554
Views
0
CrossRef citations to date
0
Altmetric
Research Article

FRANCESCA WOODMAN: WATER SPECIFIED

ORCID Icon

References

  • Armstrong, C. “Florence Henri: A Photographic Series of 1928.” History of Photography 18, no. 3 (1994): 223–229. doi:10.1080/03087298.1994.10442355.
  • Armstrong, C. “Francesca Woodman: A Ghost in the House of the ‘Woman Artist’.” In Women Artists at the Millennium, edited by C. Armstrong and C. de Zegher, 347–366. Cambridge, Mass.: MIT Press, 2006.
  • Barthes, R. “The Third Meaning: Research Notes on Some Eisenstein Stills.” In Image, Music, Text. Translated by Stephen Heath, 52–68. New York: Hill & Wang, 1977.
  • Berne, B. “To Tell the Truth.” In Francesca Woodman: Photographs, 1975-1980. Vol. 4. New York: Marian Goodman Gallery, 2004.
  • Bryan-Wilson, J. “Blurs: Towards a Provisional Historiography of Francesca Woodman.” In Francesca Woodman, edited by C. Keller, 187–195. San Francisco: San Francisco Museum of Modern Art, 2011.
  • Buchloh, B. “Francesca Woodman: Performing the Photograph, Staging the Subject.” In Francesca Woodman: Photographs, 1975-1980, 41–50. New York: Marian Goodman Gallery, 2004.
  • De Man, P. “Semiology and Rhetoric.” In Allegories of Reading, 3–19. New Haven: Yale University Press, 1982.
  • De Man, P. “Anthropomorphism and Trope in the Lyric.” In The Rhetoric of Romanticism, 239–262. New York: Columbia University Press, 1984.
  • De Man, P. “The Resistance to Theory.” In The Resistance to Theory, 3–21. Minneapolis: University of Minnesota Press, 1986.
  • Krauss, R. “Francesca Woodman: Problem Sets.” In The Bachelors, 161–178. Cambridge, Mass.: MIT Press, 1999.
  • Kristeva, J. “Towards a Semiology of Paragrams.” In The Tel Quel Reader, edited by P. French and R. François-Lack. Translated by Roland François-Lack, 25–49. London: Routledge, 1998.
  • Mallarmé, S. “Edouard Manet.” In Mallarmé in Prose, edited by M. A. Caws. Translated by Rosemary Lloyd, 63. New York: New Directions, 2001.
  • Solomon-Godeau, A. “Just like a Woman.” In Photography at the Dock: Essays on Photographic History, Institutions, and Practices, 238–255. Minneapolis: University of Minnesota Press, 1991.
  • Solomon-Godeau, A. “The Woman Who Never Was: Self-Representation, Photography, and First-Wave Feminist Art.” In WACK! Art and the Feminist Revolution, edited by C. H. Butler, 336–345. Los Angeles: Museum of Contemporary Art, 2007.
  • Solomon-Godeau, A. “Body Double.” In Francesca Woodman: Works from the Sammlung Verbund, edited by G. Schor and E. Bronfen, 73–88. New York: D.A.P., 2014.
  • Starobinski, J. Les Mots sous les mots: Les anagrammes de Ferdinand de Saussure. Paris: Gallimard, 1971.
  • Wunderli, P. “Saussure’s Anagrams and the Analysis of Literary Texts.” In The Cambridge Companion to Saussure, edited by C. Sanders. Translated by Gudrun Milde & Magdalena Trytko, 174–185. New York: Cambridge University Press, 2004.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.