226
Views
0
CrossRef citations to date
0
Altmetric
Articles

NO LOOKING AFTER THE INTERNET

Curatorial experiments and pedagogical failures in engaging difficult images

Bibliography

  • Azoulay, Ariella. “Different Ways Not to Say Deportation.” Vancouver: Fillip Editions, 2012.
  • Barthes, Roland. Camera Lucida, translated by Richard Howard. New York: Hill and Wang, 1981.
  • Britzman, Deborah. Lost Subjects, Contested Objects: Toward a Psychoanalytic Inquiry of Learning. Albany: State University of New York Press, 1998.
  • Jacob, Luis. Golden Streams: Artists’ Collaboration and Exchange in the 1970s. Toronto: Blackwood Gallery and the University of Toronto Mississauga, 2002.
  • Meyer, Richard. “The Red Envelope: On Censorship and Homosexuality.” In Outlaw Representation: Censorship & Homosexuality in Twentieth Century Art, 3‒31. Boston: Beacon Press, 2001.
  • Morell, Amish. “Pedagogies of Looking: An Interview with Kim Simon and Gabrielle Moser.” C magazine 131 ( Fall 2016): 34‒38.
  • Moser, Gabrielle. “Exhaustive Images: Surveillance, Sovereignty and Subjectivity in Google Street View.” Fillip 15 (Fall 2011): 20‒31.
  • Olin, Margaret. “Touching Photographs: Roland Barthes’s ‘Mistaken’ Identification.” Representations 80 (Fall 2002): 99‒118.
  • Sheehi, Stephen. The Arab Imago: A Social History of Portrait Photography, 1860‒1910. Princeton, NJ: Princeton University Press, 2016.
  • Simon, Roger. “A Shock to Thought: Curatorial Judgment and the Public Exhibition of ‘Difficult Knowledge’.” Memory Studies 4, no. 4 (2011)Oct.: 432–449.
  • Simon, Roger. A Pedagogy of Witnessing: Curatorial Practice and the Pursuit of Social Justice. Albany, NY: SUNY Press, 2014.
  • Smith, Shawn Michelle. “The Evidence of Lynching.” In Lynching Photographs, by Dora Apel and Shawn Michelle Smith, 10–41. Los Angeles: University of California Press, 2007.
  • Smith, Shawn Michelle. “Race and Reproduction in Camera Lucida.” In At the Edge of Sight, 23–38. Durham, NC: Duke University Press, 2013.
  • Wexler, Laura. “The Purloined Image.” In Photography and the Optical Unconscious, edited by Shawn Michelle Smith and Sharon Sliwinski, 264–279. Durham, NC: Duke University Press, 2017.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.