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Journal of Music Research in Africa
Volume 13, 2016 - Issue 2
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Articles

Documenting the structures of musical silencing and audibility: The South African Broadcasting Corporation’s Central Record Acceptance Committee from 1986 to 1996

References

  • Avoid: The censored songs. Compact disc. SABC Media Libraries.
  • Byerly, I. 1998. Mirror, mediator, and prophet: The music indaba of late-apartheid South Africa. Ethnomusicology 42(1): 1–44. doi: 10.2307/852825
  • Coetzee, J.M. 1996. Giving offense: Essays on censorship. Chicago: University of Chicago Press.
  • Coplan, D. 2008. In township tonight! South Africa’s Black City Music and Theatre. Second Edition. Chicago: University of Chicago Press.
  • Drewett, M. 2004. An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s. D.Phil. diss., Rhodes University.
  • Hachten, W.A., and C. Giffard.1984. The press and apartheid: Repression and propaganda in South Africa. London: Macmillan.
  • Hamm, C. 1991. ‘The constant companion of man’: Separate development, Radio Bantu and music. Popular Music 10(2): 147–173. doi: 10.1017/S0261143000004487
  • Jansen van Rensburg, C.E. 2013. Institutional manifestations of music censorship and surveillance in apartheid South Africa with specific reference to the South African Broadcasting Corporation from 1974 to 1996. M.Mus. diss., Stellenbosch University.
  • Korpe, M. ed. 2004. Shoot the singer!: Music censorship today. London: Zed.
  • Lekgoathi, S. 2011. Bantustan identity: Censorship and subversion on Northern Sotho Radio under Apartheid, 1960s–80s. Radio in Africa: Publics, cultures, communities, 117–134.
  • McDonald, P.D. 2009. The literature police: Apartheid censorship and its cultural consequences. Oxford: Oxford University Press.
  • Merrett, C. 1994. A culture of censorship: Secrecy and intellectual repression in South Africa. Cape Town: David Philip.
  • Mitchell, D., and M. Drewett. 2002. Stopping the music: Music censorship in South Africa . Documentary film. Freemuse: Cutting Grooves.
  • Muller, S.J.v.Z. 2000. Sounding margins: Musical representations of white South Africa. D.Phil. diss., Balliol College, Oxford University, ,.
  • Picard, M. 1954. The world of silence. London: Harvill.
  • Sheriff, R.E. 2000. Exposing silence as cultural censorship: A Brazilian case. American Anthropologist 102(1): 114–132. doi: 10.1525/aa.2000.102.1.114
  • Van Rooyen, K. 2011. A South African censor’s tale. Pretoria: Protea.

Interviews

  • Anon. 2012, Telephone Communication, 23 May. Stellenbosch.
  • Marks, David. 2012, Personal Correspondence, 16 January. Port Shepstone.
  • Pracher, Cecile. 1998, Personal Correspondence with Reitov, Ole, Unpublished transcript. 20–22 November. Copenhagen.
  • Van Rooyen, Jacobus. 2011, Telephone Correspondence, 27 April.

Archival material

  • Jacobs, J.R. (General Manager: Afr. Eng Radio Group) 1 December 1989. Letter to Oldfield, Tracy Chapman ‘Crossroads’ Album, SABC Record Library.
  • Oldfield, MA. 22 November 1989. Letter addressed to Mr Jacobs re Tracy Chapman ‘Crossroads’ Album, SABC Record Library.
  • Undated (filed with memo no. 189). List of reasons for restricting tracks, SABC Record Library. Undated. List of functionaries, SABC Record Library.
  • 2 May 1980. Government Gazette, SABC Record Library.

Agendas (1986–1996)

  • 27 November 1986. Agenda of Record Meeting, Platekeuringsvergadering, memo no, 209. SABC Record Library.
  • 12 March 1987. Agenda of Record Meeting, Platekeuringsvergadering, memo no. 220. SABC Record Library.
  • 19 March 1987. Agenda of Record Meeting, Platekeuringsvergadering, memo no 220. SABC Record Library.
  • 17 May 1990. Agenda of Record Meeting, Platekeuringsvergadering, memo no 307. SABC Record Library.

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