Publication Cover
Muziki
Journal of Music Research in Africa
Volume 16, 2019 - Issue 2
83
Views
0
CrossRef citations to date
0
Altmetric
Articles

“The Times Do Not Permit”: Moerane, South Africa, Lesotho, and Fatše La Heso

ORCID Icon

References

  • Adi, Hakim. 2018. Pan-Africanism: A History. London: Bloomsbury Academic.
  • Ballantine, Christopher. 2012. Marabi Nights: Jazz, “Race,” and Society in Early Apartheid South Africa. Scottsville: University of KwaZulu-Natal Press.
  • Blake, Michael. 2000. “Parallel Streams: An Overview of South African Composition.” World New Music Magazine no. 10: 13–19.
  • Brukman, Jeff. n.d. [2009]. “Tribute to Michael Moerane.” CueOnline. Accessed October 22, 2009 and no longer available. http://cue.ru.ac.za/music/2009/tribute-michael-moerane.html.
  • Carolina Times. 1950. “Negro Composers’ Works Featured in Symphonic Recital.” The Carolina Times, June 10, 1950. Accessed December 17, 2018. http://newspapers.digitalnc.org/lccn/sn83045120/1950-06-10/ed-1/seq-4/.
  • Coplan, David B. 2007. In Township Tonight! South Africas Black City Music and Theatre, 2nd ed. Johannesburg: Jacana Media.
  • Cory Library for Historical Research, Grahamstown. Michael Mosoeu Moerane, “Fatše La Heso (My Country) Symphonic Poem,” MS 14467.
  • Currey, R. F. 1970. Rhodes University 1904–1970: A Chronicle. Grahamstown: Rhodes University.
  • Du Plessis, Phil. 1991. Timbila: Orchestral Works Inspired by Elements in African Music. Claremont Records, CD GSE 1513, 1991, liner notes.
  • Erlmann, Veit. 1991. African Stars: Studies in Black South African Performance. Chicago: University of Chicago Press.
  • Franke, Veronica Mary. 2012. “South African Orchestral Music: Five Exponents.” Acta Musicologica 84 (1): 87–125.
  • Gevisser, Mark. 2007. Thabo Mbeki: The Dream Deferred. Johannesburg and Cape Town: Jonathan Ball.
  • Grundy, Kenneth W. 1996. “Cultural Politics in South Africa: An Inconclusive Transformation.” African Studies Review 39 (1): 1–24. doi: 10.2307/524666
  • Haas, Michael. 2013. “Friedrich Hartmann.” Forbidden Music, June, 1 2013. Accessed June 26, 2018. https://forbiddenmusic.org/2013/06/01/friedrich-hartmann.
  • Huskisson, Yvonne. 1969. Die Bantoe-Komponiste van Suider-Afrika/The Bantu Composers of Southern Africa. Johannesburg: South African Broadcasting Corporation.
  • Hyslop, Jonathan. “Food, Authority and Politics: Student Riots in South African Schools 1945–1976.” Paper presented at the African Studies Seminar, University of the Witwatersrand African Studies Institute, Johannesburg, September 29, 1986.
  • Irele, Abiola. 2001. The African Imagination: Literature in Africa and the Black Diaspora. Oxford: Oxford University Press.
  • Jackson, Timothy. 2010. “Friedrich Hartmann (1900–1973).” Johannesburg International Mozart Festival, n.d., 18–22, 2010. Accessed July 23, 2018. http://www.join-mozart-festival.org/fileadmin/images/Info_material/JIMF_Programme2010_web.pdf.
  • Khaketla, Bennett M. 1971. Lesotho 1970: African Coup Under the Microscope. Bloomsbury: C. Hurst and Co.
  • Khomo, Izak. 2011. “Nephew of Michael Mosoeu Moerane (1909–1981) Adds Details for Composer’s Page at AfricClassical.com.” Africlassical, September 28, 2011. Accessed March 23, 2020. https://africlassical.blogspot.com/2011/09/nephew-of-michael-mosoeu- moerane-1909.html.
  • Kirby, Percival R. 1984. “Moerane, Michael Mosoeu.” In South African Music Encyclopedia Volume III, J–O, edited by Jacques P. Malan, 253–54. Cape Town: Oxford University Press.
  • Kirby Papers. Cape Town: University of Cape Town Museums and Archives, Collection file BC 750.
