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Book Review

Dialectics without synthesis: Japanese film theory and realism in a global frame

by Naoki Yamamoto, Berkeley, University of California Press, 2020, 248 pp., $85.00 (hardcover), ISBN: 9780520351790, $34.95 (paperback), ISBN: 9780520351806

References

  • Azuma, Hiroki. 2007. Gēmuteki riarizumu no tanjō: Dōbutsuka suru posutomodān 2 [Japan’s Database Animals 2: The Birth of Game-Like Realism]. Tokyo: Kodansha Gendai Shinsho.
  • Furuhata, Yuriko. 2013. Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics. Durham, NC: Duke University Press.
  • Gerow, Aaron, ed. 2010. “Decentering Theory: Reconsidering the History of Japanese Film Theory.” Special issue, Review of Japanese Society and Culture 22.
  • Lamarre, Thomas. 2009. The Anime Machine: A Media Theory of Animation. Minneapolis, MN: University of Minnesota Press.
  • Ōtsuka, Eiji. 2003. Kyarakutā shōsetsu no tsukurikata [How to Write Character Novels]. Tokyo: Kodansha Gendai Shinsho.
  • Steinberg, Marc, and Alexander Zahlten, eds. 2017. Media Theory in Japan. Durham, NC: Duke University Press.
  • Yamamoto, Naoki. 2020. Dialectics without Synthesis: Japanese Film Theory and Realism in a Global Frame. Berkeley, CA: University of California Press.

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