Publication Cover
Design and Culture
The Journal of the Design Studies Forum
Volume 7, 2015 - Issue 2
282
Views
1
CrossRef citations to date
0
Altmetric
Statement of Practice

Exphrasis: Verbalizing Unexisting Objects in the World of Design

References

  • Aristotle. 1995. Poetics. Edited by Donald A. Russell. Cambridge, MA: Harvard University Press.
  • Bal, M. and Morra, J. 2007. “Editorial: Acts of Translation.” Journal of Visual Culture, 6(1): 5–11.
  • Barthes, R. 1977. “The Death of the Author.” Image, Music, Text, pp. 142–148. New York: Hill & Wang.
  • Barthes, R. [1957] 2012. Mythologies. New York: Farrar, Straus & Giroux.
  • Baudrillard, J. 1995. Simulacra and Simulation. Chicago ,IL: University of Chicago.
  • Benjamin, W. 2008. The Work of Art in the Age of Mechanical Reproduction. London: Penguin.
  • Binder, T., De Michelis, G., Ehn, P., Jacucci, G., Linde, P. and Wagner, I. 2011. Design Things. Cambridge, MA: MIT Press.
  • Brown, J.S. and Duguid, P. 1994. “Borderline Issues: Social and Material Aspects of Design.” Human-Computer Interaction, 9: 3–36.
  • Connell, L., and Ramscar, M. 2001. Using Distributional Measures to Model Typicality in Categorization. Available online: http://psych.stanford.edu/~michael/papers/2001_ramscar_typicality.pdf
  • De Michelis, G. 2008. “The Phenomenological Stance of the Designer.” In Thomas Binder, Jonas Lowgren and Lone Malmborg (eds), (Re) Searching the Digital Bauhaus, pp. 145–162. London: Springer.
  • Gadamer, H.G. 1977. Philosophical Hermeneutics. Berkeley: University of California Press.
  • Goldschmidt, G. 2003. “The Backtalk of Self-generated Sketches.” Design Issues, 19(1): 72–88.
  • Gombrich, E. 1956. Art and Illusion. Princeton: Princeton University Press.
  • Goodman, N. 1976. Language of Art: An Approach to a Theory of Symbols. Indianapolis, IN: Hacket.
  • Heffernan, J. 1991. “Ekphrasis and Representation.” New Literary History, 22: 297–316.
  • Heidegger, M. 1971. Poetry, Language, Thought. New York: Harper & Row.
  • Hume, D. 1965. On the Standard of Taste and Other Essays. Upper Saddle River: Prentice Hall.
  • Kant, I. 1951. Critique of Judgment. New York, NY: Hafner.
  • Klapproth, D. 2004. Narrative as Social Practice: Anglo-Western and Australian Aboriginal Oral Traditions. Berlin: Mouton de Gruyter.
  • Kosuth, J. 1969. Art after Philosophy and After: Collected Writings. Cambridge, MA: MIT Press.
  • Lorand, R. 1991. On the Nature of Art. Tel Aviv: Dvir [In Hebrew].
  • Mitchell, W.J.T. 1994. Picture Theory. Chicago, IL: University of Chicago Press.
  • Pinney, C. 2006. “Four Types of Visual Culture.” In C. Tilley, W. Keane, S. Küchler, M. Rowlands and P. Spyer (eds), Handbook of Material Culture, pp. 131–144. London: Sage.
  • Plato. 1992. The Republic. Indianapolis, IN: Hacket.
  • Reynolds, J. 1975. 1797. Seven Discourses on Art. New Haven and London: Yale University Press.
  • Ryd, N. 2004. “The Design Brief as Carrier of Client Information during the Construction Process.” Design Studies, 25(3): 231–249.
  • Talgam, R. 2004. “The Ekphrasis Eikonos of Procopius of Gaza: The Depiction of Mythological Themes in Palestine and Arabia during the Fifth and Sixth Centuries.” In B. Biton and A. Ashkelony (eds), Christian Gaza in Late Antiquity, pp. 209–210. Leiden: Brill.
  • Tomes, A., Oates, C. and Armstrong, P. 1998. “Talking Design: Negotiating the Verbal-Visual Translation.” Design Studies, 19: 127–142.
  • Tyler, S. 1969. “Introduction to Cognitive Anthropology.” In S.A. Tyler (ed.), Cognitive Anthropology, pp. 5–21. New York: Wadsworth/Thomson Learning.
  • Ware, C. 2004. Information Visualization: Perception for Design. Oxford: Elsevier.
  • Welsh, R. 2007. Theories of Media. Chicago, IL: University of Chicago.
  • Woodward, I. 2009. “Material Culture and Narrative: Fusing Myth, Materiality and Meaning.” In P. Vannini (ed.), Material Culture and Technology in Everyday Life, pp. 59–72. New York: Peter Lang.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.