201
Views
0
CrossRef citations to date
0
Altmetric
Research Article

ALBERTO BARAYA’S DECOLONIAL AND POSTTRAUMATIC PHOTOGRAPHY: DISPLACED DIFFERENCE AND CULTURAL TRAUMA

References

  • Alexander, F. C. “Toward a Theory of Cultural Trauma.” In Cultural Trauma and Collective Identity, edited by J. C. Alexander, R. Eyerman, B. Giesen, N. J. Smelser, and P. Sztompka, 1–30. Berkeley: University of California Press, 2004.
  • Auerbach, E. “Figura.” In Scenes from the Drama of European Literature. Translated by R. Manheim. edited by E. Auerbach, 11–76. Minneapolis: University of Minnesota Press, 1984.
  • Baer, U. Spectral Evidence. Photography of Trauma. Cambridge, MA: MIT Press, 2002.
  • Baudelaire, C. “Counterfeit Coin.” In Baudelaire, Rimbaud and Verlaine: Selected Verse and Prose Poems, edited by J. M. Bernstein, 118-119. New York, NY: Citadel Press, 1993.
  • Christian, L. “Fanon and the Trauma of the Cultural Message.” Textual Practice 19, no. 3 (2005): 219–241. doi:10.1080/09502360500196201.
  • Craps, S. Postcolonial Witnessing: Trauma Out of Bounds. Basingstoke: Palgrave Macmillan, 2012.
  • Cull, L. Theatres of Immanence. Deleuze and the Ethics of Performance. Hampshire: Palgrave Macmillan, 2013.
  • de Voragine, J. Golden Leyend of Lives of the Saints. edited by, F. S. Ellis, and translated by W. Caxton. London: J. M. Dent and Co, 1900.
  • Deleuze, G. Difference and Repetition. Translated by P. Patton. New York: Columbia University Press, 1994.
  • Deleuze, G. Cinema 2: The Time-Image. Translated by H. Tomlinson and R. Galeta. Minneapolis: University of Minnesota Press, 1997.
  • Deleuze, G. “The Actual and the Virtual.” In Dialogues II. Translated by E. R. Albert. edited by G. Deleuze and C. Parnet, 148–152. New York: Columbia University Press, 2007.
  • Dürer, A. Hierin sind begriffen vier Bucher von menschlicher Proportion. Nürenberg: Hieronymus Andreae Formschneider, 1528.
  • Fanon, F. Black Skin, White Masks. Translated by R. Philcox. New York: Grove Press, 2008.
  • Giraldo, S. A. “De la Anatomía piadosa a la Anatomía Política.” MA Thesis, Universidad de Antioquia, 2009.
  • Guerrero-Hernández, J. C. “Cuerpos En Dolor (I): Emblemática Del Régimen Ético De La Violencia.” Revista de Estudios Sociales 35, no. Abril (2010): 123–137.
  • Hahn, C. “What Do Reliquaries Do for Relics?” Numen 57, no. 3–4 (2010): 284–316. doi:10.1163/156852710X501324.
  • Hoogland, R. Violent Embrace: Art and Aesthetics after Representation. Lebanon, NH: Dartmouth College, 2014.
  • Iversen, M. Photography, Trace, And Trauma. Chicago: The University of Chicago Press, 2017.
  • Jaramillo, C. M. Beatriz González. Bogotá: Villegas Editores, 2005.
  • Kaufmann, T. D. “The Perspective of Shadows: The History of the Theory of Shadow Projection.” Journal of the Warburg and Courtauld Institutes 38 (1975): 258–287. doi:10.2307/750956.
  • Kjærsgaard, A., and E. Venbrux. “Still in the Picture: Photographs at Graves and Social Time.” In Materialities of Passing Explorations in Transformation, Transition and Transience, edited by P. Bjerregaard, A. E. Rasmussen, and T. F. Sørensen, 85–109. London: Routledge, 2016.
  • Kramp, M. “Unburdening Life, or the Deleuzian Potential of Photography.” Rhizomes 23 (2012). Accessed 10 March, 2017. http://www.rhizomes.net/issue23/kramp/index.html.
  • Kristeva, J. The Severed Head: Capital Visions. Translated by J. Gladding. New York: Columbia University Press, 2012.