  • Klatzow, Peter. 1987. Composers in South African Today. Oxford: Oxford University Press.
  • Kriek, Elizabeth. 1994. “Die Symphonie en Suid-Afrika.” MMus dissertation, University of South Africa.
  • Kriek, Elizabeth. 1995. “Die Symphonie en Suid-Afrika, 1970–1990: ‘n Styl- en Struktuurstudie.” DMus dissertation, University of South Africa.
  • Larkin, Deirdre. 1994. “The Symphonic Poem and Tone Poem in South Africa.” Ars Nova 26: 5–42. https://doi.org/10.1080/03796489408566516.
  • Lawrence, Patricia B. 2011. Viva Musica! A Birds Eye View of Music at Unisa. Pretoria: Unisa Press.
  • Leeman, Bernard. 2015 (1985). Lesotho and the Struggle for Azania: The Origins and History of the African National Congress, Pan Africanist Congress, South African Communist Party and Basutoland Congress Party 1780–1994. London: Bernard Leeman.
  • Lucia, Christine. 2006. “How Critical Is Music Theory?” Critical Arts 21 (1): 166–89. doi: 10.1080/02560040701398871
  • Lucia, Christine. 2008. “Back to the Future? Idioms of ‘Displaced Time’ in South African Compositions.” Composing Apartheid: Music for and against Apartheid, edited by Grant Olwage, 11–34. Johannesburg: Wits University Press.
  • Lynch, Hollis Ralph. 1978. Black American Radicals and the Liberation of Africa: The Council on African Affairs, 1937–1955. Ithaca: Cornell University Press.
  • McNaught, W. M. 1944. “Broadcast Music.” The Listener, November 30, 612–13.
  • Mda, Zakes. 2011. Sometimes There Is a Void: Memoirs of an Outsider. Johannesburg: Penguin Books.
  • Moerane, M. M. Barali ba Jerusalema. 1996. Typescript. The SAMRO Music Archive, Johannesburg, call no. A02038. [For the Sowetan-Caltex Massed Choir Festival.]
  • Moerane, M. M., arr. Hans Roosenschoon. 1997. “Barali ba Jerusalema: O Daughters of Jerusalem.” The SAMRO Music Archive, Johannesburg, call no. A02425. [For Sop/pf or Ten/pf. Commission: SAMRO Endowment for the National Arts 1997 for Deon v d Walt Gala Benefit Concert.]
  • Moerane, M. M., arr. Hans Roosenschoon. 1997. “Barali ba Jerusalema: O Daughters of Jerusalem.” The SAMRO Music Archive, Johannesburg, call no. A02436. [For Ten/orch. Commission: SAMRO Endowment for National Arts 1997 for Deon v d Walt Gala Concert.]
  • Moerane, M. M. 1998. “Barali ba Jerusalema: O Daughters of Jerusalem.” In South Africa Sings Vol. I: African Choral Repertoire in “Dual Notation,” edited by J. S. M. Khumalo, 14–21. Johannesburg: Southern African Music Rights Organisation.
  • Moerane, M. M., edited by J. S. M. Khumalo. 1998. “Barali ba Jerusalema: O Daughters of Jerusalem.” The SAMRO Music Archive, Johannesburg, call no. A04323. [Instrumentalization of SATB setting in “South Africa Sings Vol I.”]
  • Moerane, M. M., edited and orchestrated by Walter Mony. 1998. “Barali ba Jerusalema: O Daughters of Jerusalem.” The SAMRO Music Archive, Johannesburg, call no. Q00413. [For reduced orchestra. Commission: SAMRO Endowment for the National Arts 1998 for accompaniment of versions in “South African Sings Vol I.”]
  • Moerane, M. M. 1998. Barali ba Jerusalema. SABC CD29056A, Trk 2. Nation Building: Celebrating 10 Years in Music. Sowetan, Caltex, SABC 1 Massed Choir Festival.
  • Bonisudmo Choristers, Soweto Songsters, National Symphony Orchestra, Jabulani Simelane, Joyce Mogolagae, Peter Mcebi, Sibongile Khumalo, cond. Mzilikazi Khumalo. Janus CD JANP33.
  • Moerane, M. T. 1988. “An Address by M. T. Moerane on the Occasion of the Unveiling of the Tombstone of his Older Brother Michael Mosoeu at Hlotse, Lesotho on December 17, 1988.” Unpublished typescript. Thuso Moerane private collection.
