed. James Elkins. New York: Routledge, 2007. 350–58. Print.
  • Manovic, Lev. “The Paradoxes of Digital Photography.” The Photography Reader. Ed. Liz Wells. London: Routledge, 2003. 240–49. Print.
  • Mastai, Judith. “There is No Such Thing as a Visitor.” Museums after Modernism: Strategies of Engagement. Ed. Griselda Pollock and J. Zemans. Oxford: Blackwell Publishing, Ltd, 2007. 173–77. Print.
  • McShine, Kynaston, ed. The Museum as Muse: Artists Reflect. New York: MoMA, 1999. Print.
  • MoMA.org. Interactives, Exhibitions: Museum as Muse | Broodthaers. Web. 5 June 2014 <http://www.moma.org/interactives/exhibitions/1999/muse/artist_pages/broodthaers_musee.html>.
  • Obrist, Hans Ulrich. A Brief History of Curating. Zurich: JRP | Ringier Kunstverlag AG, 2011. Print.
  • O’Neil, Paul. The Culture of Curating and the Curating of Culture(s). Cambridge, MA: MIT P, 2012. Print.
  • Putnam, James. Art and Artifact: The Museum as Medium. London: Thames & Hudson, 2009. Print.
  • Rollig, Stella. “Contemporary Art Practices and the Museum: To Be Reconciled at All?” Beyond the Box: Diverging Curatorial Practices. Ed. Melanie Townsend. Banff: Banff Centre Press, 2003. 97–108. Print.
  • Simon, Joshua. “Neo-Materialism, Part One: The Commodity and the Exhibition.” e-flux journal 20 (Nov. 2010). Web. 23 March 2014. <http://www.e-flux.com/journal/neo-materialism-part-one-the-commodity-and-the-exhibition/>.
  • Soutter, Lucy. Why Art Photography? London: Routledge, 2013. Print.
  • Stack, Trudy Wilner. “Pictures at an Exhibition.” Art Museum. Tucson: Center for Creative Photography, U of Arizona, 1995. 4–11. Print.
  • Steward, Susan. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Durham, NC: Duke UP, 1984. Print.
  • Vogel, Carol. “Art that Lingers, in Memory and Place.” The New York Times: Art & Design, 25 July 2013. Web. 23 March 2014.
  • Wells, Liz. “Words and Pictures: On Reviewing Photography.” The Photography Reader. Ed. Liz Wells. London: Routledge, 2003. 428–34. Print.
  • Yard, Sally. “Sophie Calle.” The Museum as Muse: Artists Reflect. Ed. Kynaston McShine. New York: MoMA, 1999. 136–39. Print.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.