  • Laertius, D. Lives of Eminent Philosophers. Translated by R. D. Hicks. London: W. Heinemann, 1972.
  • Lindsey, R. A Communion of Shadows: Religion and Photography in Nineteenth-century America. Chapel Hill: The University of North Carolina Press, 2017.
  • Lubbock, J. Storytelling in Christian Art from Giotto to Donatello. New Haven: Yale University Press, 2006.
  • Luckhurst, R. The Trauma Question. London: Routledge, 2008.
  • Mbembe, A. “The Colony: Its Guilty Secret and Its Accursed Share.” In Terror and the Postcolonial, edited by E. Boehmer and S. Morton, 27–54. Malden: Wiley-Blackwell, 2010.
  • McCauley, A. “The Trouble with Photography.” In Photography Theory, edited by J. Elkins, 403–430. New York: Routledge, 2007.
  • Medina, A., ed. Arte y Violencia en Colombia. Bogotá: Museo de Arte Moderno, 1999.
  • Mitchell, W. J. T., A. Grønstad, and Ø. Vågnes. “An Interview with W.J.T. Mitchell.” Image and Narrative: Online Magazine of the Visual Narrative VII, no. 2 (15) (November, 2006). Accessed May 12, 2015. http://www.imageandnarrative.be/inarchive/iconoclasm/gronstad_vagnes.htm.
  • Mulvey, J. “A Sudden Gust of Wind (After Hokusai): From after to before the Photograph.” Oxford Art Journal 30, no. 1 (2007): 27–37. doi:10.1093/oxartj/kcl030.
  • Pabón, C. “Construcciones de cuerpos.” In Expresión y vida: Prácticas en la diferencia, edited by G. D. D. Humanos, 36–79. Bogotá: Escuela Superior de Administración Pública, 2002.
  • Pécaut, D. “Presente, pasado y futuro de la Violencia.” Análisis Político 30 ( ene./abr., 1997): 1–43.
  • Quevedo, M. P. Un cuerpo para el espíritu: Mística en la Nueva Granada: El cuerpo, el gusto y el asco 1680-1750. Bogotá: Instituto Colombiano de Antropología, 2006.
  • Ray, M. “The Age of Light.” In Classic Essays on Photography, edited by A. Trachtenberg, 167–168. New Haven: Leete’s Island Books, 1981.
  • Rothberg, M. “Decolonizing Trauma Studies: A Response.” Studies in the Novel 40, no. 1–2 (2008): 224–234. doi:10.1353/sdn.0.0005. spring & summer.
  • Sakr, M., and N. Kucirkova. “Making the “Here” and “Now”: Rethinking Children’s Digital Photography with Deleuzian Concepts.” In Children’s Spatialities: Embodiment, Emotion and Agency, edited by J. Seymour, A. Hackett, and L. Procter, 54–74. Basingstoke: Palgrave Macmillan, 2015.
  • Sánchez, G. Guerras, Memoria e Historia. Medellín: La Carreta Editores, 2006.
  • Sprinson de Jesús, M. “57. Head of Saint John the Baptist on a Charger.” In From Van Eyck to Bruegel: Early Netherlandish Painting in the Metropolitan Museum of Art, edited by M. W. Ainsworth and K. Christiansen, 240. New York: The Metropolitan Museum of Art, 1998.
  • Taylor, C. Place and Politics in Latin America Digital Culture: Location and Latin American Net Art. New York: Routledge, 2014.
  • Traba, M. Los Muebles de Beatriz González. Bogotá: Museo de Arte Moderno, 1977.
  • van den Oever, J. “Cultural Trauma, Prophetic Discourse and the Sack of Rome in 1527.” Journal of Religion in Europe 8, no. 3–4 (2015): 444–474. doi:10.1163/18748929-00804010.
  • Visser, I. “Decolonizing Trauma Theory: Retrospect and Prospects.” Humanities 4 (2015): 250–265. doi:10.3390/h4020250.
  • Wagner, A. “Tomorrow Is Here Again (Review of the First Pop Age, by Hal Foster).” London Review of Books 34, no. 19 (2012): 24–25.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.