  • Moerane, Thuso. [n.d.c.1988]. “Biography of Michael Mosoeu Moerane B. Mus.” Unpublished typescript. Thuso Moerane private collection.
  • Mohapeloa, J. P. 2016. Joshua Pulumo Mohapeloa Critical Edition in Six Volumes, xxiv–lix. Cape Town: African Composers Edition. Accessed April 2, 2020. http://www.african-composers-edition.co.za/joshua-mohapeloa.
  • Msimango, Ziphezinhle. 2013. “Full Version of Sunday Times Interview with Former President Thabo Mbeki.” Accessed April 2, 2020. https://www.facebook.com/permalink.php?id=38131714712&story_fbid=10151430788504713%2C.
  • Nhlapo, Walter. 1947. “Music for Urban Natives.” The Star, 2 October. [In Kirby Papers. Cape Town: University of Cape Town Museums and Archives, Collection file BC 750.]
  • Olwage, Grant. 2010/2011. “John Knox Bokwe: Father of Black South African Choral Composition.” NewMusicSA Bulletin no. 9/10: 18–19.
  • Pasler, Jan. n.d. “Neo-romantic.” Grove Music Online. Accessed March 30, 2020. https://doi.org/10.1093/gmo/9781561592630.article.40720.
  • Pooley, Thomas. 2008. “Composition in Crisis: Case Studies in South African Art Music, 1980–2006.” MMus dissertation, University of the Witwatersrand.
  • Rickard, Carmel. 1988. “Moerane and the Lost Chord Detectives.” The Weekly Mail, Arts supplement, December 1988.
  • Shea, Dorothy C. 2000. The South African Truth Commission: The Politics of Reconciliation. Washington, D.C.: United States Institute of Peace Press.
  • SAMRO. 2003. Catalogue: Works by Michael Mosoeu Moerane 1901–1981. Johannesburg: Southern African Music Rights Organisation.
  • Universiteit van Suid-Africa. 1962. “Student Record.” Universiteit van Suid-Africa/University of South Africa.
  • Vokwana, Thembela. 2004. Expressions in Black: A History of South African Black Choral Music (2004). Unpublished paper delivered at the Department of Art, Art History, and Musicology, University of South Africa.
  • Walton, Chris. 2004. “Bond of Broeders: Anton Hartman and Music in an Apartheid State.” The Musical Times 145 (1887): 63–74. doi: 10.2307/4149148
  • Wells, Robin. 1994. An Introduction to the Music of the Basotho. Morija: Morija Sesuto Book Depot.
  • Letters in Kirby Papers, University of Cape Town Museums and Archives, P. R. Kirby Collection file BC 750 Letter from Dean Dixon to Percival Kirby, March 25, 1964.
  • Letter from Friedrich Hartmann to Percival Kirby, March 11, 1958. Letter from Marie Slocomb to Percival Kirby, May 22, 1964.
  • Letter from Michael Moerane to Percival Kirby, April 21, 1958. Letter from Michael Moerane to Percival Kirby, February 16, 1966. Letter from Michael Moerane to Percival Kirby, March 9, 1966.
  • Letter from Michael Moerane to Percival Kirby, June 27, 1968. Letter from Percival Kirby to Dean Dixon, January 9, 1964.
  • Letter from Percival Kirby to Michael Moerane, January 21, 1966. Letter from Percival Kirby to Michael Moerane, February 22, 1966. Letter from the Unisa Registrar to Percival Kirby, October 24, 1962.
  • Letters in Yvonne Huskisson Collection, SAMRO Archive, Johannesburg, File Moerane, M/Korrespondensie
  • Letter from Michael Moerane to Yvonne Huskisson, May 20, 1973. Letter from Yvonne Huskisson to Michael Moerane, July 19, 1973.

Author's Interviews

  • Interview with Marumo Moerane, Durban, October 7, 2017. Interview with Mofelehetsi Moerane, Atteridgeville, May 14, 2014. Interview with Mosa Ndludla, Muizenberg, October 22, 2019.
  • Interview with Ntabiseng Itholeng, Bronkhorstspruit, October 4, 2017. Interview with Tseliso Makhakhe, Maseru, May 20, 2014.
  • Interview with Tsepo and Neo Moerane, Queenstown, September 30, 2019.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.