853
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

Renouncing the Single Image: Photography and the realism of abstraction

Works cited

  • Adorno, Theodor. “Reading Balzac.” Notes to Literature, Volume One. Trans. Shierry Weber Nicholsen. New York: Columbia UP, 1991. 121–136. Print.
  • Adorno, Theodor. “Late Capitalism or Industrial Society?” Can One Live After Auschwitz? A Philosophical Reader. Trans. Rodney Livingstone. Stanford, CA: Stanford UP, 2003. 111–25. Print.
  • Anastas, Rhea, Paul Myoda, Rob Reynolds and Martha Rosler “The Pleasure of Difference: A FEED Dialog on Art and Critical Practice”, FEED Magazine, 1999. Web. http://web.archive.org/web/20000919012158/http://www.feedmag.com/art/dialog3.html [Accessed: June 9th 2016]
  • Armstrong, Nancy. Fiction in the Age of Photography: The Legacy of British Realism. Cambridge, MA: Harvard UP, 1999. Print.
  • Arthur, Christopher J. “The Spectral Ontology of Value.” Radical Philosophy 107 (2001): 32–42. Print.
  • Baker, George. “The Relational Field of Photography”, Still Stirring blog, Winterthur Fotomuseum, 2013. Web. <http://blog.fotomuseum.ch/2013/05/i-the-relational-field-of-photography/> [Accessed May 19th 2016]
  • Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. London: Vintage, 1993. Print.
  • Benjamin, Walter. “The Author as Producer.” Trans. Edmund Jephcott. Selected Writings, Volume 2, Part 2, 1931–1934. Cambridge, MA: Harvard UP, 1999. 768–82. Print.
  • Benn Michaels, Walter. The Beauty of a Social Problem: Photography, Autonomy, Economy. Chicago: U of Chicago P, 2015. Print.
  • Berger, John. Understanding a Photograph. London: Penguin, 2013. Print.
  • Bernstein, J.M. Against Voluptuous Bodies: Late Modernism and the Meaning of Painting. Stanford, CA: Stanford UP, 2006. 144–64. Print.
  • Brunet, François. Photography and Literature. London: Reaktion, 2009. Print.
  • Buchloh, Benjamin H.D. “A Conversation with Martha Rosler.” Martha Rosler: Positions in the Life World. Ed. Catherine de Zegher. Cambridge, MA: MIT P, 1998. 23–55. Print.
  • Cunningham, David. “Capitalist Epics: Abstraction, Totality and the Theory of the Novel.” Radical Philosophy 163 (2010): 11–23. Print.
  • Cunningham, David. “Floating on the Same Plane: Metropolis, Money and the Culture of Abstraction.” Journal of Visual Culture 12.1 (2013): 38–60. Print.
  • Cunningham, David. “The Contingency of Cheese: On Fredric Jameson’s The Antinomies of Realism. ” Radical Philosophy 187 (2014): 25–35. Print.
  • Day, Gail. “Allan Sekula’s Transitive Poetics.” Allan Sekula: Ship of Fools /The Dockers’ Museum. Ed. Hilde Van Gelder. Leuven: Leuven UP, 2015. 57–70. Print.
  • Dyer, Geoff. The Ongoing Moment: A Book About Photographs. London: Canongate, 2012. Print.
  • Edwards, Steve. Photography: A Very Short Introduction. Oxford: OUP, 2006. Print.
  • Edwards, Steve. “Allan Sekula’s Chronotopes: Uneven and Combined Capitalism.” Allan Sekula: Ship of Fools /The Dockers’ Museum. Ed. Hilde Van Gelder. Leuven: Leuven UP, 2015. 31–43. Print.
  • Hentschel, Martin. “The Totality of the World, Viewed in its Component Parts: Andreas Gursky’s Photographs 1980 to 2008.” Andreas Gursky Works 80-08. Ed. Martin Hentschel. Ostfildern: Hatje Canze Verlag, 2009. 22–33. Print.
  • Jameson, Fredric. The Antinomies of Realism. London: Verso, 2013. Print.
  • Jonsson, Stefan. “The Ideology of Universalism.” New Left Review 63 (2010): 115–26. Print.
  • Klose, Aleander. The Container Principle. Cambridge, MA: MIT P, 2015. Print.
  • Lee, Pamela. Forgetting the Art World. Cambridge, MA: MIT P, 2012), Print.
  • Lukács, Georg. The Meaning of Contemporary Realism. Trans. John and Necke Mander. London: Merlin P, 1962. Print.
  • Lukács, Georg. Writer and Critic, and Other Essays. Trans. Arthur Kahn. London: Merlin P, 1970. Print.
  • Marx, Karl. Capital, Volume One. Trans. Ben Fowkes. Harmondsworth: Penguin, 1976. Print.
  • Roberts, John. Photography and its Violations. New York: Columbia UP, 2014. Print.
  • Sekula, Allan. “Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation).” The Massachusetts Review 19.4 (1978): 859–83. Print.
  • Sekula, Allan. “Photography Between Labour and Capital.” Mining Photographs and Other Pictures. Halifax: P of the Nova Scotia College of Art and Design, 1983. Print.
  • Sekula, Allan. Photography Against the Grain: Essays and Photo Works 1973‒1983. Halifax: P of the Nova Scotia College of Art and Design, 1984. Print.
  • Sekula, Allan. “The Body and the Archive.” October 39 (1986): 3–64. Print.
  • Sekula, Allan. “On ‘Fish Story’: The Coffin Leans to Dance.” Camera Austria International 59‒60 (1997): 49–59. Print.
  • Sekula, Allan. Dismal Science: Photo Works 1972–1996. Normal, IL: University Galleries, 1999. Print.
  • Sekula, Allan. Fish Story. Dusseldorf: Richter Verlag, 2002. Print.
  • Sekula, Allan. “The Traffic in Photographs” and “Discussion.” Modernism and Modernity: The Vancouver Conferences Papers. Ed. Benjamin H.D. Buchloh, Serge Guilbaut and David Solkin. Halifax: P of the Nova Scotia College of Art and Design, 2004. 121–59. Print.
  • Sekula, Allan, and Noel Burch. “The Forgotten Space: Notes for a Film.” New Left Review 69 (2011): 78–79. Print.
  • Sontag, Susan. On Photography. London: Penguin, 1979. Print.
  • Stimson, Blake. The Pivot of the World: Photography and its Nation. Cambridge, MA: MIT P, 2006. Print.
  • Van Gelder, Hilde. “What Has Photography Done?” Still Stirring blog, Winterthur Fotomuseum, 2012. Web. <http://blog.fotomuseum.ch/2012/05/part-1-what-has-photography-done/> [Accessed May 19th 2016]

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.